Alex Misick (CCA Glasgow)

#34: We pay artists.|#14: Can you also remain a toddler institution?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#26: More artists, less borders.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#32: Be pan-gender polyphonic.|#111: Do it together.|#107: Build a community / scene.|#51: How do we invite the true unknown?|#119: Be a space of production.|#35: The artist fee should be good.|#74: Last one out turns of the lights.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#112: Spaces today don’t need to be curated, but occupied.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#65: No excuses: Thursday morning, team meeting.|#117: Consider design, organisational structures and architecture as programme.|#19: Have fun at the exhibition.|#30: Don’t work with artists who are assholes.|#98: The success of it will not lie in the result but in the process.|#91: Embrace doubt.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#82: Clean and sterile looks professional, but really boring.|#34: We pay artists.|#14: Can you also remain a toddler institution?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#26: More artists, less borders.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#32: Be pan-gender polyphonic.|#111: Do it together.|#107: Build a community / scene.|#51: How do we invite the true unknown?|#119: Be a space of production.|#35: The artist fee should be good.|#74: Last one out turns of the lights.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#112: Spaces today don’t need to be curated, but occupied.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#65: No excuses: Thursday morning, team meeting.|#117: Consider design, organisational structures and architecture as programme.|#19: Have fun at the exhibition.|#30: Don’t work with artists who are assholes.|#98: The success of it will not lie in the result but in the process.|#91: Embrace doubt.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#82: Clean and sterile looks professional, but really boring.|

22.11.2018 00:00

Things come alive when there is friction

Pay what you can

Lunch Talk:
Alex Misick (CCA Glasgow)