#127: Remain practical: what happens to the work in an endless exhibition?|#74: Last one out turns of the lights.|#19: Have fun at the exhibition.|#10: Don’t be obsessed with numbers.|#14: Can you also remain a toddler institution?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#26: More artists, less borders.|#117: Consider design, organisational structures and architecture as programme.|#16: Kunsthal Gent will always be a construction site.|#124: Do less, do it better.|#94: No objections? Just do it.|#6: Demand that visitors are active.|#37: Operate with radical transparency.|#119: Be a space of production.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#54: What about disabled artists?|#112: Spaces today don’t need to be curated, but occupied.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#28: Make Contracts.|#107: Build a community / scene.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#21: Live with the exhibition, spend time with it.|#61: No all male install teams.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#127: Remain practical: what happens to the work in an endless exhibition?|#74: Last one out turns of the lights.|#19: Have fun at the exhibition.|#10: Don’t be obsessed with numbers.|#14: Can you also remain a toddler institution?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#26: More artists, less borders.|#117: Consider design, organisational structures and architecture as programme.|#16: Kunsthal Gent will always be a construction site.|#124: Do less, do it better.|#94: No objections? Just do it.|#6: Demand that visitors are active.|#37: Operate with radical transparency.|#119: Be a space of production.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#54: What about disabled artists?|#112: Spaces today don’t need to be curated, but occupied.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#28: Make Contracts.|#107: Build a community / scene.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#21: Live with the exhibition, spend time with it.|#61: No all male install teams.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|
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26.04.2022 20:00

Pay what you can

Bundelpresentatie SLANGEN

SLANGEN, de nieuwste bundel van Dominique De Groen verschenen bij het balanseer, is een duistere, glinsterende, ondergrondse wedergeboorte, krioelend in de krochten van de popcultuur, in de mummie van de natuur, in wondes en rot vlees, in artificiële woestijnen en op geoliede dad bods, verstrengeld met de wurgende algoritmes van het heden.

Op 26/04, om 20u, werpt de bundel in Kunsthal haar slangenvel af.

Naast Dominique zullen ook de fantastische dichters Nele Buyst en Maxime Garcia Diaz voorlezen uit hun werk. Channel dus je innerlijke serpent en glibber daarheen!

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Dominique De Groen (1991) is schrijver en beeldend kunstenaar. Bij het balanseer publiceerde ze eerder de bundels Shop Girl (2017), Sticky Drama (2019) en Offerlam (2020). Met haar werk won ze de Frans Vogel Poëzieprijs 2019 en de Publieksprijs van de FintroPrijs voor Literatuur 2021.

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