#91: Embrace doubt.|#59: Always protect the floor when painting (or pouring concrete)|#107: Build a community / scene.|#99: Evolve according to changing needs.|#20: Are exhibitions the most suitable form for the art that we present?|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#14: Can you also remain a toddler institution?|#90: The best systems have a failure or ‘a hole’ in them…|#36: We support production separately.|#39: Be the early stepping stone in an artist’s career|#26: More artists, less borders.|#28: Make Contracts.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#53: Immaterial support for artists is important.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#51: How do we invite the true unknown?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#56: Take a lunch break.|#55: Keep basic human needs on the forefront.|#127: Remain practical: what happens to the work in an endless exhibition?|#98: The success of it will not lie in the result but in the process.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#37: Operate with radical transparency.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#21: Live with the exhibition, spend time with it.|#19: Have fun at the exhibition.|#81: Things come alive when there is friction.|#132: Things will always look weird when you’re the first doing it.|#54: What about disabled artists?|#29: We make the program for the artist that we exhibit.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#30: Don’t work with artists who are assholes.|#74: Last one out turns of the lights.|#4: Pay what you can.|#105: Kunsthal Gent is local in scale, but globally connected.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#94: No objections? Just do it.|#16: Kunsthal Gent will always be a construction site.|#137: Use the publication as programming space|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#112: Spaces today don’t need to be curated, but occupied.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#89: Build-in impurity within the organisation.|#10: Don’t be obsessed with numbers.|#6: Demand that visitors are active.|#68: Once in a while we need to get out of utopia and get something done.|#17: An exhibition is never finished.|#61: No all male install teams.|#84: The White Cube is a lie.|#34: We pay artists.|#2: Bring something new to the city of Ghent.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#92: We’re a learning organisation.|#82: Clean and sterile looks professional, but really boring.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#44: No name tags at dinner.|#32: Be pan-gender polyphonic.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#35: The artist fee should be good.|#40: Follow the artist|#65: No excuses: Thursday morning, team meeting.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#117: Consider design, organisational structures and architecture as programme.|#64: Arrange a distribution of forces.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#62: Don’t be a dick. Full dishwasher: empty it.|#111: Do it together.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#124: Do less, do it better.|#15: Kunsthal Gent aims to be an extension of public space.|#119: Be a space of production.|#91: Embrace doubt.|#59: Always protect the floor when painting (or pouring concrete)|#107: Build a community / scene.|#99: Evolve according to changing needs.|#20: Are exhibitions the most suitable form for the art that we present?|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#14: Can you also remain a toddler institution?|#90: The best systems have a failure or ‘a hole’ in them…|#36: We support production separately.|#39: Be the early stepping stone in an artist’s career|#26: More artists, less borders.|#28: Make Contracts.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#53: Immaterial support for artists is important.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#51: How do we invite the true unknown?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#56: Take a lunch break.|#55: Keep basic human needs on the forefront.|#127: Remain practical: what happens to the work in an endless exhibition?|#98: The success of it will not lie in the result but in the process.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#37: Operate with radical transparency.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#21: Live with the exhibition, spend time with it.|#19: Have fun at the exhibition.|#81: Things come alive when there is friction.|#132: Things will always look weird when you’re the first doing it.|#54: What about disabled artists?|#29: We make the program for the artist that we exhibit.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#30: Don’t work with artists who are assholes.|#74: Last one out turns of the lights.|#4: Pay what you can.|#105: Kunsthal Gent is local in scale, but globally connected.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#94: No objections? Just do it.|#16: Kunsthal Gent will always be a construction site.|#137: Use the publication as programming space|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#112: Spaces today don’t need to be curated, but occupied.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#89: Build-in impurity within the organisation.|#10: Don’t be obsessed with numbers.|#6: Demand that visitors are active.|#68: Once in a while we need to get out of utopia and get something done.|#17: An exhibition is never finished.|#61: No all male install teams.|#84: The White Cube is a lie.|#34: We pay artists.|#2: Bring something new to the city of Ghent.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#92: We’re a learning organisation.|#82: Clean and sterile looks professional, but really boring.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#44: No name tags at dinner.|#32: Be pan-gender polyphonic.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#35: The artist fee should be good.|#40: Follow the artist|#65: No excuses: Thursday morning, team meeting.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#117: Consider design, organisational structures and architecture as programme.|#64: Arrange a distribution of forces.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#62: Don’t be a dick. Full dishwasher: empty it.|#111: Do it together.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#124: Do less, do it better.|#15: Kunsthal Gent aims to be an extension of public space.|#119: Be a space of production.|
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01.08.20

Evenement

Happening:
Tranen van de Kunstmarkt

In het kader van Zomersalon Buy Local komen we samen om tranen van de kunstmarkt te verzamelen. Een happening in Kunsthal Gent waarbij we vanuit verschillende perspectieven verhalen delen over het verkopen, kopen en bezitten van kunst. Iedereen is welkom om te luisteren en verhalen, anekdotes, kleine voorstellingen, beschouwingen over het thema commodificatie en de markt te delen. Elke bijdrage wordt vertegenwoordigd door een traan in de fles.

Vergeet niet om je in te schrijven via https://docs.google.com/forms/d/1NXJ4H0LC0XmgAWxpSAWfgMWuRUpDGx5ikfxjEYvIZPA/edit?ts=5f1ee1ce.

Meer informatie: Zomersalon Buy Local

Tranen copy

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