#65: No excuses: Thursday morning, team meeting.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#17: An exhibition is never finished.|#105: Kunsthal Gent is local in scale, but globally connected.|#36: We support production separately.|#2: Bring something new to the city of Ghent.|#61: No all male install teams.|#56: Take a lunch break.|#117: Consider design, organisational structures and architecture as programme.|#68: Once in a while we need to get out of utopia and get something done.|#15: Kunsthal Gent aims to be an extension of public space.|#6: Demand that visitors are active.|#55: Keep basic human needs on the forefront.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#34: We pay artists.|#137: Use the publication as programming space|#81: Things come alive when there is friction.|#111: Do it together.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#53: Immaterial support for artists is important.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#39: Be the early stepping stone in an artist’s career|#51: How do we invite the true unknown?|#65: No excuses: Thursday morning, team meeting.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#17: An exhibition is never finished.|#105: Kunsthal Gent is local in scale, but globally connected.|#36: We support production separately.|#2: Bring something new to the city of Ghent.|#61: No all male install teams.|#56: Take a lunch break.|#117: Consider design, organisational structures and architecture as programme.|#68: Once in a while we need to get out of utopia and get something done.|#15: Kunsthal Gent aims to be an extension of public space.|#6: Demand that visitors are active.|#55: Keep basic human needs on the forefront.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#34: We pay artists.|#137: Use the publication as programming space|#81: Things come alive when there is friction.|#111: Do it together.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#53: Immaterial support for artists is important.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#39: Be the early stepping stone in an artist’s career|#51: How do we invite the true unknown?|
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22.11.2023 19:00

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JUBILEE 2.0 COLLECTIVE CONVERSATIONS:
ACTIVATING FRED DEWEY’S LIBRARY

Jubilee presents a public programme on Fred Dewey’s library. The conversational format starts from books we chose from his book collection. The selection of books sheds light on individual artistic practices of Jubilee members, as well as on Jubilee’s collective projects. These collective conversations offer a first series of insights in Dewey’s work and philosophy, which Jubilee’s 2024 cycle of monthly Reading Rooms will develop further.

“People are more willing to talk … when they’re sharing something deeply meaningful with each other. That’s why poetry becomes the foundation of a new kind of dialogue.” (Fred Dewey)

In the summer of 2023 Jubilee expanded the organisation with artists and researchers with whom we have worked in the past. Louise de Bethune, Katya Ev, Ciel Grommen, Hélène Meyer, Maximiliaan Royakkers, Stijn Van Dorpe, Filip Van Dingenen, Jesse Van Winden and Clémentine Vaultier joined Jubilee’ general assembly. They join Justin Bennett, Ronny Heiremans, Vincent Meessen, and Katleen Vermeir for what can be considered Jubilee 2.0.

Jubilee’s Summer School 2023 paid a collective visit to Fred Dewey’s library. Fred Dewey had a fierce commitment to creating public spaces for intellectual and political engagement. His home base was Los Angeles, but the last years of his life he spent in Brussels. In 2022 Dewey died unexpectedly. To ensure the continuation of his legacy, the Fred Dewey Legacy Project was initated, aiming to set up initiatives that extend Dewey’s work, as well as preserve his considerable library.

Summer 2023 artists Filip van Dingenen and Hélène Meyer re-installed part of Dewey’s extensive library. They are opening up his collection of books to artists and researchers from their studio home. One way to activate this library is Jubilee’s 2024 Reading Room program. This program performs a collective knowledge transfer – using the library as a situated research tool from which each Jubilee artist can select a title and propose it for a collective reading and discussion session.

‘Jubilee 2.0 Collective Conversations’ welcomes you to Kunsthal Gent on 22 November from 19h for a collective presentation of Jubilee’s ongoing and upcoming collective research, for which the Dewey library is an excellent starting point. Through a selection of books different Jubilee artists will introduce their practices as well as the current development of a mapping tool for situated artistic research, with the working title Shards. Our interest in a new organisational forms, reconsidering cooperative entrepreneurship, will also have our attention.

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