#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#112: Spaces today don’t need to be curated, but occupied.|#68: Once in a while we need to get out of utopia and get something done.|#15: Kunsthal Gent aims to be an extension of public space.|#94: No objections? Just do it.|#39: Be the early stepping stone in an artist’s career|#89: Build-in impurity within the organisation.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#59: Always protect the floor when painting (or pouring concrete)|#14: Can you also remain a toddler institution?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#20: Are exhibitions the most suitable form for the art that we present?|#29: We make the program for the artist that we exhibit.|#28: Make Contracts.|#132: Things will always look weird when you’re the first doing it.|#4: Pay what you can.|#17: An exhibition is never finished.|#90: The best systems have a failure or ‘a hole’ in them…|#91: Embrace doubt.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#107: Build a community / scene.|#92: We’re a learning organisation.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#112: Spaces today don’t need to be curated, but occupied.|#68: Once in a while we need to get out of utopia and get something done.|#15: Kunsthal Gent aims to be an extension of public space.|#94: No objections? Just do it.|#39: Be the early stepping stone in an artist’s career|#89: Build-in impurity within the organisation.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#59: Always protect the floor when painting (or pouring concrete)|#14: Can you also remain a toddler institution?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#20: Are exhibitions the most suitable form for the art that we present?|#29: We make the program for the artist that we exhibit.|#28: Make Contracts.|#132: Things will always look weird when you’re the first doing it.|#4: Pay what you can.|#17: An exhibition is never finished.|#90: The best systems have a failure or ‘a hole’ in them…|#91: Embrace doubt.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#107: Build a community / scene.|#92: We’re a learning organisation.|
