Kunsthal Gent. Art Cinema OFFoff: 100 jaar 16mm-film (ciné-concert)

#3: Entrance to all exhibitions at Kunsthal Gent is free.|#10: Don’t be obsessed with numbers.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#26: More artists, less borders.|#127: Remain practical: what happens to the work in an endless exhibition?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#44: No name tags at dinner.|#99: Evolve according to changing needs.|#14: Can you also remain a toddler institution?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#64: Arrange a distribution of forces.|#137: Use the publication as programming space|#19: Have fun at the exhibition.|#35: The artist fee should be good.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#117: Consider design, organisational structures and architecture as programme.|#90: The best systems have a failure or ‘a hole’ in them…|#56: Take a lunch break.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#16: Kunsthal Gent will always be a construction site.|#84: The White Cube is a lie.|#119: Be a space of production.|#37: Operate with radical transparency.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#10: Don’t be obsessed with numbers.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#26: More artists, less borders.|#127: Remain practical: what happens to the work in an endless exhibition?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#44: No name tags at dinner.|#99: Evolve according to changing needs.|#14: Can you also remain a toddler institution?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#64: Arrange a distribution of forces.|#137: Use the publication as programming space|#19: Have fun at the exhibition.|#35: The artist fee should be good.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#117: Consider design, organisational structures and architecture as programme.|#90: The best systems have a failure or ‘a hole’ in them…|#56: Take a lunch break.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#16: Kunsthal Gent will always be a construction site.|#84: The White Cube is a lie.|#119: Be a space of production.|#37: Operate with radical transparency.|

27.02.2023 20:00

Art Cinema OFFoff

Prijs: € 8

100 jaar 16mm-film: Ciné-concert Jonas Cambien, Adrian Myhr & Xavier Quérel