#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#112: Spaces today don’t need to be curated, but occupied.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#61: No all male install teams.|#32: Be pan-gender polyphonic.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#56: Take a lunch break.|#98: The success of it will not lie in the result but in the process.|#91: Embrace doubt.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#16: Kunsthal Gent will always be a construction site.|#51: How do we invite the true unknown?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#26: More artists, less borders.|#53: Immaterial support for artists is important.|#64: Arrange a distribution of forces.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#28: Make Contracts.|#137: Use the publication as programming space|#117: Consider design, organisational structures and architecture as programme.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#44: No name tags at dinner.|#30: Don’t work with artists who are assholes.|#82: Clean and sterile looks professional, but really boring.|#59: Always protect the floor when painting (or pouring concrete)|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#112: Spaces today don’t need to be curated, but occupied.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#61: No all male install teams.|#32: Be pan-gender polyphonic.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#56: Take a lunch break.|#98: The success of it will not lie in the result but in the process.|#91: Embrace doubt.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#16: Kunsthal Gent will always be a construction site.|#51: How do we invite the true unknown?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#26: More artists, less borders.|#53: Immaterial support for artists is important.|#64: Arrange a distribution of forces.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#28: Make Contracts.|#137: Use the publication as programming space|#117: Consider design, organisational structures and architecture as programme.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#44: No name tags at dinner.|#30: Don’t work with artists who are assholes.|#82: Clean and sterile looks professional, but really boring.|#59: Always protect the floor when painting (or pouring concrete)|
