#16: Kunsthal Gent will always be a construction site.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#56: Take a lunch break.|#36: We support production separately.|#19: Have fun at the exhibition.|#21: Live with the exhibition, spend time with it.|#99: Evolve according to changing needs.|#90: The best systems have a failure or ‘a hole’ in them…|#61: No all male install teams.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#84: The White Cube is a lie.|#20: Are exhibitions the most suitable form for the art that we present?|#64: Arrange a distribution of forces.|#107: Build a community / scene.|#30: Don’t work with artists who are assholes.|#2: Bring something new to the city of Ghent.|#32: Be pan-gender polyphonic.|#82: Clean and sterile looks professional, but really boring.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#111: Do it together.|#40: Follow the artist|#54: What about disabled artists?|#17: An exhibition is never finished.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#4: Pay what you can.|#16: Kunsthal Gent will always be a construction site.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#56: Take a lunch break.|#36: We support production separately.|#19: Have fun at the exhibition.|#21: Live with the exhibition, spend time with it.|#99: Evolve according to changing needs.|#90: The best systems have a failure or ‘a hole’ in them…|#61: No all male install teams.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#84: The White Cube is a lie.|#20: Are exhibitions the most suitable form for the art that we present?|#64: Arrange a distribution of forces.|#107: Build a community / scene.|#30: Don’t work with artists who are assholes.|#2: Bring something new to the city of Ghent.|#32: Be pan-gender polyphonic.|#82: Clean and sterile looks professional, but really boring.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#111: Do it together.|#40: Follow the artist|#54: What about disabled artists?|#17: An exhibition is never finished.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#4: Pay what you can.|
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20.03.2019 19:30

Boekpresentatie

Pay what you can

Catherine Lemblé: Cabin Fever

Photographer Catherine Lemblé is pleased to invite you to the presentation of her first photo book Cabin Fever on 20 March.

For the occasion she reinterprets an existing work customized for Kunsthal.

About the book:
In Cabin Fever, photographer Catherine Lemblé puts her focus on the mountains. In search of the frontier where man merges into its environment, she encounters a ruthless and omnipotent nature, in which every living creature must finally acknowledge his superiority. In 31 photographs she depicts the longing for a world where simplicity, silence and repose are abundant. The cabin as a last resort, a panacea in a landscape that's changing irrevocably.

Catherine Lemblé (1990°, Aalst) lives and works in Brussels. Her work has been exhibited in Recyclart, De Bijloke and De Brakke Grond. Cabin Fever is her first book.

Edition: 300, numbered
Design: Joris Verdoodt & Mathieu Serruys
Printing: L.capitan
Size: 8,4"x10,9"
Binding: Swiss binding
Pages: 44
Self-published, Februari 2019

€ 29

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