#89: Build-in impurity within the organisation.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#65: No excuses: Thursday morning, team meeting.|#94: No objections? Just do it.|#92: We’re a learning organisation.|#137: Use the publication as programming space|#132: Things will always look weird when you’re the first doing it.|#81: Things come alive when there is friction.|#44: No name tags at dinner.|#84: The White Cube is a lie.|#107: Build a community / scene.|#53: Immaterial support for artists is important.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#117: Consider design, organisational structures and architecture as programme.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#105: Kunsthal Gent is local in scale, but globally connected.|#59: Always protect the floor when painting (or pouring concrete)|#127: Remain practical: what happens to the work in an endless exhibition?|#90: The best systems have a failure or ‘a hole’ in them…|#4: Pay what you can.|#2: Bring something new to the city of Ghent.|#30: Don’t work with artists who are assholes.|#89: Build-in impurity within the organisation.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#65: No excuses: Thursday morning, team meeting.|#94: No objections? Just do it.|#92: We’re a learning organisation.|#137: Use the publication as programming space|#132: Things will always look weird when you’re the first doing it.|#81: Things come alive when there is friction.|#44: No name tags at dinner.|#84: The White Cube is a lie.|#107: Build a community / scene.|#53: Immaterial support for artists is important.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#117: Consider design, organisational structures and architecture as programme.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#105: Kunsthal Gent is local in scale, but globally connected.|#59: Always protect the floor when painting (or pouring concrete)|#127: Remain practical: what happens to the work in an endless exhibition?|#90: The best systems have a failure or ‘a hole’ in them…|#4: Pay what you can.|#2: Bring something new to the city of Ghent.|#30: Don’t work with artists who are assholes.|
Deze website maakt gebruik van cookies om uw gebruikservaring te verbeteren. Meer informatie

13.05.2022 18:00

Wandeling met Kunsthal Gent als vertrekpunt

Prijs: € 10

Between Us vzw presenteert:
A walk during which ...

Met a walk during which the participants will tread their own route and take a few stops designed in such a way that the artist can share her fascination with art history, history of walking, city development, psychology, and other fields onderzoekt Anyuta Wiazemsky Snauwaert hoe mensen zich verhouden tot steden.

Als gediplomeerd gids gebruikt zij het canvas van een klassieke rondleiding, deconstrueert het en verweeft er nieuwe elementen in, zoals artistieke praktijken of persoonlijke interesse in stadsontwikkeling, psychologie, maatschappelijke dynamiek, linguïstiek. Deze wandeling is een ervaring waarbij de deelnemers actief herinneringen creëren en zo hun eigen relatie met een/het gegeven stad manipuleren.

De wandeling duurt 90 minuten en is geschikt voor groepen van minimum 5 en maximum 20 personen.

Toegangsprijs: €10 (incl. 8 speciaal geproduceerde ansichtkaarten), reserveren verplicht

Een project van Between us vzw

279342341 514660016816959 7863166489396624528 n