#44: No name tags at dinner.|#59: Always protect the floor when painting (or pouring concrete)|#17: An exhibition is never finished.|#74: Last one out turns of the lights.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#64: Arrange a distribution of forces.|#61: No all male install teams.|#105: Kunsthal Gent is local in scale, but globally connected.|#90: The best systems have a failure or ‘a hole’ in them…|#32: Be pan-gender polyphonic.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#92: We’re a learning organisation.|#21: Live with the exhibition, spend time with it.|#124: Do less, do it better.|#89: Build-in impurity within the organisation.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#91: Embrace doubt.|#35: The artist fee should be good.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#40: Follow the artist|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#14: Can you also remain a toddler institution?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#44: No name tags at dinner.|#59: Always protect the floor when painting (or pouring concrete)|#17: An exhibition is never finished.|#74: Last one out turns of the lights.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#64: Arrange a distribution of forces.|#61: No all male install teams.|#105: Kunsthal Gent is local in scale, but globally connected.|#90: The best systems have a failure or ‘a hole’ in them…|#32: Be pan-gender polyphonic.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#92: We’re a learning organisation.|#21: Live with the exhibition, spend time with it.|#124: Do less, do it better.|#89: Build-in impurity within the organisation.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#91: Embrace doubt.|#35: The artist fee should be good.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#40: Follow the artist|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#14: Can you also remain a toddler institution?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|
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26.03.2021 20:00

artist talk on a feminist board game

Pay what you can

Olivia Hernaïz:
Art & My Career

Vrijdag 26 maart, 20:00, artist talk, online via zoom

Welkom voor een online gesprek tussen Olivia Hernaïz en Ilse Ghekiere (Engagement Arts) over het bordspel 'Art & My Career', dat je onderdompelt in de positie van de vrouw in de kunstwereld.

Leen het spel Art & My Career aan de balie van Kunsthal Gent! (FR + EN)

Art & My Career

Dialoog staat centraal in de praktijk van Olivia Hernaïz. Haar projecten zijn uitvluchten om met anderen in gesprek te komen. In deze lijn nodigt de kunstenaar u uit om 'Art & My Career' te ontdekken, een bordspel dat ingaat op de vraag naar de plaats van de vrouw in de wereld van de hedendaagse kunst.

Dit spel is bedoeld voor zowel vrouwen als mannen om samen op een speelse manier over deze essentiële vraag na te denken.

Van kunstenaar tot museumcurator, hoe slagen vrouwen erin hun plaats te vinden in de kunstwereld? Het spel 'Art & My Career' nodigt u uit in hun voetsporen te treden om hun werkomstandigheden en hun strijd beter te begrijpen.

Olivia Hernaïz

Olivia Hernaïz werd geboren in 1985 in Brussel en behaalde een MFA aan Goldsmiths in Londen. Ze won de 'Art Contest' ondersteund door Boghossian Foundation in 2016 en is momenteel in residentie bij HISK in Gent. Recente tentoonstellingen: New songs for old cities', Netwerk Aalst (2021), 'Inside Out', Musea voor Schone Kunsten van België (2020), 'To Thomas', YGREC, Parijs (2020), 'All About You', The Koppel Project, Londen (2019), 'Push Your Luck', Island, Brussel (2019), Moscow International Biennale for Young Art, Moskou (2018); 'As Long as the Sun Follows its Course', Museum van Elsene, Brussel (2017).
www.oliviahernaiz.com

Ilse Ghekiere

Ilse Ghekiere is een Belgische kunstenaar en kunsthistorica, actief als danser, performer, schrijver en docent. Ze is de initiatiefnemer van Engagement Arts, een door kunstenaars geleide beweging die als doel heeft om seksuele intimidatie, seksisme en machtsmisbruik in het Belgische kunstenveld aan te pakken.

Olivia Hernaïz Francois Lauginie WEB

AFBEELDINGEN
Artist path