#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#30: Don’t work with artists who are assholes.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#10: Don’t be obsessed with numbers.|#28: Make Contracts.|#132: Things will always look weird when you’re the first doing it.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#90: The best systems have a failure or ‘a hole’ in them…|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#36: We support production separately.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#81: Things come alive when there is friction.|#40: Follow the artist|#39: Be the early stepping stone in an artist’s career|#29: We make the program for the artist that we exhibit.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#55: Keep basic human needs on the forefront.|#127: Remain practical: what happens to the work in an endless exhibition?|#107: Build a community / scene.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#19: Have fun at the exhibition.|#74: Last one out turns of the lights.|#20: Are exhibitions the most suitable form for the art that we present?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#30: Don’t work with artists who are assholes.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#10: Don’t be obsessed with numbers.|#28: Make Contracts.|#132: Things will always look weird when you’re the first doing it.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#90: The best systems have a failure or ‘a hole’ in them…|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#36: We support production separately.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#81: Things come alive when there is friction.|#40: Follow the artist|#39: Be the early stepping stone in an artist’s career|#29: We make the program for the artist that we exhibit.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#55: Keep basic human needs on the forefront.|#127: Remain practical: what happens to the work in an endless exhibition?|#107: Build a community / scene.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#19: Have fun at the exhibition.|#74: Last one out turns of the lights.|#20: Are exhibitions the most suitable form for the art that we present?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|
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19.02.2019 18:00

by GAFPA, Maarten Van Den Driessche, Aglaia Konrad, Bert Huyghe, PRIMARY STRUCTURE, APE Publication #128

Pay what you can

Book Launch:
APE Publication #128: G1710

G1710 is a book about the work of architecture office GAFPA over the past 10 years. They conceived the book as a project itself. It is a collaboration with some people GAFPA admires from other disciplines.

The book contains contributions by artists Aglaia Konrad and Bert Huyghe, architecture critic Maarten Van Den Driessche, students of the PRIMARY STRUCTURE (https://primarystructure.net) studio and graphic designer Arthur Haegeman.

https://artpapereditions.org
http://www.gafpa.net


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