#3: Entrance to all exhibitions at Kunsthal Gent is free.|#6: Demand that visitors are active.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#28: Make Contracts.|#98: The success of it will not lie in the result but in the process.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#127: Remain practical: what happens to the work in an endless exhibition?|#29: We make the program for the artist that we exhibit.|#111: Do it together.|#54: What about disabled artists?|#10: Don’t be obsessed with numbers.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#32: Be pan-gender polyphonic.|#105: Kunsthal Gent is local in scale, but globally connected.|#91: Embrace doubt.|#35: The artist fee should be good.|#44: No name tags at dinner.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#64: Arrange a distribution of forces.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#30: Don’t work with artists who are assholes.|#21: Live with the exhibition, spend time with it.|#61: No all male install teams.|#89: Build-in impurity within the organisation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#117: Consider design, organisational structures and architecture as programme.|#37: Operate with radical transparency.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#20: Are exhibitions the most suitable form for the art that we present?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#90: The best systems have a failure or ‘a hole’ in them…|#62: Don’t be a dick. Full dishwasher: empty it.|#2: Bring something new to the city of Ghent.|#99: Evolve according to changing needs.|#137: Use the publication as programming space|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#16: Kunsthal Gent will always be a construction site.|#107: Build a community / scene.|#19: Have fun at the exhibition.|#94: No objections? Just do it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#132: Things will always look weird when you’re the first doing it.|#53: Immaterial support for artists is important.|#92: We’re a learning organisation.|#124: Do less, do it better.|#81: Things come alive when there is friction.|#55: Keep basic human needs on the forefront.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#34: We pay artists.|#14: Can you also remain a toddler institution?|#74: Last one out turns of the lights.|#51: How do we invite the true unknown?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#26: More artists, less borders.|#82: Clean and sterile looks professional, but really boring.|#4: Pay what you can.|#84: The White Cube is a lie.|#39: Be the early stepping stone in an artist’s career|#17: An exhibition is never finished.|#68: Once in a while we need to get out of utopia and get something done.|#59: Always protect the floor when painting (or pouring concrete)|#15: Kunsthal Gent aims to be an extension of public space.|#56: Take a lunch break.|#40: Follow the artist|#65: No excuses: Thursday morning, team meeting.|#112: Spaces today don’t need to be curated, but occupied.|#119: Be a space of production.|#36: We support production separately.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#6: Demand that visitors are active.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#28: Make Contracts.|#98: The success of it will not lie in the result but in the process.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#127: Remain practical: what happens to the work in an endless exhibition?|#29: We make the program for the artist that we exhibit.|#111: Do it together.|#54: What about disabled artists?|#10: Don’t be obsessed with numbers.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#32: Be pan-gender polyphonic.|#105: Kunsthal Gent is local in scale, but globally connected.|#91: Embrace doubt.|#35: The artist fee should be good.|#44: No name tags at dinner.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#64: Arrange a distribution of forces.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#30: Don’t work with artists who are assholes.|#21: Live with the exhibition, spend time with it.|#61: No all male install teams.|#89: Build-in impurity within the organisation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#117: Consider design, organisational structures and architecture as programme.|#37: Operate with radical transparency.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#20: Are exhibitions the most suitable form for the art that we present?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#90: The best systems have a failure or ‘a hole’ in them…|#62: Don’t be a dick. Full dishwasher: empty it.|#2: Bring something new to the city of Ghent.|#99: Evolve according to changing needs.|#137: Use the publication as programming space|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#16: Kunsthal Gent will always be a construction site.|#107: Build a community / scene.|#19: Have fun at the exhibition.|#94: No objections? Just do it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#132: Things will always look weird when you’re the first doing it.|#53: Immaterial support for artists is important.|#92: We’re a learning organisation.|#124: Do less, do it better.|#81: Things come alive when there is friction.|#55: Keep basic human needs on the forefront.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#34: We pay artists.|#14: Can you also remain a toddler institution?|#74: Last one out turns of the lights.|#51: How do we invite the true unknown?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#26: More artists, less borders.|#82: Clean and sterile looks professional, but really boring.|#4: Pay what you can.|#84: The White Cube is a lie.|#39: Be the early stepping stone in an artist’s career|#17: An exhibition is never finished.|#68: Once in a while we need to get out of utopia and get something done.|#59: Always protect the floor when painting (or pouring concrete)|#15: Kunsthal Gent aims to be an extension of public space.|#56: Take a lunch break.|#40: Follow the artist|#65: No excuses: Thursday morning, team meeting.|#112: Spaces today don’t need to be curated, but occupied.|#119: Be a space of production.|#36: We support production separately.|
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17.06—01.07.20

