#37: Operate with radical transparency.|#53: Immaterial support for artists is important.|#81: Things come alive when there is friction.|#59: Always protect the floor when painting (or pouring concrete)|#68: Once in a while we need to get out of utopia and get something done.|#92: We’re a learning organisation.|#112: Spaces today don’t need to be curated, but occupied.|#61: No all male install teams.|#26: More artists, less borders.|#105: Kunsthal Gent is local in scale, but globally connected.|#39: Be the early stepping stone in an artist’s career|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#117: Consider design, organisational structures and architecture as programme.|#4: Pay what you can.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#44: No name tags at dinner.|#10: Don’t be obsessed with numbers.|#64: Arrange a distribution of forces.|#40: Follow the artist|#30: Don’t work with artists who are assholes.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#17: An exhibition is never finished.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#28: Make Contracts.|#37: Operate with radical transparency.|#53: Immaterial support for artists is important.|#81: Things come alive when there is friction.|#59: Always protect the floor when painting (or pouring concrete)|#68: Once in a while we need to get out of utopia and get something done.|#92: We’re a learning organisation.|#112: Spaces today don’t need to be curated, but occupied.|#61: No all male install teams.|#26: More artists, less borders.|#105: Kunsthal Gent is local in scale, but globally connected.|#39: Be the early stepping stone in an artist’s career|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#117: Consider design, organisational structures and architecture as programme.|#4: Pay what you can.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#44: No name tags at dinner.|#10: Don’t be obsessed with numbers.|#64: Arrange a distribution of forces.|#40: Follow the artist|#30: Don’t work with artists who are assholes.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#17: An exhibition is never finished.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#28: Make Contracts.|
Deze website maakt gebruik van cookies om uw gebruikservaring te verbeteren. Meer informatie

26.07.2019 19:30

i.s.m. Hatje Cantz Verlag

Pay what you can

Boekpresentatie:
Bastiaan van Aarle 01:20


Op 26 juli presenteert Bastiaan van Aarle zijn nieuw fotoboek 01:20 dat in samenwerking met Hatje Cantz tot stand kwam.

Over het boek:

Ólafsfjörður is een vissersdorp gelegen in het noorden van Ijsland. Zoals zoveel Ijslandse dorpjes bestaat het uit huizen met golfplaten daken, een kerk die aan de haven ligt, een paar winkeltjes, een tankstation, een visfabriek, een zwembad en een school. Dit alles wordt omringd door besneeuwde bergtoppen, rivieren die door valleien kronkelen, de zee die op de kliffen slaat en schapen die in de heuvels grazen.

Het is opvallend dat de zon in de zomer hier nooit ondergaat. Ólafsfjörður is noordelijk gelegen en hierdoor raakt de zon op 1 juli de horizon, waarna zij vervolgens weer opstijgt. De dagen erna zakt de zon stelselmatig steeds dieper onder de horizon, tot de nachten weer terugkeren.

Dit boek documenteert deze verandering van licht, alsook de plaats Ólafsfjörður. Gedurende de maand juli werd er elke dag één beeld genomen op het donkerste moment van die dag, om 01:20 ’s nachts.

Bastiaan van Aarle (1988°, Turnhout) woont in Berchem en geeft fotografie aan de Adamie van Sint-Niklaas. Zijn werk werd eerder al tentoongesteld in o.a. Botanique, Warp en Museum M.

Oplage: 700 stuks

Grafisch ontwerp: Bastiaan van Aarle en Coco Kneepkens

Formaat 240 x 300 mm

Pagina’s: 64

Cover: softcover

Gepubliceerd bij Hatje Cantz Verlag

Boek-01

AFBEELDINGEN
Boek-01
Boek-02
Boek-03