#131: A visitor who comes back after a week might discover new additions to the exhibition.|#21: Live with the exhibition, spend time with it.|#82: Clean and sterile looks professional, but really boring.|#35: The artist fee should be good.|#132: Things will always look weird when you’re the first doing it.|#20: Are exhibitions the most suitable form for the art that we present?|#127: Remain practical: what happens to the work in an endless exhibition?|#55: Keep basic human needs on the forefront.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#40: Follow the artist|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#59: Always protect the floor when painting (or pouring concrete)|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#17: An exhibition is never finished.|#56: Take a lunch break.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#26: More artists, less borders.|#92: We’re a learning organisation.|#16: Kunsthal Gent will always be a construction site.|#34: We pay artists.|#10: Don’t be obsessed with numbers.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#117: Consider design, organisational structures and architecture as programme.|#37: Operate with radical transparency.|#61: No all male install teams.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#21: Live with the exhibition, spend time with it.|#82: Clean and sterile looks professional, but really boring.|#35: The artist fee should be good.|#132: Things will always look weird when you’re the first doing it.|#20: Are exhibitions the most suitable form for the art that we present?|#127: Remain practical: what happens to the work in an endless exhibition?|#55: Keep basic human needs on the forefront.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#40: Follow the artist|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#59: Always protect the floor when painting (or pouring concrete)|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#17: An exhibition is never finished.|#56: Take a lunch break.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#26: More artists, less borders.|#92: We’re a learning organisation.|#16: Kunsthal Gent will always be a construction site.|#34: We pay artists.|#10: Don’t be obsessed with numbers.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#117: Consider design, organisational structures and architecture as programme.|#37: Operate with radical transparency.|#61: No all male install teams.|