Bjørn Melhus

#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#112: Spaces today don’t need to be curated, but occupied.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#62: Be kind. Full dishwasher: empty it.|#39: Be the early stepping stone in an artist’s career|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#28: Make Contracts.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#29: We make the program for the artist that we exhibit.|#89: Build-in impurity within the organisation.|#21: Live with the exhibition, spend time with it.|#32: Be pan-gender polyphonic.|#90: The best systems have a failure or ‘a hole’ in them…|#4: Pay what you can.|#84: The White Cube is a lie.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#16: Kunsthal Gent will always be a construction site.|#53: Immaterial support for artists is important.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#37: Operate with radical transparency.|#68: Once in a while we need to get out of utopia and get something done.|#14: Can you also remain a toddler institution?|#119: Be a space of production.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#112: Spaces today don’t need to be curated, but occupied.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#62: Be kind. Full dishwasher: empty it.|#39: Be the early stepping stone in an artist’s career|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#28: Make Contracts.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#29: We make the program for the artist that we exhibit.|#89: Build-in impurity within the organisation.|#21: Live with the exhibition, spend time with it.|#32: Be pan-gender polyphonic.|#90: The best systems have a failure or ‘a hole’ in them…|#4: Pay what you can.|#84: The White Cube is a lie.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#16: Kunsthal Gent will always be a construction site.|#53: Immaterial support for artists is important.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#37: Operate with radical transparency.|#68: Once in a while we need to get out of utopia and get something done.|#14: Can you also remain a toddler institution?|#119: Be a space of production.|

30.11.2020 20:00

Online screening

Pay what you can

Art Cinema OFFoff presenteert:
Bjørn Melhus