#81: Things come alive when there is friction.|#117: Consider design, organisational structures and architecture as programme.|#62: Be kind. Full dishwasher: empty it.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#37: Operate with radical transparency.|#35: The artist fee should be good.|#105: Kunsthal Gent is local in scale, but globally connected.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#90: The best systems have a failure or ‘a hole’ in them…|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#21: Live with the exhibition, spend time with it.|#65: No excuses: Thursday morning, team meeting.|#39: Be the early stepping stone in an artist’s career|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#59: Always protect the floor when painting (or pouring concrete)|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#53: Immaterial support for artists is important.|#26: More artists, less borders.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#92: We’re a learning organisation.|#34: We pay artists.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#29: We make the program for the artist that we exhibit.|#14: Can you also remain a toddler institution?|#81: Things come alive when there is friction.|#117: Consider design, organisational structures and architecture as programme.|#62: Be kind. Full dishwasher: empty it.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#37: Operate with radical transparency.|#35: The artist fee should be good.|#105: Kunsthal Gent is local in scale, but globally connected.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#90: The best systems have a failure or ‘a hole’ in them…|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#21: Live with the exhibition, spend time with it.|#65: No excuses: Thursday morning, team meeting.|#39: Be the early stepping stone in an artist’s career|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#59: Always protect the floor when painting (or pouring concrete)|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#53: Immaterial support for artists is important.|#26: More artists, less borders.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#92: We’re a learning organisation.|#34: We pay artists.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#29: We make the program for the artist that we exhibit.|#14: Can you also remain a toddler institution?|
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27.11—02.12.2019 17:00

radio broadcast coming to your home

Pay what you can

Apparatus 22:
THE CONTINUUM BROADCAST

THE CONTINUUM BROADCAST komt bij u thuis

KUNSTHAL GENT presenteert: The Continuum Broadcast, een tour van kunstcollectief Apparatus 22 naar privéwoningen in Gent. ‘The Continuum Broadcast' is de tweede reeks radioprojecten waarmee Apparatus 22 de ambivalente kracht van radio inzet: de kracht om te informeren en te entertainen, maar ook om te manipuleren of te emanciperen.

The Continuum Broadcast is een gezamenlijk project van Apparatus 22, Simon Asencio en Irina Bujor. Het project verkent genderfluiditeit en individuele perspectieven op de grenzen van seksualiteit. Het omvat vier verschillende radioprogramma's, geschreven en geproduceerd door de kunstenaars: 'The Broken Grid (Q&A)'; 'SPLENDOR. ONE DESIRE AT A TIME'; ‘About the curious digressions of Atletica Ideal. A report’ en ‘Erotic-Mnemotechnic Poem’.

BOEK HIER EEN SESSIE (gratis)
Boek nu een gratis luistersessie van The Continuum Broadcast. Kunstcollectief Apparatus 22 reist met het radio-object naar je huis. Vul het formulier in en we nemen contact op om een tijdslot af te spreken.

Beschikbare sessies: (NB - nieuwe data!)
1) dagelijks van woe. 27 november t/m di. 3 december 2019
2) dagelijks van ma 27 jan – zo 2 feb 2020

maandag t/m vrijdag: 17:00 | 19:00 | 21:00 uur
zaterdag - zondag: 12:00 uur | 14:00 uur | 16:00 uur | 18:00 uur
ca. 1:30u - Engelstalig


The Continuum Broadcast is een project van KILOBASE BUCHAREST en is een coproductie met steun van add, Caminul Cultural (Asociatia Culturala Solitude Project Bucharest), Kunsthal Gent, la box _bourges | école nationale supérieure d'art de Bourges.



The Hour Broadcast by Apparatus 22 studio BASAR Sillyconductor A5 1