#10: Don’t be obsessed with numbers.|#54: What about disabled artists?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#6: Demand that visitors are active.|#29: We make the program for the artist that we exhibit.|#59: Always protect the floor when painting (or pouring concrete)|#82: Clean and sterile looks professional, but really boring.|#64: Arrange a distribution of forces.|#44: No name tags at dinner.|#17: An exhibition is never finished.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#98: The success of it will not lie in the result but in the process.|#34: We pay artists.|#132: Things will always look weird when you’re the first doing it.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#20: Are exhibitions the most suitable form for the art that we present?|#119: Be a space of production.|#61: No all male install teams.|#127: Remain practical: what happens to the work in an endless exhibition?|#53: Immaterial support for artists is important.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#37: Operate with radical transparency.|#15: Kunsthal Gent aims to be an extension of public space.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#10: Don’t be obsessed with numbers.|#54: What about disabled artists?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#6: Demand that visitors are active.|#29: We make the program for the artist that we exhibit.|#59: Always protect the floor when painting (or pouring concrete)|#82: Clean and sterile looks professional, but really boring.|#64: Arrange a distribution of forces.|#44: No name tags at dinner.|#17: An exhibition is never finished.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#98: The success of it will not lie in the result but in the process.|#34: We pay artists.|#132: Things will always look weird when you’re the first doing it.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#20: Are exhibitions the most suitable form for the art that we present?|#119: Be a space of production.|#61: No all male install teams.|#127: Remain practical: what happens to the work in an endless exhibition?|#53: Immaterial support for artists is important.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#37: Operate with radical transparency.|#15: Kunsthal Gent aims to be an extension of public space.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|