#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#84: The White Cube is a lie.|#36: We support production separately.|#105: Kunsthal Gent is local in scale, but globally connected.|#89: Build-in impurity within the organisation.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#44: No name tags at dinner.|#37: Operate with radical transparency.|#15: Kunsthal Gent aims to be an extension of public space.|#6: Demand that visitors are active.|#81: Things come alive when there is friction.|#61: No all male install teams.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#117: Consider design, organisational structures and architecture as programme.|#20: Are exhibitions the most suitable form for the art that we present?|#94: No objections? Just do it.|#35: The artist fee should be good.|#99: Evolve according to changing needs.|#112: Spaces today don’t need to be curated, but occupied.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#84: The White Cube is a lie.|#36: We support production separately.|#105: Kunsthal Gent is local in scale, but globally connected.|#89: Build-in impurity within the organisation.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#44: No name tags at dinner.|#37: Operate with radical transparency.|#15: Kunsthal Gent aims to be an extension of public space.|#6: Demand that visitors are active.|#81: Things come alive when there is friction.|#61: No all male install teams.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#117: Consider design, organisational structures and architecture as programme.|#20: Are exhibitions the most suitable form for the art that we present?|#94: No objections? Just do it.|#35: The artist fee should be good.|#99: Evolve according to changing needs.|#112: Spaces today don’t need to be curated, but occupied.|
