#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#37: Operate with radical transparency.|#81: Things come alive when there is friction.|#117: Consider design, organisational structures and architecture as programme.|#90: The best systems have a failure or ‘a hole’ in them…|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#99: Evolve according to changing needs.|#68: Once in a while we need to get out of utopia and get something done.|#61: No all male install teams.|#65: No excuses: Thursday morning, team meeting.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#6: Demand that visitors are active.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#15: Kunsthal Gent aims to be an extension of public space.|#53: Immaterial support for artists is important.|#14: Can you also remain a toddler institution?|#30: Don’t work with artists who are assholes.|#127: Remain practical: what happens to the work in an endless exhibition?|#137: Use the publication as programming space|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#16: Kunsthal Gent will always be a construction site.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#132: Things will always look weird when you’re the first doing it.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#51: How do we invite the true unknown?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#37: Operate with radical transparency.|#81: Things come alive when there is friction.|#117: Consider design, organisational structures and architecture as programme.|#90: The best systems have a failure or ‘a hole’ in them…|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#99: Evolve according to changing needs.|#68: Once in a while we need to get out of utopia and get something done.|#61: No all male install teams.|#65: No excuses: Thursday morning, team meeting.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#6: Demand that visitors are active.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#15: Kunsthal Gent aims to be an extension of public space.|#53: Immaterial support for artists is important.|#14: Can you also remain a toddler institution?|#30: Don’t work with artists who are assholes.|#127: Remain practical: what happens to the work in an endless exhibition?|#137: Use the publication as programming space|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#16: Kunsthal Gent will always be a construction site.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#132: Things will always look weird when you’re the first doing it.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#51: How do we invite the true unknown?|
