#62: Be kind. Full dishwasher: empty it.|#53: Immaterial support for artists is important.|#98: The success of it will not lie in the result but in the process.|#37: Operate with radical transparency.|#17: An exhibition is never finished.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#16: Kunsthal Gent will always be a construction site.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#137: Use the publication as programming space|#35: The artist fee should be good.|#21: Live with the exhibition, spend time with it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#132: Things will always look weird when you’re the first doing it.|#89: Build-in impurity within the organisation.|#82: Clean and sterile looks professional, but really boring.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#6: Demand that visitors are active.|#14: Can you also remain a toddler institution?|#61: No all male install teams.|#90: The best systems have a failure or ‘a hole’ in them…|#55: Keep basic human needs on the forefront.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#28: Make Contracts.|#62: Be kind. Full dishwasher: empty it.|#53: Immaterial support for artists is important.|#98: The success of it will not lie in the result but in the process.|#37: Operate with radical transparency.|#17: An exhibition is never finished.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#16: Kunsthal Gent will always be a construction site.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#137: Use the publication as programming space|#35: The artist fee should be good.|#21: Live with the exhibition, spend time with it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#132: Things will always look weird when you’re the first doing it.|#89: Build-in impurity within the organisation.|#82: Clean and sterile looks professional, but really boring.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#6: Demand that visitors are active.|#14: Can you also remain a toddler institution?|#61: No all male install teams.|#90: The best systems have a failure or ‘a hole’ in them…|#55: Keep basic human needs on the forefront.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#28: Make Contracts.|
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22—23.06.2019 20:00

Pay what you can

Offoff Presents:
A Bird among Bears, Thomas De Geyter

Upon accepting that it won’t change – the phenomenon reveals itself
2 becomes 17 – thus accepting its translucent nature
He does not quite know where he ended up

A-Bird-among-Bears