Kunsthal Gent | 3 tentoonstellingen

#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#112: Spaces today don’t need to be curated, but occupied.|#119: Be a space of production.|#127: Remain practical: what happens to the work in an endless exhibition?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#35: The artist fee should be good.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#84: The White Cube is a lie.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#15: Kunsthal Gent aims to be an extension of public space.|#36: We support production separately.|#30: Don’t work with artists who are assholes.|#14: Can you also remain a toddler institution?|#56: Take a lunch break.|#34: We pay artists.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#90: The best systems have a failure or ‘a hole’ in them…|#89: Build-in impurity within the organisation.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#51: How do we invite the true unknown?|#19: Have fun at the exhibition.|#132: Things will always look weird when you’re the first doing it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#112: Spaces today don’t need to be curated, but occupied.|#119: Be a space of production.|#127: Remain practical: what happens to the work in an endless exhibition?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#35: The artist fee should be good.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#84: The White Cube is a lie.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#15: Kunsthal Gent aims to be an extension of public space.|#36: We support production separately.|#30: Don’t work with artists who are assholes.|#14: Can you also remain a toddler institution?|#56: Take a lunch break.|#34: We pay artists.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#90: The best systems have a failure or ‘a hole’ in them…|#89: Build-in impurity within the organisation.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#51: How do we invite the true unknown?|#19: Have fun at the exhibition.|#132: Things will always look weird when you’re the first doing it.|

30.09—02.10.2022 20:00

Femmy Otten, Pei Hsuan-Wang, Ben Benaouisse, Theo De Meyer & Olivier Goethals

Pay what you can

Openingsweekend:
3 tentoonstellingen – nieuwe bar