#131: A visitor who comes back after a week might discover new additions to the exhibition.|#89: Build-in impurity within the organisation.|#32: Be pan-gender polyphonic.|#65: No excuses: Thursday morning, team meeting.|#56: Take a lunch break.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#19: Have fun at the exhibition.|#6: Demand that visitors are active.|#37: Operate with radical transparency.|#74: Last one out turns of the lights.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#55: Keep basic human needs on the forefront.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#61: No all male install teams.|#53: Immaterial support for artists is important.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#29: We make the program for the artist that we exhibit.|#99: Evolve according to changing needs.|#117: Consider design, organisational structures and architecture as programme.|#51: How do we invite the true unknown?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#4: Pay what you can.|#30: Don’t work with artists who are assholes.|#94: No objections? Just do it.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#89: Build-in impurity within the organisation.|#32: Be pan-gender polyphonic.|#65: No excuses: Thursday morning, team meeting.|#56: Take a lunch break.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#19: Have fun at the exhibition.|#6: Demand that visitors are active.|#37: Operate with radical transparency.|#74: Last one out turns of the lights.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#55: Keep basic human needs on the forefront.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#61: No all male install teams.|#53: Immaterial support for artists is important.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#29: We make the program for the artist that we exhibit.|#99: Evolve according to changing needs.|#117: Consider design, organisational structures and architecture as programme.|#51: How do we invite the true unknown?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#4: Pay what you can.|#30: Don’t work with artists who are assholes.|#94: No objections? Just do it.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|
