#131: A visitor who comes back after a week might discover new additions to the exhibition.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#84: The White Cube is a lie.|#30: Don’t work with artists who are assholes.|#35: The artist fee should be good.|#119: Be a space of production.|#127: Remain practical: what happens to the work in an endless exhibition?|#28: Make Contracts.|#61: No all male install teams.|#92: We’re a learning organisation.|#40: Follow the artist|#34: We pay artists.|#21: Live with the exhibition, spend time with it.|#91: Embrace doubt.|#94: No objections? Just do it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#64: Arrange a distribution of forces.|#39: Be the early stepping stone in an artist’s career|#26: More artists, less borders.|#32: Be pan-gender polyphonic.|#81: Things come alive when there is friction.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#59: Always protect the floor when painting (or pouring concrete)|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#84: The White Cube is a lie.|#30: Don’t work with artists who are assholes.|#35: The artist fee should be good.|#119: Be a space of production.|#127: Remain practical: what happens to the work in an endless exhibition?|#28: Make Contracts.|#61: No all male install teams.|#92: We’re a learning organisation.|#40: Follow the artist|#34: We pay artists.|#21: Live with the exhibition, spend time with it.|#91: Embrace doubt.|#94: No objections? Just do it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#64: Arrange a distribution of forces.|#39: Be the early stepping stone in an artist’s career|#26: More artists, less borders.|#32: Be pan-gender polyphonic.|#81: Things come alive when there is friction.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#59: Always protect the floor when painting (or pouring concrete)|
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22—23.06.2019 20:00

Pay what you can

Offoff Presents:
A Bird among Bears, Thomas De Geyter

Upon accepting that it won’t change – the phenomenon reveals itself
2 becomes 17 – thus accepting its translucent nature
He does not quite know where he ended up

A-Bird-among-Bears