#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#29: We make the program for the artist that we exhibit.|#74: Last one out turns of the lights.|#68: Once in a while we need to get out of utopia and get something done.|#132: Things will always look weird when you’re the first doing it.|#51: How do we invite the true unknown?|#20: Are exhibitions the most suitable form for the art that we present?|#61: No all male install teams.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#82: Clean and sterile looks professional, but really boring.|#14: Can you also remain a toddler institution?|#111: Do it together.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#107: Build a community / scene.|#28: Make Contracts.|#17: An exhibition is never finished.|#119: Be a space of production.|#99: Evolve according to changing needs.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#90: The best systems have a failure or ‘a hole’ in them…|#21: Live with the exhibition, spend time with it.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#29: We make the program for the artist that we exhibit.|#74: Last one out turns of the lights.|#68: Once in a while we need to get out of utopia and get something done.|#132: Things will always look weird when you’re the first doing it.|#51: How do we invite the true unknown?|#20: Are exhibitions the most suitable form for the art that we present?|#61: No all male install teams.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#82: Clean and sterile looks professional, but really boring.|#14: Can you also remain a toddler institution?|#111: Do it together.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#107: Build a community / scene.|#28: Make Contracts.|#17: An exhibition is never finished.|#119: Be a space of production.|#99: Evolve according to changing needs.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#90: The best systems have a failure or ‘a hole’ in them…|#21: Live with the exhibition, spend time with it.|
