#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#112: Spaces today don’t need to be curated, but occupied.|#36: We support production separately.|#62: Be kind. Full dishwasher: empty it.|#37: Operate with radical transparency.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#119: Be a space of production.|#2: Bring something new to the city of Ghent.|#81: Things come alive when there is friction.|#64: Arrange a distribution of forces.|#54: What about disabled artists?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#132: Things will always look weird when you’re the first doing it.|#16: Kunsthal Gent will always be a construction site.|#137: Use the publication as programming space|#91: Embrace doubt.|#94: No objections? Just do it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#90: The best systems have a failure or ‘a hole’ in them…|#20: Are exhibitions the most suitable form for the art that we present?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#74: Last one out turns of the lights.|#105: Kunsthal Gent is local in scale, but globally connected.|#35: The artist fee should be good.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#112: Spaces today don’t need to be curated, but occupied.|#36: We support production separately.|#62: Be kind. Full dishwasher: empty it.|#37: Operate with radical transparency.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#119: Be a space of production.|#2: Bring something new to the city of Ghent.|#81: Things come alive when there is friction.|#64: Arrange a distribution of forces.|#54: What about disabled artists?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#132: Things will always look weird when you’re the first doing it.|#16: Kunsthal Gent will always be a construction site.|#137: Use the publication as programming space|#91: Embrace doubt.|#94: No objections? Just do it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#90: The best systems have a failure or ‘a hole’ in them…|#20: Are exhibitions the most suitable form for the art that we present?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#74: Last one out turns of the lights.|#105: Kunsthal Gent is local in scale, but globally connected.|#35: The artist fee should be good.|
