#59: Always protect the floor when painting (or pouring concrete)|#74: Last one out turns of the lights.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#68: Once in a while we need to get out of utopia and get something done.|#132: Things will always look weird when you’re the first doing it.|#39: Be the early stepping stone in an artist’s career|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#124: Do less, do it better.|#10: Don’t be obsessed with numbers.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#36: We support production separately.|#37: Operate with radical transparency.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#111: Do it together.|#51: How do we invite the true unknown?|#137: Use the publication as programming space|#35: The artist fee should be good.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#56: Take a lunch break.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#127: Remain practical: what happens to the work in an endless exhibition?|#94: No objections? Just do it.|#59: Always protect the floor when painting (or pouring concrete)|#74: Last one out turns of the lights.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#68: Once in a while we need to get out of utopia and get something done.|#132: Things will always look weird when you’re the first doing it.|#39: Be the early stepping stone in an artist’s career|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#124: Do less, do it better.|#10: Don’t be obsessed with numbers.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#36: We support production separately.|#37: Operate with radical transparency.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#111: Do it together.|#51: How do we invite the true unknown?|#137: Use the publication as programming space|#35: The artist fee should be good.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#56: Take a lunch break.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#127: Remain practical: what happens to the work in an endless exhibition?|#94: No objections? Just do it.|
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06.05.2022 20:00

Samenstelling: Isolde Vanhee

Pay what you can

Art cinema OFFoff presenteert:
Acts of Painting: Films

OFFoff presenteert een programma waarin filmmakers restbeelden recycleren tot een abstract schilderij, een existentiële parabel verbeelden, de pellicule beschilderen als was het een canvas of in hun extatische tableaus de schilder als subversief personage opvoeren.

Dit filmprogramma sluit aan op de boekvoorstelling van Acts of Painting en het gelijknamige symposium (14-18u) in Kunsthal Gent, georganiseerd door schilder en onderzoeker Ritsart Gobyn (LUCA School of Arts Gent).

Samenstelling en inleiding filmprogramma: Isolde Vanhee

Jennifer Reeves
Landfill 16
US • 2011 • 9' • kleur • 16mm

Charlotte Pryce
Parable of the Tulip Painter and the Fly
US • 2008 • 4' • kleur • stil • 16mm

Stan Brakhage
Night Music -
US • 1986 • 30" • kleur • stil • 16mm
Stellar - US • 1993 • 3' • kleur • stil • 16mm
Autumnal - US • 1993 • 5' • kleur • stil • 16mm

Korakrit Arunanondchai

Painting with history in a room filled with people with funny names 3
FR/TH/US • 2015 • 24' • kleur • digitaal

Brakhage