#99: Evolve according to changing needs.|#117: Consider design, organisational structures and architecture as programme.|#14: Can you also remain a toddler institution?|#34: We pay artists.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#51: How do we invite the true unknown?|#40: Follow the artist|#30: Don’t work with artists who are assholes.|#105: Kunsthal Gent is local in scale, but globally connected.|#35: The artist fee should be good.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#61: No all male install teams.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#89: Build-in impurity within the organisation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#107: Build a community / scene.|#84: The White Cube is a lie.|#132: Things will always look weird when you’re the first doing it.|#92: We’re a learning organisation.|#137: Use the publication as programming space|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#65: No excuses: Thursday morning, team meeting.|#44: No name tags at dinner.|#99: Evolve according to changing needs.|#117: Consider design, organisational structures and architecture as programme.|#14: Can you also remain a toddler institution?|#34: We pay artists.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#51: How do we invite the true unknown?|#40: Follow the artist|#30: Don’t work with artists who are assholes.|#105: Kunsthal Gent is local in scale, but globally connected.|#35: The artist fee should be good.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#61: No all male install teams.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#89: Build-in impurity within the organisation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#107: Build a community / scene.|#84: The White Cube is a lie.|#132: Things will always look weird when you’re the first doing it.|#92: We’re a learning organisation.|#137: Use the publication as programming space|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#65: No excuses: Thursday morning, team meeting.|#44: No name tags at dinner.|
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09.12.2021 19:00

Open meeting

Pay what you can

Enagement Arts + KHG present:
An uncomfortable conversation about Art

Donderdag 9 december 2021, 19.30 - 22.00 (deuren: 19.00)
Een ongemakkelijk gesprek over kunst

Het is exact twee jaar geleden dat het initiatief Our Correspondence onderdak vond in Kunsthal Gent, met een publiek gesprek n.a.v. een protestactie in het S.M.A.K. Een hoognodig gesprek met alle aanwezigen over seksisme en grensoverschrijdend gedrag in de kunstwereld en de verantwoordelijkheid hierin van individuen en instituten.

Twee jaar later zijn deze discussies nog steeds brandend actueel. De grote vraag is: Hoe gaan we hiermee om? Dragen we collectief verantwoordelijkheid voor elkaars gedrag en voor onze interacties als kunstenaars en cultuurwerkers? Of scheiden we de kunstenaar van zijn kunst? Hoe dient een museum, kunsthogeschool, of presentatie-plek om te gaan met de relatie tussen ethiek en esthetiek?

Engagement Arts nodigt Peter Aers uit om een nieuw gesprek te begeleiden rond deze vragen.

Een ongemakkelijk gesprek over kunst.
Een avond waarin alle aanwezigen samen in gesprek gaan.



Deze bijeenkomst gaat door in het kader van een serie events door Engagement Arts en Kunsthal Gent.

Andere events in deze serie:
The Female Nude, lezing door Petra Van Brabandt

ENGAGEMENT