#90: The best systems have a failure or ‘a hole’ in them…|#112: Spaces today don’t need to be curated, but occupied.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#10: Don’t be obsessed with numbers.|#137: Use the publication as programming space|#94: No objections? Just do it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#54: What about disabled artists?|#53: Immaterial support for artists is important.|#132: Things will always look weird when you’re the first doing it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#44: No name tags at dinner.|#65: No excuses: Thursday morning, team meeting.|#30: Don’t work with artists who are assholes.|#2: Bring something new to the city of Ghent.|#82: Clean and sterile looks professional, but really boring.|#26: More artists, less borders.|#68: Once in a while we need to get out of utopia and get something done.|#28: Make Contracts.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#55: Keep basic human needs on the forefront.|#36: We support production separately.|#124: Do less, do it better.|#90: The best systems have a failure or ‘a hole’ in them…|#112: Spaces today don’t need to be curated, but occupied.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#10: Don’t be obsessed with numbers.|#137: Use the publication as programming space|#94: No objections? Just do it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#54: What about disabled artists?|#53: Immaterial support for artists is important.|#132: Things will always look weird when you’re the first doing it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#44: No name tags at dinner.|#65: No excuses: Thursday morning, team meeting.|#30: Don’t work with artists who are assholes.|#2: Bring something new to the city of Ghent.|#82: Clean and sterile looks professional, but really boring.|#26: More artists, less borders.|#68: Once in a while we need to get out of utopia and get something done.|#28: Make Contracts.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#55: Keep basic human needs on the forefront.|#36: We support production separately.|#124: Do less, do it better.|
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20.03.2019 19:30

Boekpresentatie

Pay what you can

Catherine Lemblé: Cabin Fever

Photographer Catherine Lemblé is pleased to invite you to the presentation of her first photo book Cabin Fever on 20 March.

For the occasion she reinterprets an existing work customized for Kunsthal.

About the book:
In Cabin Fever, photographer Catherine Lemblé puts her focus on the mountains. In search of the frontier where man merges into its environment, she encounters a ruthless and omnipotent nature, in which every living creature must finally acknowledge his superiority. In 31 photographs she depicts the longing for a world where simplicity, silence and repose are abundant. The cabin as a last resort, a panacea in a landscape that's changing irrevocably.

Catherine Lemblé (1990°, Aalst) lives and works in Brussels. Her work has been exhibited in Recyclart, De Bijloke and De Brakke Grond. Cabin Fever is her first book.

Edition: 300, numbered
Design: Joris Verdoodt & Mathieu Serruys
Printing: L.capitan
Size: 8,4"x10,9"
Binding: Swiss binding
Pages: 44
Self-published, Februari 2019

€ 29

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