#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#107: Build a community / scene.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#44: No name tags at dinner.|#37: Operate with radical transparency.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#99: Evolve according to changing needs.|#61: No all male install teams.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#92: We’re a learning organisation.|#21: Live with the exhibition, spend time with it.|#84: The White Cube is a lie.|#28: Make Contracts.|#59: Always protect the floor when painting (or pouring concrete)|#105: Kunsthal Gent is local in scale, but globally connected.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#2: Bring something new to the city of Ghent.|#10: Don’t be obsessed with numbers.|#36: We support production separately.|#74: Last one out turns of the lights.|#111: Do it together.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#51: How do we invite the true unknown?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#39: Be the early stepping stone in an artist’s career|#98: The success of it will not lie in the result but in the process.|#56: Take a lunch break.|#119: Be a space of production.|#16: Kunsthal Gent will always be a construction site.|#30: Don’t work with artists who are assholes.|#32: Be pan-gender polyphonic.|#35: The artist fee should be good.|#19: Have fun at the exhibition.|#14: Can you also remain a toddler institution?|#64: Arrange a distribution of forces.|#127: Remain practical: what happens to the work in an endless exhibition?|#55: Keep basic human needs on the forefront.|#112: Spaces today don’t need to be curated, but occupied.|#68: Once in a while we need to get out of utopia and get something done.|#17: An exhibition is never finished.|#62: Don’t be a dick. Full dishwasher: empty it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#15: Kunsthal Gent aims to be an extension of public space.|#82: Clean and sterile looks professional, but really boring.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#29: We make the program for the artist that we exhibit.|#91: Embrace doubt.|#90: The best systems have a failure or ‘a hole’ in them…|#6: Demand that visitors are active.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#34: We pay artists.|#20: Are exhibitions the most suitable form for the art that we present?|#54: What about disabled artists?|#53: Immaterial support for artists is important.|#137: Use the publication as programming space|#4: Pay what you can.|#124: Do less, do it better.|#65: No excuses: Thursday morning, team meeting.|#117: Consider design, organisational structures and architecture as programme.|#26: More artists, less borders.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#40: Follow the artist|#89: Build-in impurity within the organisation.|#81: Things come alive when there is friction.|#132: Things will always look weird when you’re the first doing it.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#94: No objections? Just do it.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#107: Build a community / scene.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#44: No name tags at dinner.|#37: Operate with radical transparency.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#99: Evolve according to changing needs.|#61: No all male install teams.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#92: We’re a learning organisation.|#21: Live with the exhibition, spend time with it.|#84: The White Cube is a lie.|#28: Make Contracts.|#59: Always protect the floor when painting (or pouring concrete)|#105: Kunsthal Gent is local in scale, but globally connected.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#2: Bring something new to the city of Ghent.|#10: Don’t be obsessed with numbers.|#36: We support production separately.|#74: Last one out turns of the lights.|#111: Do it together.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#51: How do we invite the true unknown?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#39: Be the early stepping stone in an artist’s career|#98: The success of it will not lie in the result but in the process.|#56: Take a lunch break.|#119: Be a space of production.|#16: Kunsthal Gent will always be a construction site.|#30: Don’t work with artists who are assholes.|#32: Be pan-gender polyphonic.|#35: The artist fee should be good.|#19: Have fun at the exhibition.|#14: Can you also remain a toddler institution?|#64: Arrange a distribution of forces.|#127: Remain practical: what happens to the work in an endless exhibition?|#55: Keep basic human needs on the forefront.|#112: Spaces today don’t need to be curated, but occupied.|#68: Once in a while we need to get out of utopia and get something done.|#17: An exhibition is never finished.|#62: Don’t be a dick. Full dishwasher: empty it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#15: Kunsthal Gent aims to be an extension of public space.|#82: Clean and sterile looks professional, but really boring.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#29: We make the program for the artist that we exhibit.|#91: Embrace doubt.|#90: The best systems have a failure or ‘a hole’ in them…|#6: Demand that visitors are active.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#34: We pay artists.|#20: Are exhibitions the most suitable form for the art that we present?|#54: What about disabled artists?|#53: Immaterial support for artists is important.|#137: Use the publication as programming space|#4: Pay what you can.|#124: Do less, do it better.|#65: No excuses: Thursday morning, team meeting.|#117: Consider design, organisational structures and architecture as programme.|#26: More artists, less borders.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#40: Follow the artist|#89: Build-in impurity within the organisation.|#81: Things come alive when there is friction.|#132: Things will always look weird when you’re the first doing it.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#94: No objections? Just do it.|
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11.10.19

Evenement

Apparatus 22:
on gifts, broadcasting, positive destruction and blank auguri

ARTIST TALK - APPARATUS 22
Apparatus 22 on gifts, broadcasting, positive destruction and blank auguri

vrijdag 11 oktober 2019, 20:00 uur
voertaal Engels

In deze lezing introduceert kunstcollectief Apparatus 22 verschillende aspecten uit hun praktijk, aan de hand van onderwerpen als de noodzaak van 'positieve vernietiging' en hun gedurfde verkenningen van de geef-economie, van hun liefde voor namen en het bedenken van termen tot hun onderzoek naar de mogelijkheden van radio-broadcasting, om zo door middel van taal, stem en klanken te belichamen wat meestal ontoegankelijke contouren en ruimtes zijn.

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Kunstcollectief Apparatus 22 (Boekarest/Brussel) werkt van juli t/m oktober 2019 in het ontwikkelingsprogramma van Kunsthal Gent. Deze zomer presenteerden ze een serie performances in de stad Gent en namen Kunsthal Gent over met een epische confetti-explosie vol kritische vragen. Apparatus 22 maakte deel uit van de jury voor het ontwikkelingsprogramma 2019-2020 en momenteel bedenken ze - als deel van hun werk - een nieuwe naam voor een van de ruimtes van Kunsthal Gent. Als een van de eerste gastkunstenaars helpen ze mee het programma verder vorm te geven met hun constructieve feedback.



Vanaf 11 oktober: elke vrijdagavond een event rond een of meerdere kunstenaars / aanvang 20:00 uur:

11 oktober – Apparatus 22 – artist talk
18 oktober – Navid Nuur – Apart from the secret that it holds, unlimited signed edition & artist talk
25 oktober – Elke Van Kerckvoorde, ontwikkelingsprogramma – Q&A
1 november – performance Joëlle Tuerlinckx, La Fabrique d'un Single screen
8 november – art cinema OFFoff presenteert: Alexander Deprez, film screening
15 november – art cinema OFFoff presenteert: Moving Word, programma jonge kunstenaars en schrijvers
22 november – Charlotte Stuby, opening & performance
6 december – Grace Ndritu, Bryan Hughes, Kathrin Böhm – PAY WHAT YOU CAN
13 december – Croxhapox presenteert: The Third Landscape – book launch

Apparatus 22 same time same space Arnhem may 2018