#39: Be the early stepping stone in an artist’s career|#51: How do we invite the true unknown?|#127: Remain practical: what happens to the work in an endless exhibition?|#90: The best systems have a failure or ‘a hole’ in them…|#21: Live with the exhibition, spend time with it.|#4: Pay what you can.|#56: Take a lunch break.|#26: More artists, less borders.|#64: Arrange a distribution of forces.|#111: Do it together.|#132: Things will always look weird when you’re the first doing it.|#74: Last one out turns of the lights.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#17: An exhibition is never finished.|#10: Don’t be obsessed with numbers.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#37: Operate with radical transparency.|#54: What about disabled artists?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#68: Once in a while we need to get out of utopia and get something done.|#16: Kunsthal Gent will always be a construction site.|#137: Use the publication as programming space|#117: Consider design, organisational structures and architecture as programme.|#19: Have fun at the exhibition.|#39: Be the early stepping stone in an artist’s career|#51: How do we invite the true unknown?|#127: Remain practical: what happens to the work in an endless exhibition?|#90: The best systems have a failure or ‘a hole’ in them…|#21: Live with the exhibition, spend time with it.|#4: Pay what you can.|#56: Take a lunch break.|#26: More artists, less borders.|#64: Arrange a distribution of forces.|#111: Do it together.|#132: Things will always look weird when you’re the first doing it.|#74: Last one out turns of the lights.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#17: An exhibition is never finished.|#10: Don’t be obsessed with numbers.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#37: Operate with radical transparency.|#54: What about disabled artists?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#68: Once in a while we need to get out of utopia and get something done.|#16: Kunsthal Gent will always be a construction site.|#137: Use the publication as programming space|#117: Consider design, organisational structures and architecture as programme.|#19: Have fun at the exhibition.|
