#40: Follow the artist|#34: We pay artists.|#68: Once in a while we need to get out of utopia and get something done.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#65: No excuses: Thursday morning, team meeting.|#55: Keep basic human needs on the forefront.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#90: The best systems have a failure or ‘a hole’ in them…|#59: Always protect the floor when painting (or pouring concrete)|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#37: Operate with radical transparency.|#82: Clean and sterile looks professional, but really boring.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#20: Are exhibitions the most suitable form for the art that we present?|#35: The artist fee should be good.|#54: What about disabled artists?|#81: Things come alive when there is friction.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#2: Bring something new to the city of Ghent.|#137: Use the publication as programming space|#84: The White Cube is a lie.|#119: Be a space of production.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#53: Immaterial support for artists is important.|#74: Last one out turns of the lights.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#61: No all male install teams.|#124: Do less, do it better.|#105: Kunsthal Gent is local in scale, but globally connected.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#99: Evolve according to changing needs.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#117: Consider design, organisational structures and architecture as programme.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#15: Kunsthal Gent aims to be an extension of public space.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#39: Be the early stepping stone in an artist’s career|#30: Don’t work with artists who are assholes.|#107: Build a community / scene.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#127: Remain practical: what happens to the work in an endless exhibition?|#94: No objections? Just do it.|#32: Be pan-gender polyphonic.|#21: Live with the exhibition, spend time with it.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#91: Embrace doubt.|#26: More artists, less borders.|#44: No name tags at dinner.|#29: We make the program for the artist that we exhibit.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#92: We’re a learning organisation.|#111: Do it together.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#36: We support production separately.|#51: How do we invite the true unknown?|#19: Have fun at the exhibition.|#64: Arrange a distribution of forces.|#98: The success of it will not lie in the result but in the process.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#14: Can you also remain a toddler institution?|#16: Kunsthal Gent will always be a construction site.|#17: An exhibition is never finished.|#112: Spaces today don’t need to be curated, but occupied.|#56: Take a lunch break.|#28: Make Contracts.|#6: Demand that visitors are active.|#10: Don’t be obsessed with numbers.|#132: Things will always look weird when you’re the first doing it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#62: Don’t be a dick. Full dishwasher: empty it.|#4: Pay what you can.|#89: Build-in impurity within the organisation.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#40: Follow the artist|#34: We pay artists.|#68: Once in a while we need to get out of utopia and get something done.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#65: No excuses: Thursday morning, team meeting.|#55: Keep basic human needs on the forefront.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#90: The best systems have a failure or ‘a hole’ in them…|#59: Always protect the floor when painting (or pouring concrete)|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#37: Operate with radical transparency.|#82: Clean and sterile looks professional, but really boring.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#20: Are exhibitions the most suitable form for the art that we present?|#35: The artist fee should be good.|#54: What about disabled artists?|#81: Things come alive when there is friction.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#2: Bring something new to the city of Ghent.|#137: Use the publication as programming space|#84: The White Cube is a lie.|#119: Be a space of production.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#53: Immaterial support for artists is important.|#74: Last one out turns of the lights.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#61: No all male install teams.|#124: Do less, do it better.|#105: Kunsthal Gent is local in scale, but globally connected.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#99: Evolve according to changing needs.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#117: Consider design, organisational structures and architecture as programme.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#15: Kunsthal Gent aims to be an extension of public space.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#39: Be the early stepping stone in an artist’s career|#30: Don’t work with artists who are assholes.|#107: Build a community / scene.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#127: Remain practical: what happens to the work in an endless exhibition?|#94: No objections? Just do it.|#32: Be pan-gender polyphonic.|#21: Live with the exhibition, spend time with it.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#91: Embrace doubt.|#26: More artists, less borders.|#44: No name tags at dinner.|#29: We make the program for the artist that we exhibit.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#92: We’re a learning organisation.|#111: Do it together.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#36: We support production separately.|#51: How do we invite the true unknown?|#19: Have fun at the exhibition.|#64: Arrange a distribution of forces.|#98: The success of it will not lie in the result but in the process.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#14: Can you also remain a toddler institution?|#16: Kunsthal Gent will always be a construction site.|#17: An exhibition is never finished.|#112: Spaces today don’t need to be curated, but occupied.|#56: Take a lunch break.|#28: Make Contracts.|#6: Demand that visitors are active.|#10: Don’t be obsessed with numbers.|#132: Things will always look weird when you’re the first doing it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#62: Don’t be a dick. Full dishwasher: empty it.|#4: Pay what you can.|#89: Build-in impurity within the organisation.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|
Deze website maakt gebruik van cookies om uw gebruikservaring te verbeteren. Meer informatie

27.11—02.12.19

Evenement

Apparatus 22:
THE CONTINUUM BROADCAST

THE CONTINUUM BROADCAST komt bij u thuis

KUNSTHAL GENT presenteert: The Continuum Broadcast, een tour van kunstcollectief Apparatus 22 naar privéwoningen in Gent. ‘The Continuum Broadcast' is de tweede reeks radioprojecten waarmee Apparatus 22 de ambivalente kracht van radio inzet: de kracht om te informeren en te entertainen, maar ook om te manipuleren of te emanciperen.

The Continuum Broadcast is een gezamenlijk project van Apparatus 22, Simon Asencio en Irina Bujor. Het project verkent genderfluiditeit en individuele perspectieven op de grenzen van seksualiteit. Het omvat vier verschillende radioprogramma's, geschreven en geproduceerd door de kunstenaars: 'The Broken Grid (Q&A)'; 'SPLENDOR. ONE DESIRE AT A TIME'; ‘About the curious digressions of Atletica Ideal. A report’ en ‘Erotic-Mnemotechnic Poem’.

BOEK HIER EEN SESSIE (gratis)
Boek nu een gratis luistersessie van The Continuum Broadcast. Kunstcollectief Apparatus 22 reist met het radio-object naar je huis. Vul het formulier in en we nemen contact op om een tijdslot af te spreken.

Beschikbare sessies: (NB - nieuwe data!)
1) dagelijks van woe. 27 november t/m di. 3 december 2019
2) dagelijks van ma 27 jan – zo 2 feb 2020

maandag t/m vrijdag: 17:00 | 19:00 | 21:00 uur
zaterdag - zondag: 12:00 uur | 14:00 uur | 16:00 uur | 18:00 uur
ca. 1:30u - Engelstalig


The Continuum Broadcast is een project van KILOBASE BUCHAREST en is een coproductie met steun van add, Caminul Cultural (Asociatia Culturala Solitude Project Bucharest), Kunsthal Gent, la box _bourges | école nationale supérieure d'art de Bourges.



The Hour Broadcast by Apparatus 22 studio BASAR Sillyconductor A5 1