#40: Follow the artist|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#34: We pay artists.|#89: Build-in impurity within the organisation.|#68: Once in a while we need to get out of utopia and get something done.|#26: More artists, less borders.|#64: Arrange a distribution of forces.|#132: Things will always look weird when you’re the first doing it.|#2: Bring something new to the city of Ghent.|#98: The success of it will not lie in the result but in the process.|#29: We make the program for the artist that we exhibit.|#17: An exhibition is never finished.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#4: Pay what you can.|#10: Don’t be obsessed with numbers.|#137: Use the publication as programming space|#6: Demand that visitors are active.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#21: Live with the exhibition, spend time with it.|#36: We support production separately.|#61: No all male install teams.|#107: Build a community / scene.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#14: Can you also remain a toddler institution?|#62: Be kind. Full dishwasher: empty it.|#40: Follow the artist|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#34: We pay artists.|#89: Build-in impurity within the organisation.|#68: Once in a while we need to get out of utopia and get something done.|#26: More artists, less borders.|#64: Arrange a distribution of forces.|#132: Things will always look weird when you’re the first doing it.|#2: Bring something new to the city of Ghent.|#98: The success of it will not lie in the result but in the process.|#29: We make the program for the artist that we exhibit.|#17: An exhibition is never finished.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#4: Pay what you can.|#10: Don’t be obsessed with numbers.|#137: Use the publication as programming space|#6: Demand that visitors are active.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#21: Live with the exhibition, spend time with it.|#36: We support production separately.|#61: No all male install teams.|#107: Build a community / scene.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#14: Can you also remain a toddler institution?|#62: Be kind. Full dishwasher: empty it.|
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20.03.2019 19:30

Boekpresentatie

Pay what you can

Catherine Lemblé: Cabin Fever

Photographer Catherine Lemblé is pleased to invite you to the presentation of her first photo book Cabin Fever on 20 March.

For the occasion she reinterprets an existing work customized for Kunsthal.

About the book:
In Cabin Fever, photographer Catherine Lemblé puts her focus on the mountains. In search of the frontier where man merges into its environment, she encounters a ruthless and omnipotent nature, in which every living creature must finally acknowledge his superiority. In 31 photographs she depicts the longing for a world where simplicity, silence and repose are abundant. The cabin as a last resort, a panacea in a landscape that's changing irrevocably.

Catherine Lemblé (1990°, Aalst) lives and works in Brussels. Her work has been exhibited in Recyclart, De Bijloke and De Brakke Grond. Cabin Fever is her first book.

Edition: 300, numbered
Design: Joris Verdoodt & Mathieu Serruys
Printing: L.capitan
Size: 8,4"x10,9"
Binding: Swiss binding
Pages: 44
Self-published, Februari 2019

€ 29

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