Nightcleaners (carte blanche Silvia Federici)

#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#51: How do we invite the true unknown?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#90: The best systems have a failure or ‘a hole’ in them…|#4: Pay what you can.|#28: Make Contracts.|#89: Build-in impurity within the organisation.|#54: What about disabled artists?|#39: Be the early stepping stone in an artist’s career|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#132: Things will always look weird when you’re the first doing it.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#34: We pay artists.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#59: Always protect the floor when painting (or pouring concrete)|#32: Be pan-gender polyphonic.|#21: Live with the exhibition, spend time with it.|#35: The artist fee should be good.|#16: Kunsthal Gent will always be a construction site.|#37: Operate with radical transparency.|#94: No objections? Just do it.|#2: Bring something new to the city of Ghent.|#61: No all male install teams.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#51: How do we invite the true unknown?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#90: The best systems have a failure or ‘a hole’ in them…|#4: Pay what you can.|#28: Make Contracts.|#89: Build-in impurity within the organisation.|#54: What about disabled artists?|#39: Be the early stepping stone in an artist’s career|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#132: Things will always look weird when you’re the first doing it.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#34: We pay artists.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#59: Always protect the floor when painting (or pouring concrete)|#32: Be pan-gender polyphonic.|#21: Live with the exhibition, spend time with it.|#35: The artist fee should be good.|#16: Kunsthal Gent will always be a construction site.|#37: Operate with radical transparency.|#94: No objections? Just do it.|#2: Bring something new to the city of Ghent.|#61: No all male install teams.|

26.10.2020 20:00

co-hosted by Kunsthal Gent, Vooruit and U-Gent

Pay what you can

Art cinema OFFoff presents:
Nightcleaners (carte blanche Silvia Federici)