#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#39: Be the early stepping stone in an artist’s career|#74: Last one out turns of the lights.|#44: No name tags at dinner.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#99: Evolve according to changing needs.|#94: No objections? Just do it.|#61: No all male install teams.|#29: We make the program for the artist that we exhibit.|#81: Things come alive when there is friction.|#32: Be pan-gender polyphonic.|#55: Keep basic human needs on the forefront.|#40: Follow the artist|#15: Kunsthal Gent aims to be an extension of public space.|#36: We support production separately.|#65: No excuses: Thursday morning, team meeting.|#28: Make Contracts.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#20: Are exhibitions the most suitable form for the art that we present?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#82: Clean and sterile looks professional, but really boring.|#137: Use the publication as programming space|#16: Kunsthal Gent will always be a construction site.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#119: Be a space of production.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#39: Be the early stepping stone in an artist’s career|#74: Last one out turns of the lights.|#44: No name tags at dinner.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#99: Evolve according to changing needs.|#94: No objections? Just do it.|#61: No all male install teams.|#29: We make the program for the artist that we exhibit.|#81: Things come alive when there is friction.|#32: Be pan-gender polyphonic.|#55: Keep basic human needs on the forefront.|#40: Follow the artist|#15: Kunsthal Gent aims to be an extension of public space.|#36: We support production separately.|#65: No excuses: Thursday morning, team meeting.|#28: Make Contracts.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#20: Are exhibitions the most suitable form for the art that we present?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#82: Clean and sterile looks professional, but really boring.|#137: Use the publication as programming space|#16: Kunsthal Gent will always be a construction site.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#119: Be a space of production.|
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20.03.2019 19:30

Boekpresentatie

Pay what you can

Catherine Lemblé: Cabin Fever

Photographer Catherine Lemblé is pleased to invite you to the presentation of her first photo book Cabin Fever on 20 March.

For the occasion she reinterprets an existing work customized for Kunsthal.

About the book:
In Cabin Fever, photographer Catherine Lemblé puts her focus on the mountains. In search of the frontier where man merges into its environment, she encounters a ruthless and omnipotent nature, in which every living creature must finally acknowledge his superiority. In 31 photographs she depicts the longing for a world where simplicity, silence and repose are abundant. The cabin as a last resort, a panacea in a landscape that's changing irrevocably.

Catherine Lemblé (1990°, Aalst) lives and works in Brussels. Her work has been exhibited in Recyclart, De Bijloke and De Brakke Grond. Cabin Fever is her first book.

Edition: 300, numbered
Design: Joris Verdoodt & Mathieu Serruys
Printing: L.capitan
Size: 8,4"x10,9"
Binding: Swiss binding
Pages: 44
Self-published, Februari 2019

€ 29

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