#20: Are exhibitions the most suitable form for the art that we present?|#64: Arrange a distribution of forces.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#107: Build a community / scene.|#36: We support production separately.|#6: Demand that visitors are active.|#15: Kunsthal Gent aims to be an extension of public space.|#30: Don’t work with artists who are assholes.|#137: Use the publication as programming space|#14: Can you also remain a toddler institution?|#32: Be pan-gender polyphonic.|#127: Remain practical: what happens to the work in an endless exhibition?|#26: More artists, less borders.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#91: Embrace doubt.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#84: The White Cube is a lie.|#51: How do we invite the true unknown?|#10: Don’t be obsessed with numbers.|#90: The best systems have a failure or ‘a hole’ in them…|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#55: Keep basic human needs on the forefront.|#74: Last one out turns of the lights.|#65: No excuses: Thursday morning, team meeting.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#20: Are exhibitions the most suitable form for the art that we present?|#64: Arrange a distribution of forces.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#107: Build a community / scene.|#36: We support production separately.|#6: Demand that visitors are active.|#15: Kunsthal Gent aims to be an extension of public space.|#30: Don’t work with artists who are assholes.|#137: Use the publication as programming space|#14: Can you also remain a toddler institution?|#32: Be pan-gender polyphonic.|#127: Remain practical: what happens to the work in an endless exhibition?|#26: More artists, less borders.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#91: Embrace doubt.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#84: The White Cube is a lie.|#51: How do we invite the true unknown?|#10: Don’t be obsessed with numbers.|#90: The best systems have a failure or ‘a hole’ in them…|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#55: Keep basic human needs on the forefront.|#74: Last one out turns of the lights.|#65: No excuses: Thursday morning, team meeting.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|
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19.02.2019 18:00

by GAFPA, Maarten Van Den Driessche, Aglaia Konrad, Bert Huyghe, PRIMARY STRUCTURE, APE Publication #128

Pay what you can

Book Launch:
APE Publication #128: G1710

G1710 is a book about the work of architecture office GAFPA over the past 10 years. They conceived the book as a project itself. It is a collaboration with some people GAFPA admires from other disciplines.

The book contains contributions by artists Aglaia Konrad and Bert Huyghe, architecture critic Maarten Van Den Driessche, students of the PRIMARY STRUCTURE (https://primarystructure.net) studio and graphic designer Arthur Haegeman.

https://artpapereditions.org
http://www.gafpa.net


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