#99: Evolve according to changing needs.|#111: Do it together.|#44: No name tags at dinner.|#98: The success of it will not lie in the result but in the process.|#2: Bring something new to the city of Ghent.|#20: Are exhibitions the most suitable form for the art that we present?|#127: Remain practical: what happens to the work in an endless exhibition?|#28: Make Contracts.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#137: Use the publication as programming space|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#62: Be kind. Full dishwasher: empty it.|#117: Consider design, organisational structures and architecture as programme.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#14: Can you also remain a toddler institution?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#61: No all male install teams.|#89: Build-in impurity within the organisation.|#82: Clean and sterile looks professional, but really boring.|#4: Pay what you can.|#6: Demand that visitors are active.|#30: Don’t work with artists who are assholes.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#99: Evolve according to changing needs.|#111: Do it together.|#44: No name tags at dinner.|#98: The success of it will not lie in the result but in the process.|#2: Bring something new to the city of Ghent.|#20: Are exhibitions the most suitable form for the art that we present?|#127: Remain practical: what happens to the work in an endless exhibition?|#28: Make Contracts.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#137: Use the publication as programming space|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#62: Be kind. Full dishwasher: empty it.|#117: Consider design, organisational structures and architecture as programme.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#14: Can you also remain a toddler institution?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#61: No all male install teams.|#89: Build-in impurity within the organisation.|#82: Clean and sterile looks professional, but really boring.|#4: Pay what you can.|#6: Demand that visitors are active.|#30: Don’t work with artists who are assholes.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|
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07.10.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
Agnes Martin double bill

Agnes Martin

Gabriel

US • 1976 • 78' • kleur • digitaal • en gespr

Mary Lance

Agnes Martin: With My Back To the World

US • 2003 • 56' • kleur • stil • digitaal • en gespr

‘I thought my movie was going to be about happiness, but when I saw it finished, it turned out to be about joy – the same things my paintings are about.’ – Agnes Martin

Gabriel is de enige voltooide en zelden vertoonde film van de bekende Amerikaanse schilder Agnes Martin. In haar contemplatieve en fragmentarische studie van het landschap volgt ze de omzwervingen van een tienjarige jongen op het platteland van New Mexico, in de buurt van waar ze zelf woonde en werkte.

Mary Lance draaide haar documentaire Agnes Martin: With My Back To the Worldtussen 1998 tot 2002, het jaar dat Martin 90 werd. Interviews worden afgewisseld met foto’s van haar studio, archiefbeelden en beelden van haar schilderijen. Martin vertelt over haar werk, haar werkwijze, haar leven als kunstenaar en haar visie op het creatieve proces. Ze leest ook voor uit haar poëzie. Conform haar keuze om geïsoleerd te leven en werken verschijnt ze alleen in de film.

Programma: Sven Dehens & Isolde Vanhee
Tickets: €8 / €5 (reductie)

offoff.be/events/570/

AM 5 New Deal Films 2b 768x589