#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#137: Use the publication as programming space|#119: Be a space of production.|#81: Things come alive when there is friction.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#99: Evolve according to changing needs.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#4: Pay what you can.|#61: No all male install teams.|#17: An exhibition is never finished.|#53: Immaterial support for artists is important.|#55: Keep basic human needs on the forefront.|#127: Remain practical: what happens to the work in an endless exhibition?|#20: Are exhibitions the most suitable form for the art that we present?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#124: Do less, do it better.|#65: No excuses: Thursday morning, team meeting.|#51: How do we invite the true unknown?|#92: We’re a learning organisation.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#32: Be pan-gender polyphonic.|#30: Don’t work with artists who are assholes.|#36: We support production separately.|#37: Operate with radical transparency.|#35: The artist fee should be good.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#137: Use the publication as programming space|#119: Be a space of production.|#81: Things come alive when there is friction.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#99: Evolve according to changing needs.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#4: Pay what you can.|#61: No all male install teams.|#17: An exhibition is never finished.|#53: Immaterial support for artists is important.|#55: Keep basic human needs on the forefront.|#127: Remain practical: what happens to the work in an endless exhibition?|#20: Are exhibitions the most suitable form for the art that we present?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#124: Do less, do it better.|#65: No excuses: Thursday morning, team meeting.|#51: How do we invite the true unknown?|#92: We’re a learning organisation.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#32: Be pan-gender polyphonic.|#30: Don’t work with artists who are assholes.|#36: We support production separately.|#37: Operate with radical transparency.|#35: The artist fee should be good.|
