#89: Build-in impurity within the organisation.|#59: Always protect the floor when painting (or pouring concrete)|#6: Demand that visitors are active.|#19: Have fun at the exhibition.|#55: Keep basic human needs on the forefront.|#65: No excuses: Thursday morning, team meeting.|#99: Evolve according to changing needs.|#92: We’re a learning organisation.|#4: Pay what you can.|#111: Do it together.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#29: We make the program for the artist that we exhibit.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#32: Be pan-gender polyphonic.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#84: The White Cube is a lie.|#81: Things come alive when there is friction.|#36: We support production separately.|#17: An exhibition is never finished.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#37: Operate with radical transparency.|#119: Be a space of production.|#40: Follow the artist|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#89: Build-in impurity within the organisation.|#59: Always protect the floor when painting (or pouring concrete)|#6: Demand that visitors are active.|#19: Have fun at the exhibition.|#55: Keep basic human needs on the forefront.|#65: No excuses: Thursday morning, team meeting.|#99: Evolve according to changing needs.|#92: We’re a learning organisation.|#4: Pay what you can.|#111: Do it together.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#29: We make the program for the artist that we exhibit.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#32: Be pan-gender polyphonic.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#84: The White Cube is a lie.|#81: Things come alive when there is friction.|#36: We support production separately.|#17: An exhibition is never finished.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#37: Operate with radical transparency.|#119: Be a space of production.|#40: Follow the artist|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|
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20.03.2019 19:30

Boekpresentatie

Pay what you can

Catherine Lemblé: Cabin Fever

Photographer Catherine Lemblé is pleased to invite you to the presentation of her first photo book Cabin Fever on 20 March.

For the occasion she reinterprets an existing work customized for Kunsthal.

About the book:
In Cabin Fever, photographer Catherine Lemblé puts her focus on the mountains. In search of the frontier where man merges into its environment, she encounters a ruthless and omnipotent nature, in which every living creature must finally acknowledge his superiority. In 31 photographs she depicts the longing for a world where simplicity, silence and repose are abundant. The cabin as a last resort, a panacea in a landscape that's changing irrevocably.

Catherine Lemblé (1990°, Aalst) lives and works in Brussels. Her work has been exhibited in Recyclart, De Bijloke and De Brakke Grond. Cabin Fever is her first book.

Edition: 300, numbered
Design: Joris Verdoodt & Mathieu Serruys
Printing: L.capitan
Size: 8,4"x10,9"
Binding: Swiss binding
Pages: 44
Self-published, Februari 2019

€ 29

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