#91: Embrace doubt.|#51: How do we invite the true unknown?|#2: Bring something new to the city of Ghent.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#84: The White Cube is a lie.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#26: More artists, less borders.|#55: Keep basic human needs on the forefront.|#6: Demand that visitors are active.|#56: Take a lunch break.|#74: Last one out turns of the lights.|#68: Once in a while we need to get out of utopia and get something done.|#107: Build a community / scene.|#62: Be kind. Full dishwasher: empty it.|#19: Have fun at the exhibition.|#4: Pay what you can.|#54: What about disabled artists?|#15: Kunsthal Gent aims to be an extension of public space.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#82: Clean and sterile looks professional, but really boring.|#16: Kunsthal Gent will always be a construction site.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#91: Embrace doubt.|#51: How do we invite the true unknown?|#2: Bring something new to the city of Ghent.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#84: The White Cube is a lie.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#26: More artists, less borders.|#55: Keep basic human needs on the forefront.|#6: Demand that visitors are active.|#56: Take a lunch break.|#74: Last one out turns of the lights.|#68: Once in a while we need to get out of utopia and get something done.|#107: Build a community / scene.|#62: Be kind. Full dishwasher: empty it.|#19: Have fun at the exhibition.|#4: Pay what you can.|#54: What about disabled artists?|#15: Kunsthal Gent aims to be an extension of public space.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#82: Clean and sterile looks professional, but really boring.|#16: Kunsthal Gent will always be a construction site.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|
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02.06.2023 20:00

Pay what you can

Capital Compression (Arnout De Cleene & Michiel De Cleene)

As the wind deposits dust, and dirt settles into soil, the landscape forms. The amassment of dirt and specks transfers pressure upon pressure, upon pressure. What erodes elsewhere, gathers here. Until carbon turns into diamond, and compression into capital.

Capital Compression
verkent de poëtica van blockchaintechnologie – fotografisch en discursief. Het test strategieën van authenticatie en documentatie. Een gehasht gedicht in negentien regels, een serie van twintig foto's en een essay gaan in dialoog. Ze eigenen zich elk aspecten van blockchaintechnologie toe: haar functioneren, aantrekkingskracht, en semiotiek. In Kunsthal Gent geven Michiel en Arnout De Cleene een korte lezing over hun nieuwste publicatie

Capital Compression
Arnout De Cleene
Michiel De Cleene
2023
Roma Publications 446
Designed by Tjobo Kho
ISBN 978-94-6446-039-1
20+12 pages, softcover
€10

DCDC Capital Compression 024 LR
DCDC Capital Compression 022 LR