Evenement

OPROEP:
ZOMERSALON 2020: BUY LOCAL

ZOMERSALON 2020 ‘BUY LOCAL’
Oproep voor Gentse kunstenaars: inschrijven tot en met 1 juli

- Jouw werk in een tentoonstelling gericht op verkoop van Gentse beeldende kunst
- Van 17 juli tot 30 augustus 2020 in Kunsthal Gent en online op De Gentse Cultuurzomer
- Opbrengst van de verkoop = voor de kunstenaar
- Oproep: schrijf in via deze link, tot en met 1 juli

Ondersteuning voor Gentse beeldend kunstenaars

Veel kunstenaars hebben het moeilijk door de coronacrisis. Uitstel én afstel van tentoonstellingen en opdrachten betekent dat kunstenaars op grote schaal inkomsten mislopen. Samen met vele Gentse culturele organisaties wil Kunsthal Gent daarom het brede publiek bereiken met deze boodschap: koop lokale kunst.

Om deze boodschap kracht bij te zetten verzamelen we deze zomer het werk van beeldend kunstenaars uit de bloeiende Gentse kunstscene in Zomersalon 2020 ‘Buy Local’. De tentoonstelling biedt niet alleen de kans aan het publiek om Gentse kunstenaars te ontdekken, maar stimuleert hen ook om jullie rechtstreeks te steunen door werk te kopen. Alle werken worden ook opgenomen in een overzichtelijke catalogus.

Tegelijk met de tentoonstelling in Kunsthal Gent lanceert De Gentse Cultuurzomer (een initiatief van het Gents Kunstenoverleg) een online platform waarop alle werken uit het Zomersalon terug te vinden zijn. Geïnteresseerden zullen ook via deze weg een kunstwerk uit het Zomersalon kunnen kopen (in samenwerking met croxhapox).

De tentoonstelling loopt in Kunsthal Gent vanaf 17 juli, het begin van De Gentse Cultuurzomer, en is te zien én te koop tot en met 30 augustus.

De hele tentoonstelling is te koop

Elk werk in het Zomersalon is te koop. De verkoop vindt plaats tussen koper en kunstenaar (of de galerij die de kunstenaar vertegenwoordigt), zonder tussenkomst van Kunsthal Gent. Zo gaat zoveel mogelijk van de opbrengst naar de kunstenaar.

Oproep voor kunstenaars: inschrijven tot en met 1 juli

Kunstenaars die wonen of werken in Gent of met hun praktijk duidelijk verbonden zijn aan de stad kunnen een werk inzenden voor het Zomersalon. Schrijf hier in en geef informatie mee over het werk, je artistieke praktijk en je contactgegevens. Wie een werk wil inzenden, leest op deze website ook eerst de voorwaarden en het reglement na.

Je kiest zelf een recent werk uit je oeuvre om toe te voegen aan de tentoonstelling en je bepaalt ook zelf de verkoopprijs. In samenwerking met Cultuurloket en NUCLEO organiseert Kunsthal Gent op donderdag 25 juni een webinar over prijszetting. Meer info en inschrijven voor het webinar bij Cultuurloket

Hoe wordt mijn werk opgehangen? Hoe verloopt de verkoop?

Deze en andere vragen komen aan bod in het reglement. Let op! Door het insturen van een inschrijvingsformulier, aanvaard je de bepalingen van het reglement.

Heb je na het lezen van het reglement nog vragen?
Neem dan contact op via zomersalon@kunsthal.gent

Deze organisaties zetten mee hun schouders onder Zomersalon 2020:
019, Art Cinema OFFoff, Barbé-Urbain Gallery, Bebe Books, BLANCO, BOEKS, Campo, Cecilia Jaime Gallery, Convent, Cultuur Gent, Curatorial Studies at KASK, Croxhapox, Cultuurloket, De Curieuze Collectie, Dekenij Patershol, David vzw, De Centrale, De Gentse Cultuurzomer, De Koer, Emergent, Engagement Gent, Experimental Intermedia, Tatjana Pieters, Gents Kunstenoverleg, Gouvernement, Het Balanseer, HISK, In De Ruimte, KASK & Conservatorium / HOGENT, KIOSK, Kolder, Kristof De Clercq Gallery, Kunst in Huis, Les Voizines, LUCA School of Arts - Campus Gent, Lysterinck, Manoeuvre, mentormentor, Museum Dr. Guislain, NADAR, Nein, NOGallery, NUCLEO, P/ROPS, PostX, Posture Editions, Re-Mains, Roger Raveel Museum, Rufus Gallery, S.M.A.K., Stad Gent, Subbacultcha, VOEM, Vooruit, Yart, Zebrastraat, ...

Met dank aan:

Zomersalon2020 buylocal

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