#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#29: We make the program for the artist that we exhibit.|#74: Last one out turns of the lights.|#68: Once in a while we need to get out of utopia and get something done.|#132: Things will always look weird when you’re the first doing it.|#51: How do we invite the true unknown?|#20: Are exhibitions the most suitable form for the art that we present?|#61: No all male install teams.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#82: Clean and sterile looks professional, but really boring.|#14: Can you also remain a toddler institution?|#111: Do it together.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#107: Build a community / scene.|#28: Make Contracts.|#17: An exhibition is never finished.|#119: Be a space of production.|#99: Evolve according to changing needs.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#90: The best systems have a failure or ‘a hole’ in them…|#21: Live with the exhibition, spend time with it.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#29: We make the program for the artist that we exhibit.|#74: Last one out turns of the lights.|#68: Once in a while we need to get out of utopia and get something done.|#132: Things will always look weird when you’re the first doing it.|#51: How do we invite the true unknown?|#20: Are exhibitions the most suitable form for the art that we present?|#61: No all male install teams.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#82: Clean and sterile looks professional, but really boring.|#14: Can you also remain a toddler institution?|#111: Do it together.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#107: Build a community / scene.|#28: Make Contracts.|#17: An exhibition is never finished.|#119: Be a space of production.|#99: Evolve according to changing needs.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#90: The best systems have a failure or ‘a hole’ in them…|#21: Live with the exhibition, spend time with it.|
Deze website maakt gebruik van cookies om uw gebruikservaring te verbeteren. Meer informatie

14.06.2021 20:00

OFFoff / LUCA / Kunsthal Gent

Pay what you can

Final book presentation & screening:
Bioscopic Books

In de foto’s, films, objecten en videowerken van Sophie Nys, Tine Guns en Nicolas Provost wordt de taal van film niet zelden het onderwerp. In het kader van het onderzoeksproject Bioscopic Books werd hen dan ook gevraagd een zogenaamd ‘bioscopisch boek’ te maken dat balanceert op de grens van het verbale en het visuele, stilstand en beweging, tonen en verbeelden. In haar fotoboek kalibreert en visualiseert Tine Guns de band met haar broers aan de hand van de sterren. Sophie Nys maakte dan weer een even eigentijdse als historisch getrouwe ‘herdruk’ van Laurence Sterne’s boek Tristram Shandy uit 1759. Nicolas Provost tenslotte monteerde zijn straatfotografie tot een suspense verhaal over kijken en bekeken worden op de pagina’s van het boek.

Deze afsluitende voorstelling van de tentoonstelling Bioscopic Books is een samenwerking van LUCA School of Arts, Kunsthal Gent & Art Cinema OFFoff. De avond, in aanwezigheid van Sophie Nys, Tine Guns en Nicolas Provost, brengt een afwisseling van enkele boekvoorstellingen en filmvertoningen. Het boek Alas van Sophie Nys wordt ingeleid door prof. dr. Peter de Voogd.

Peter de Voogd / Sophie Nys
Alas
- Lezing

Tine Guns
Watching the Black between the Stars
- Lezing

Tine Guns
Memory Blossoms

BE • 2011 • 11' • kleur • digitaal

Nicolas Provost
Savage
- Lezing

Nicolas Provost
Plot Point

BE • 2007 • 15' • kleur • digitaal

Boekvoorstelling1406 klein