#51: How do we invite the true unknown?|#64: Arrange a distribution of forces.|#54: What about disabled artists?|#34: We pay artists.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#53: Immaterial support for artists is important.|#19: Have fun at the exhibition.|#28: Make Contracts.|#56: Take a lunch break.|#132: Things will always look weird when you’re the first doing it.|#68: Once in a while we need to get out of utopia and get something done.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#32: Be pan-gender polyphonic.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#84: The White Cube is a lie.|#65: No excuses: Thursday morning, team meeting.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#55: Keep basic human needs on the forefront.|#137: Use the publication as programming space|#20: Are exhibitions the most suitable form for the art that we present?|#37: Operate with radical transparency.|#124: Do less, do it better.|#51: How do we invite the true unknown?|#64: Arrange a distribution of forces.|#54: What about disabled artists?|#34: We pay artists.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#53: Immaterial support for artists is important.|#19: Have fun at the exhibition.|#28: Make Contracts.|#56: Take a lunch break.|#132: Things will always look weird when you’re the first doing it.|#68: Once in a while we need to get out of utopia and get something done.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#32: Be pan-gender polyphonic.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#84: The White Cube is a lie.|#65: No excuses: Thursday morning, team meeting.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#55: Keep basic human needs on the forefront.|#137: Use the publication as programming space|#20: Are exhibitions the most suitable form for the art that we present?|#37: Operate with radical transparency.|#124: Do less, do it better.|
Deze website maakt gebruik van cookies om uw gebruikservaring te verbeteren. Meer informatie

26.04.2022 20:00

Pay what you can

Bundelpresentatie SLANGEN

SLANGEN, de nieuwste bundel van Dominique De Groen verschenen bij het balanseer, is een duistere, glinsterende, ondergrondse wedergeboorte, krioelend in de krochten van de popcultuur, in de mummie van de natuur, in wondes en rot vlees, in artificiële woestijnen en op geoliede dad bods, verstrengeld met de wurgende algoritmes van het heden.

Op 26/04, om 20u, werpt de bundel in Kunsthal haar slangenvel af.

Naast Dominique zullen ook de fantastische dichters Nele Buyst en Maxime Garcia Diaz voorlezen uit hun werk. Channel dus je innerlijke serpent en glibber daarheen!

🐍

Dominique De Groen (1991) is schrijver en beeldend kunstenaar. Bij het balanseer publiceerde ze eerder de bundels Shop Girl (2017), Sticky Drama (2019) en Offerlam (2020). Met haar werk won ze de Frans Vogel Poëzieprijs 2019 en de Publieksprijs van de FintroPrijs voor Literatuur 2021.

Cover