#137: Use the publication as programming space|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#28: Make Contracts.|#44: No name tags at dinner.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#32: Be pan-gender polyphonic.|#36: We support production separately.|#6: Demand that visitors are active.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#2: Bring something new to the city of Ghent.|#40: Follow the artist|#55: Keep basic human needs on the forefront.|#30: Don’t work with artists who are assholes.|#64: Arrange a distribution of forces.|#90: The best systems have a failure or ‘a hole’ in them…|#91: Embrace doubt.|#20: Are exhibitions the most suitable form for the art that we present?|#51: How do we invite the true unknown?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#68: Once in a while we need to get out of utopia and get something done.|#15: Kunsthal Gent aims to be an extension of public space.|#59: Always protect the floor when painting (or pouring concrete)|#105: Kunsthal Gent is local in scale, but globally connected.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#137: Use the publication as programming space|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#28: Make Contracts.|#44: No name tags at dinner.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#32: Be pan-gender polyphonic.|#36: We support production separately.|#6: Demand that visitors are active.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#2: Bring something new to the city of Ghent.|#40: Follow the artist|#55: Keep basic human needs on the forefront.|#30: Don’t work with artists who are assholes.|#64: Arrange a distribution of forces.|#90: The best systems have a failure or ‘a hole’ in them…|#91: Embrace doubt.|#20: Are exhibitions the most suitable form for the art that we present?|#51: How do we invite the true unknown?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#68: Once in a while we need to get out of utopia and get something done.|#15: Kunsthal Gent aims to be an extension of public space.|#59: Always protect the floor when painting (or pouring concrete)|#105: Kunsthal Gent is local in scale, but globally connected.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|