#92: We’re a learning organisation.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#105: Kunsthal Gent is local in scale, but globally connected.|#59: Always protect the floor when painting (or pouring concrete)|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#32: Be pan-gender polyphonic.|#20: Are exhibitions the most suitable form for the art that we present?|#2: Bring something new to the city of Ghent.|#15: Kunsthal Gent aims to be an extension of public space.|#89: Build-in impurity within the organisation.|#64: Arrange a distribution of forces.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#17: An exhibition is never finished.|#16: Kunsthal Gent will always be a construction site.|#29: We make the program for the artist that we exhibit.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#21: Live with the exhibition, spend time with it.|#62: Be kind. Full dishwasher: empty it.|#132: Things will always look weird when you’re the first doing it.|#44: No name tags at dinner.|#127: Remain practical: what happens to the work in an endless exhibition?|#91: Embrace doubt.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#92: We’re a learning organisation.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#105: Kunsthal Gent is local in scale, but globally connected.|#59: Always protect the floor when painting (or pouring concrete)|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#32: Be pan-gender polyphonic.|#20: Are exhibitions the most suitable form for the art that we present?|#2: Bring something new to the city of Ghent.|#15: Kunsthal Gent aims to be an extension of public space.|#89: Build-in impurity within the organisation.|#64: Arrange a distribution of forces.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#17: An exhibition is never finished.|#16: Kunsthal Gent will always be a construction site.|#29: We make the program for the artist that we exhibit.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#21: Live with the exhibition, spend time with it.|#62: Be kind. Full dishwasher: empty it.|#132: Things will always look weird when you’re the first doing it.|#44: No name tags at dinner.|#127: Remain practical: what happens to the work in an endless exhibition?|#91: Embrace doubt.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|