#99: Evolve according to changing needs.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#28: Make Contracts.|#117: Consider design, organisational structures and architecture as programme.|#16: Kunsthal Gent will always be a construction site.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#56: Take a lunch break.|#61: No all male install teams.|#112: Spaces today don’t need to be curated, but occupied.|#98: The success of it will not lie in the result but in the process.|#64: Arrange a distribution of forces.|#26: More artists, less borders.|#124: Do less, do it better.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#14: Can you also remain a toddler institution?|#51: How do we invite the true unknown?|#59: Always protect the floor when painting (or pouring concrete)|#107: Build a community / scene.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#30: Don’t work with artists who are assholes.|#21: Live with the exhibition, spend time with it.|#111: Do it together.|#2: Bring something new to the city of Ghent.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#99: Evolve according to changing needs.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#28: Make Contracts.|#117: Consider design, organisational structures and architecture as programme.|#16: Kunsthal Gent will always be a construction site.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#56: Take a lunch break.|#61: No all male install teams.|#112: Spaces today don’t need to be curated, but occupied.|#98: The success of it will not lie in the result but in the process.|#64: Arrange a distribution of forces.|#26: More artists, less borders.|#124: Do less, do it better.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#14: Can you also remain a toddler institution?|#51: How do we invite the true unknown?|#59: Always protect the floor when painting (or pouring concrete)|#107: Build a community / scene.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#30: Don’t work with artists who are assholes.|#21: Live with the exhibition, spend time with it.|#111: Do it together.|#2: Bring something new to the city of Ghent.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|
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07.10.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
Agnes Martin double bill

Agnes Martin

Gabriel

US • 1976 • 78' • kleur • digitaal • en gespr

Mary Lance

Agnes Martin: With My Back To the World

US • 2003 • 56' • kleur • stil • digitaal • en gespr

‘I thought my movie was going to be about happiness, but when I saw it finished, it turned out to be about joy – the same things my paintings are about.’ – Agnes Martin

Gabriel is de enige voltooide en zelden vertoonde film van de bekende Amerikaanse schilder Agnes Martin. In haar contemplatieve en fragmentarische studie van het landschap volgt ze de omzwervingen van een tienjarige jongen op het platteland van New Mexico, in de buurt van waar ze zelf woonde en werkte.

Mary Lance draaide haar documentaire Agnes Martin: With My Back To the Worldtussen 1998 tot 2002, het jaar dat Martin 90 werd. Interviews worden afgewisseld met foto’s van haar studio, archiefbeelden en beelden van haar schilderijen. Martin vertelt over haar werk, haar werkwijze, haar leven als kunstenaar en haar visie op het creatieve proces. Ze leest ook voor uit haar poëzie. Conform haar keuze om geïsoleerd te leven en werken verschijnt ze alleen in de film.

Programma: Sven Dehens & Isolde Vanhee
Tickets: €8 / €5 (reductie)

offoff.be/events/570/

AM 5 New Deal Films 2b 768x589