#10: Don’t be obsessed with numbers.|#16: Kunsthal Gent will always be a construction site.|#37: Operate with radical transparency.|#53: Immaterial support for artists is important.|#19: Have fun at the exhibition.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#81: Things come alive when there is friction.|#17: An exhibition is never finished.|#99: Evolve according to changing needs.|#107: Build a community / scene.|#111: Do it together.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#36: We support production separately.|#61: No all male install teams.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#35: The artist fee should be good.|#39: Be the early stepping stone in an artist’s career|#14: Can you also remain a toddler institution?|#82: Clean and sterile looks professional, but really boring.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#29: We make the program for the artist that we exhibit.|#74: Last one out turns of the lights.|#10: Don’t be obsessed with numbers.|#16: Kunsthal Gent will always be a construction site.|#37: Operate with radical transparency.|#53: Immaterial support for artists is important.|#19: Have fun at the exhibition.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#81: Things come alive when there is friction.|#17: An exhibition is never finished.|#99: Evolve according to changing needs.|#107: Build a community / scene.|#111: Do it together.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#36: We support production separately.|#61: No all male install teams.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#35: The artist fee should be good.|#39: Be the early stepping stone in an artist’s career|#14: Can you also remain a toddler institution?|#82: Clean and sterile looks professional, but really boring.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#29: We make the program for the artist that we exhibit.|#74: Last one out turns of the lights.|
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19.02.2019 18:00

by GAFPA, Maarten Van Den Driessche, Aglaia Konrad, Bert Huyghe, PRIMARY STRUCTURE, APE Publication #128

Pay what you can

Book Launch:
APE Publication #128: G1710

G1710 is a book about the work of architecture office GAFPA over the past 10 years. They conceived the book as a project itself. It is a collaboration with some people GAFPA admires from other disciplines.

The book contains contributions by artists Aglaia Konrad and Bert Huyghe, architecture critic Maarten Van Den Driessche, students of the PRIMARY STRUCTURE (https://primarystructure.net) studio and graphic designer Arthur Haegeman.

https://artpapereditions.org
http://www.gafpa.net


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