#124: Do less, do it better.|#34: We pay artists.|#98: The success of it will not lie in the result but in the process.|#105: Kunsthal Gent is local in scale, but globally connected.|#19: Have fun at the exhibition.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#99: Evolve according to changing needs.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#20: Are exhibitions the most suitable form for the art that we present?|#82: Clean and sterile looks professional, but really boring.|#53: Immaterial support for artists is important.|#37: Operate with radical transparency.|#91: Embrace doubt.|#44: No name tags at dinner.|#74: Last one out turns of the lights.|#26: More artists, less borders.|#94: No objections? Just do it.|#107: Build a community / scene.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#81: Things come alive when there is friction.|#59: Always protect the floor when painting (or pouring concrete)|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#124: Do less, do it better.|#34: We pay artists.|#98: The success of it will not lie in the result but in the process.|#105: Kunsthal Gent is local in scale, but globally connected.|#19: Have fun at the exhibition.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#99: Evolve according to changing needs.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#20: Are exhibitions the most suitable form for the art that we present?|#82: Clean and sterile looks professional, but really boring.|#53: Immaterial support for artists is important.|#37: Operate with radical transparency.|#91: Embrace doubt.|#44: No name tags at dinner.|#74: Last one out turns of the lights.|#26: More artists, less borders.|#94: No objections? Just do it.|#107: Build a community / scene.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#81: Things come alive when there is friction.|#59: Always protect the floor when painting (or pouring concrete)|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|
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22—23.06.2019 20:00

Pay what you can

Offoff Presents:
A Bird among Bears, Thomas De Geyter

Upon accepting that it won’t change – the phenomenon reveals itself
2 becomes 17 – thus accepting its translucent nature
He does not quite know where he ended up

A-Bird-among-Bears