#89: Build-in impurity within the organisation.|#39: Be the early stepping stone in an artist’s career|#111: Do it together.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#55: Keep basic human needs on the forefront.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#20: Are exhibitions the most suitable form for the art that we present?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#30: Don’t work with artists who are assholes.|#44: No name tags at dinner.|#53: Immaterial support for artists is important.|#21: Live with the exhibition, spend time with it.|#91: Embrace doubt.|#74: Last one out turns of the lights.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#90: The best systems have a failure or ‘a hole’ in them…|#98: The success of it will not lie in the result but in the process.|#65: No excuses: Thursday morning, team meeting.|#2: Bring something new to the city of Ghent.|#37: Operate with radical transparency.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#99: Evolve according to changing needs.|#26: More artists, less borders.|#10: Don’t be obsessed with numbers.|#89: Build-in impurity within the organisation.|#39: Be the early stepping stone in an artist’s career|#111: Do it together.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#55: Keep basic human needs on the forefront.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#20: Are exhibitions the most suitable form for the art that we present?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#30: Don’t work with artists who are assholes.|#44: No name tags at dinner.|#53: Immaterial support for artists is important.|#21: Live with the exhibition, spend time with it.|#91: Embrace doubt.|#74: Last one out turns of the lights.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#90: The best systems have a failure or ‘a hole’ in them…|#98: The success of it will not lie in the result but in the process.|#65: No excuses: Thursday morning, team meeting.|#2: Bring something new to the city of Ghent.|#37: Operate with radical transparency.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#99: Evolve according to changing needs.|#26: More artists, less borders.|#10: Don’t be obsessed with numbers.|
