#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#119: Be a space of production.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#34: We pay artists.|#98: The success of it will not lie in the result but in the process.|#99: Evolve according to changing needs.|#51: How do we invite the true unknown?|#32: Be pan-gender polyphonic.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#137: Use the publication as programming space|#26: More artists, less borders.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#81: Things come alive when there is friction.|#14: Can you also remain a toddler institution?|#91: Embrace doubt.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#112: Spaces today don’t need to be curated, but occupied.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#20: Are exhibitions the most suitable form for the art that we present?|#84: The White Cube is a lie.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#119: Be a space of production.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#34: We pay artists.|#98: The success of it will not lie in the result but in the process.|#99: Evolve according to changing needs.|#51: How do we invite the true unknown?|#32: Be pan-gender polyphonic.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#137: Use the publication as programming space|#26: More artists, less borders.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#81: Things come alive when there is friction.|#14: Can you also remain a toddler institution?|#91: Embrace doubt.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#112: Spaces today don’t need to be curated, but occupied.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#20: Are exhibitions the most suitable form for the art that we present?|#84: The White Cube is a lie.|