#89: Build-in impurity within the organisation.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#65: No excuses: Thursday morning, team meeting.|#94: No objections? Just do it.|#92: We’re a learning organisation.|#137: Use the publication as programming space|#132: Things will always look weird when you’re the first doing it.|#81: Things come alive when there is friction.|#44: No name tags at dinner.|#84: The White Cube is a lie.|#107: Build a community / scene.|#53: Immaterial support for artists is important.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#117: Consider design, organisational structures and architecture as programme.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#105: Kunsthal Gent is local in scale, but globally connected.|#59: Always protect the floor when painting (or pouring concrete)|#127: Remain practical: what happens to the work in an endless exhibition?|#90: The best systems have a failure or ‘a hole’ in them…|#4: Pay what you can.|#2: Bring something new to the city of Ghent.|#30: Don’t work with artists who are assholes.|#89: Build-in impurity within the organisation.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#65: No excuses: Thursday morning, team meeting.|#94: No objections? Just do it.|#92: We’re a learning organisation.|#137: Use the publication as programming space|#132: Things will always look weird when you’re the first doing it.|#81: Things come alive when there is friction.|#44: No name tags at dinner.|#84: The White Cube is a lie.|#107: Build a community / scene.|#53: Immaterial support for artists is important.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#117: Consider design, organisational structures and architecture as programme.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#105: Kunsthal Gent is local in scale, but globally connected.|#59: Always protect the floor when painting (or pouring concrete)|#127: Remain practical: what happens to the work in an endless exhibition?|#90: The best systems have a failure or ‘a hole’ in them…|#4: Pay what you can.|#2: Bring something new to the city of Ghent.|#30: Don’t work with artists who are assholes.|
