#10: Don’t be obsessed with numbers.|#54: What about disabled artists?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#6: Demand that visitors are active.|#29: We make the program for the artist that we exhibit.|#59: Always protect the floor when painting (or pouring concrete)|#82: Clean and sterile looks professional, but really boring.|#64: Arrange a distribution of forces.|#44: No name tags at dinner.|#17: An exhibition is never finished.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#98: The success of it will not lie in the result but in the process.|#34: We pay artists.|#132: Things will always look weird when you’re the first doing it.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#20: Are exhibitions the most suitable form for the art that we present?|#119: Be a space of production.|#61: No all male install teams.|#127: Remain practical: what happens to the work in an endless exhibition?|#53: Immaterial support for artists is important.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#37: Operate with radical transparency.|#15: Kunsthal Gent aims to be an extension of public space.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#10: Don’t be obsessed with numbers.|#54: What about disabled artists?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#6: Demand that visitors are active.|#29: We make the program for the artist that we exhibit.|#59: Always protect the floor when painting (or pouring concrete)|#82: Clean and sterile looks professional, but really boring.|#64: Arrange a distribution of forces.|#44: No name tags at dinner.|#17: An exhibition is never finished.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#98: The success of it will not lie in the result but in the process.|#34: We pay artists.|#132: Things will always look weird when you’re the first doing it.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#20: Are exhibitions the most suitable form for the art that we present?|#119: Be a space of production.|#61: No all male install teams.|#127: Remain practical: what happens to the work in an endless exhibition?|#53: Immaterial support for artists is important.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#37: Operate with radical transparency.|#15: Kunsthal Gent aims to be an extension of public space.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|
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06.05.2022 20:00

Samenstelling: Isolde Vanhee

Pay what you can

Art cinema OFFoff presenteert:
Acts of Painting: Films

OFFoff presenteert een programma waarin filmmakers restbeelden recycleren tot een abstract schilderij, een existentiële parabel verbeelden, de pellicule beschilderen als was het een canvas of in hun extatische tableaus de schilder als subversief personage opvoeren.

Dit filmprogramma sluit aan op de boekvoorstelling van Acts of Painting en het gelijknamige symposium (14-18u) in Kunsthal Gent, georganiseerd door schilder en onderzoeker Ritsart Gobyn (LUCA School of Arts Gent).

Samenstelling en inleiding filmprogramma: Isolde Vanhee

Jennifer Reeves
Landfill 16
US • 2011 • 9' • kleur • 16mm

Charlotte Pryce
Parable of the Tulip Painter and the Fly
US • 2008 • 4' • kleur • stil • 16mm

Stan Brakhage
Night Music -
US • 1986 • 30" • kleur • stil • 16mm
Stellar - US • 1993 • 3' • kleur • stil • 16mm
Autumnal - US • 1993 • 5' • kleur • stil • 16mm

Korakrit Arunanondchai

Painting with history in a room filled with people with funny names 3
FR/TH/US • 2015 • 24' • kleur • digitaal

Brakhage