#51: How do we invite the true unknown?|#90: The best systems have a failure or ‘a hole’ in them…|#10: Don’t be obsessed with numbers.|#34: We pay artists.|#137: Use the publication as programming space|#112: Spaces today don’t need to be curated, but occupied.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#6: Demand that visitors are active.|#37: Operate with radical transparency.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#94: No objections? Just do it.|#20: Are exhibitions the most suitable form for the art that we present?|#39: Be the early stepping stone in an artist’s career|#28: Make Contracts.|#26: More artists, less borders.|#107: Build a community / scene.|#98: The success of it will not lie in the result but in the process.|#2: Bring something new to the city of Ghent.|#29: We make the program for the artist that we exhibit.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#56: Take a lunch break.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#51: How do we invite the true unknown?|#90: The best systems have a failure or ‘a hole’ in them…|#10: Don’t be obsessed with numbers.|#34: We pay artists.|#137: Use the publication as programming space|#112: Spaces today don’t need to be curated, but occupied.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#6: Demand that visitors are active.|#37: Operate with radical transparency.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#94: No objections? Just do it.|#20: Are exhibitions the most suitable form for the art that we present?|#39: Be the early stepping stone in an artist’s career|#28: Make Contracts.|#26: More artists, less borders.|#107: Build a community / scene.|#98: The success of it will not lie in the result but in the process.|#2: Bring something new to the city of Ghent.|#29: We make the program for the artist that we exhibit.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#56: Take a lunch break.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|
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19.02.2019 18:00

by GAFPA, Maarten Van Den Driessche, Aglaia Konrad, Bert Huyghe, PRIMARY STRUCTURE, APE Publication #128

Pay what you can

Book Launch:
APE Publication #128: G1710

G1710 is a book about the work of architecture office GAFPA over the past 10 years. They conceived the book as a project itself. It is a collaboration with some people GAFPA admires from other disciplines.

The book contains contributions by artists Aglaia Konrad and Bert Huyghe, architecture critic Maarten Van Den Driessche, students of the PRIMARY STRUCTURE (https://primarystructure.net) studio and graphic designer Arthur Haegeman.

https://artpapereditions.org
http://www.gafpa.net


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