#32: Be pan-gender polyphonic.|#132: Things will always look weird when you’re the first doing it.|#124: Do less, do it better.|#29: We make the program for the artist that we exhibit.|#44: No name tags at dinner.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#6: Demand that visitors are active.|#82: Clean and sterile looks professional, but really boring.|#119: Be a space of production.|#36: We support production separately.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#81: Things come alive when there is friction.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#19: Have fun at the exhibition.|#15: Kunsthal Gent aims to be an extension of public space.|#65: No excuses: Thursday morning, team meeting.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#30: Don’t work with artists who are assholes.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#98: The success of it will not lie in the result but in the process.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#137: Use the publication as programming space|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#32: Be pan-gender polyphonic.|#132: Things will always look weird when you’re the first doing it.|#124: Do less, do it better.|#29: We make the program for the artist that we exhibit.|#44: No name tags at dinner.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#6: Demand that visitors are active.|#82: Clean and sterile looks professional, but really boring.|#119: Be a space of production.|#36: We support production separately.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#81: Things come alive when there is friction.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#19: Have fun at the exhibition.|#15: Kunsthal Gent aims to be an extension of public space.|#65: No excuses: Thursday morning, team meeting.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#30: Don’t work with artists who are assholes.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#98: The success of it will not lie in the result but in the process.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#137: Use the publication as programming space|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|
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26.03.2021 20:00

artist talk on a feminist board game

Pay what you can

Olivia Hernaïz:
Art & My Career

Vrijdag 26 maart, 20:00, artist talk, online via zoom
Leen het bordspel Art & My Career aan de balie van Kunsthal Gent! (FR + EN)

Dialoog staat centraal in de praktijk van Olivia Hernaïz. Haar projecten zijn uitvluchten om met anderen in gesprek te komen. In deze lijn nodigt de kunstenaar u uit om 'Art & My Career' te ontdekken, een bordspel dat ingaat op de vraag naar de plaats van de vrouw in de wereld van de hedendaagse kunst.

Dit spel is bedoeld voor zowel vrouwen als mannen om samen op een speelse manier over deze essentiële vraag na te denken.

Van kunstenaar tot museumcurator, hoe slagen vrouwen erin hun plaats te vinden in de kunstwereld? Het spel 'Art & My Career' nodigt u uit in hun voetsporen te treden om hun werkomstandigheden en hun strijd beter te begrijpen.

Olivia Hernaïz

Olivia Hernaïz werd geboren in 1985 in Brussel en behaalde een MFA aan Goldsmiths in Londen. Ze won de 'Art Contest' ondersteund door Boghossian Foundation in 2016 en is momenteel in residentie bij HISK in Gent. Recente tentoonstellingen: New songs for old cities', Netwerk Aalst (2021), 'Inside Out', Musea voor Schone Kunsten van België (2020), 'To Thomas', YGREC, Parijs (2020), 'All About You', The Koppel Project, Londen (2019), 'Push Your Luck', Island, Brussel (2019), Moscow International Biennale for Young Art, Moskou (2018); 'As Long as the Sun Follows its Course', Museum van Elsene, Brussel (2017).

www.oliviahernaiz.com

Olivia Hernaïz Francois Lauginie WEB

AFBEELDINGEN
Artist path