#16: Kunsthal Gent will always be a construction site.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#74: Last one out turns of the lights.|#29: We make the program for the artist that we exhibit.|#111: Do it together.|#127: Remain practical: what happens to the work in an endless exhibition?|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#34: We pay artists.|#21: Live with the exhibition, spend time with it.|#32: Be pan-gender polyphonic.|#39: Be the early stepping stone in an artist’s career|#4: Pay what you can.|#6: Demand that visitors are active.|#35: The artist fee should be good.|#81: Things come alive when there is friction.|#28: Make Contracts.|#64: Arrange a distribution of forces.|#44: No name tags at dinner.|#59: Always protect the floor when painting (or pouring concrete)|#55: Keep basic human needs on the forefront.|#89: Build-in impurity within the organisation.|#119: Be a space of production.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#16: Kunsthal Gent will always be a construction site.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#74: Last one out turns of the lights.|#29: We make the program for the artist that we exhibit.|#111: Do it together.|#127: Remain practical: what happens to the work in an endless exhibition?|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#34: We pay artists.|#21: Live with the exhibition, spend time with it.|#32: Be pan-gender polyphonic.|#39: Be the early stepping stone in an artist’s career|#4: Pay what you can.|#6: Demand that visitors are active.|#35: The artist fee should be good.|#81: Things come alive when there is friction.|#28: Make Contracts.|#64: Arrange a distribution of forces.|#44: No name tags at dinner.|#59: Always protect the floor when painting (or pouring concrete)|#55: Keep basic human needs on the forefront.|#89: Build-in impurity within the organisation.|#119: Be a space of production.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|
