Kunsthal Gent | De essayfilm - Een filmvorm met verbeelding

#44: No name tags at dinner.|#98: The success of it will not lie in the result but in the process.|#132: Things will always look weird when you’re the first doing it.|#56: Take a lunch break.|#39: Be the early stepping stone in an artist’s career|#68: Once in a while we need to get out of utopia and get something done.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#94: No objections? Just do it.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#82: Clean and sterile looks professional, but really boring.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#59: Always protect the floor when painting (or pouring concrete)|#36: We support production separately.|#37: Operate with radical transparency.|#112: Spaces today don’t need to be curated, but occupied.|#64: Arrange a distribution of forces.|#54: What about disabled artists?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#20: Are exhibitions the most suitable form for the art that we present?|#55: Keep basic human needs on the forefront.|#91: Embrace doubt.|#51: How do we invite the true unknown?|#44: No name tags at dinner.|#98: The success of it will not lie in the result but in the process.|#132: Things will always look weird when you’re the first doing it.|#56: Take a lunch break.|#39: Be the early stepping stone in an artist’s career|#68: Once in a while we need to get out of utopia and get something done.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#94: No objections? Just do it.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#82: Clean and sterile looks professional, but really boring.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#59: Always protect the floor when painting (or pouring concrete)|#36: We support production separately.|#37: Operate with radical transparency.|#112: Spaces today don’t need to be curated, but occupied.|#64: Arrange a distribution of forces.|#54: What about disabled artists?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#20: Are exhibitions the most suitable form for the art that we present?|#55: Keep basic human needs on the forefront.|#91: Embrace doubt.|#51: How do we invite the true unknown?|

12.10.2020 20:00

film screenings

Pay what you can

Art Cinema OFFoff presenteert:
De essayfilm - Een filmvorm met verbeelding