#32: Be pan-gender polyphonic.|#127: Remain practical: what happens to the work in an endless exhibition?|#17: An exhibition is never finished.|#34: We pay artists.|#53: Immaterial support for artists is important.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#119: Be a space of production.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#117: Consider design, organisational structures and architecture as programme.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#64: Arrange a distribution of forces.|#91: Embrace doubt.|#30: Don’t work with artists who are assholes.|#62: Be kind. Full dishwasher: empty it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#81: Things come alive when there is friction.|#55: Keep basic human needs on the forefront.|#28: Make Contracts.|#37: Operate with radical transparency.|#20: Are exhibitions the most suitable form for the art that we present?|#74: Last one out turns of the lights.|#44: No name tags at dinner.|#65: No excuses: Thursday morning, team meeting.|#32: Be pan-gender polyphonic.|#127: Remain practical: what happens to the work in an endless exhibition?|#17: An exhibition is never finished.|#34: We pay artists.|#53: Immaterial support for artists is important.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#119: Be a space of production.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#117: Consider design, organisational structures and architecture as programme.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#64: Arrange a distribution of forces.|#91: Embrace doubt.|#30: Don’t work with artists who are assholes.|#62: Be kind. Full dishwasher: empty it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#81: Things come alive when there is friction.|#55: Keep basic human needs on the forefront.|#28: Make Contracts.|#37: Operate with radical transparency.|#20: Are exhibitions the most suitable form for the art that we present?|#74: Last one out turns of the lights.|#44: No name tags at dinner.|#65: No excuses: Thursday morning, team meeting.|
