THE CONTINUUM BROADCAST

#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#55: Keep basic human needs on the forefront.|#117: Consider design, organisational structures and architecture as programme.|#10: Don’t be obsessed with numbers.|#21: Live with the exhibition, spend time with it.|#40: Follow the artist|#29: We make the program for the artist that we exhibit.|#37: Operate with radical transparency.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#111: Do it together.|#64: Arrange a distribution of forces.|#107: Build a community / scene.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#90: The best systems have a failure or ‘a hole’ in them…|#51: How do we invite the true unknown?|#54: What about disabled artists?|#89: Build-in impurity within the organisation.|#112: Spaces today don’t need to be curated, but occupied.|#94: No objections? Just do it.|#119: Be a space of production.|#35: The artist fee should be good.|#65: No excuses: Thursday morning, team meeting.|#92: We’re a learning organisation.|#127: Remain practical: what happens to the work in an endless exhibition?|#82: Clean and sterile looks professional, but really boring.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#55: Keep basic human needs on the forefront.|#117: Consider design, organisational structures and architecture as programme.|#10: Don’t be obsessed with numbers.|#21: Live with the exhibition, spend time with it.|#40: Follow the artist|#29: We make the program for the artist that we exhibit.|#37: Operate with radical transparency.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#111: Do it together.|#64: Arrange a distribution of forces.|#107: Build a community / scene.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#90: The best systems have a failure or ‘a hole’ in them…|#51: How do we invite the true unknown?|#54: What about disabled artists?|#89: Build-in impurity within the organisation.|#112: Spaces today don’t need to be curated, but occupied.|#94: No objections? Just do it.|#119: Be a space of production.|#35: The artist fee should be good.|#65: No excuses: Thursday morning, team meeting.|#92: We’re a learning organisation.|#127: Remain practical: what happens to the work in an endless exhibition?|#82: Clean and sterile looks professional, but really boring.|

27.11—02.12.2019 17:00

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Apparatus 22:
THE CONTINUUM BROADCAST