#112: Spaces today don’t need to be curated, but occupied.|#94: No objections? Just do it.|#2: Bring something new to the city of Ghent.|#37: Operate with radical transparency.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#132: Things will always look weird when you’re the first doing it.|#51: How do we invite the true unknown?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#59: Always protect the floor when painting (or pouring concrete)|#15: Kunsthal Gent aims to be an extension of public space.|#84: The White Cube is a lie.|#26: More artists, less borders.|#68: Once in a while we need to get out of utopia and get something done.|#64: Arrange a distribution of forces.|#53: Immaterial support for artists is important.|#17: An exhibition is never finished.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#32: Be pan-gender polyphonic.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#65: No excuses: Thursday morning, team meeting.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#74: Last one out turns of the lights.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#112: Spaces today don’t need to be curated, but occupied.|#94: No objections? Just do it.|#2: Bring something new to the city of Ghent.|#37: Operate with radical transparency.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#132: Things will always look weird when you’re the first doing it.|#51: How do we invite the true unknown?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#59: Always protect the floor when painting (or pouring concrete)|#15: Kunsthal Gent aims to be an extension of public space.|#84: The White Cube is a lie.|#26: More artists, less borders.|#68: Once in a while we need to get out of utopia and get something done.|#64: Arrange a distribution of forces.|#53: Immaterial support for artists is important.|#17: An exhibition is never finished.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#32: Be pan-gender polyphonic.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#65: No excuses: Thursday morning, team meeting.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#74: Last one out turns of the lights.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|
