#107: Build a community / scene.|#132: Things will always look weird when you’re the first doing it.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#90: The best systems have a failure or ‘a hole’ in them…|#36: We support production separately.|#111: Do it together.|#37: Operate with radical transparency.|#21: Live with the exhibition, spend time with it.|#34: We pay artists.|#40: Follow the artist|#98: The success of it will not lie in the result but in the process.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#64: Arrange a distribution of forces.|#89: Build-in impurity within the organisation.|#62: Be kind. Full dishwasher: empty it.|#137: Use the publication as programming space|#26: More artists, less borders.|#14: Can you also remain a toddler institution?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#51: How do we invite the true unknown?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#59: Always protect the floor when painting (or pouring concrete)|#17: An exhibition is never finished.|#32: Be pan-gender polyphonic.|#84: The White Cube is a lie.|#107: Build a community / scene.|#132: Things will always look weird when you’re the first doing it.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#90: The best systems have a failure or ‘a hole’ in them…|#36: We support production separately.|#111: Do it together.|#37: Operate with radical transparency.|#21: Live with the exhibition, spend time with it.|#34: We pay artists.|#40: Follow the artist|#98: The success of it will not lie in the result but in the process.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#64: Arrange a distribution of forces.|#89: Build-in impurity within the organisation.|#62: Be kind. Full dishwasher: empty it.|#137: Use the publication as programming space|#26: More artists, less borders.|#14: Can you also remain a toddler institution?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#51: How do we invite the true unknown?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#59: Always protect the floor when painting (or pouring concrete)|#17: An exhibition is never finished.|#32: Be pan-gender polyphonic.|#84: The White Cube is a lie.|
Deze website maakt gebruik van cookies om uw gebruikservaring te verbeteren. Meer informatie

06.05.2022 20:00

Samenstelling: Isolde Vanhee

Pay what you can

Art cinema OFFoff presenteert:
Acts of Painting: Films

OFFoff presenteert een programma waarin filmmakers restbeelden recycleren tot een abstract schilderij, een existentiële parabel verbeelden, de pellicule beschilderen als was het een canvas of in hun extatische tableaus de schilder als subversief personage opvoeren.

Dit filmprogramma sluit aan op de boekvoorstelling van Acts of Painting en het gelijknamige symposium (14-18u) in Kunsthal Gent, georganiseerd door schilder en onderzoeker Ritsart Gobyn (LUCA School of Arts Gent).

Samenstelling en inleiding filmprogramma: Isolde Vanhee

Jennifer Reeves
Landfill 16
US • 2011 • 9' • kleur • 16mm

Charlotte Pryce
Parable of the Tulip Painter and the Fly
US • 2008 • 4' • kleur • stil • 16mm

Stan Brakhage
Night Music -
US • 1986 • 30" • kleur • stil • 16mm
Stellar - US • 1993 • 3' • kleur • stil • 16mm
Autumnal - US • 1993 • 5' • kleur • stil • 16mm

Korakrit Arunanondchai

Painting with history in a room filled with people with funny names 3
FR/TH/US • 2015 • 24' • kleur • digitaal

Brakhage