#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#112: Spaces today don’t need to be curated, but occupied.|#36: We support production separately.|#62: Be kind. Full dishwasher: empty it.|#37: Operate with radical transparency.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#119: Be a space of production.|#2: Bring something new to the city of Ghent.|#81: Things come alive when there is friction.|#64: Arrange a distribution of forces.|#54: What about disabled artists?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#132: Things will always look weird when you’re the first doing it.|#16: Kunsthal Gent will always be a construction site.|#137: Use the publication as programming space|#91: Embrace doubt.|#94: No objections? Just do it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#90: The best systems have a failure or ‘a hole’ in them…|#20: Are exhibitions the most suitable form for the art that we present?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#74: Last one out turns of the lights.|#105: Kunsthal Gent is local in scale, but globally connected.|#35: The artist fee should be good.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#112: Spaces today don’t need to be curated, but occupied.|#36: We support production separately.|#62: Be kind. Full dishwasher: empty it.|#37: Operate with radical transparency.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#119: Be a space of production.|#2: Bring something new to the city of Ghent.|#81: Things come alive when there is friction.|#64: Arrange a distribution of forces.|#54: What about disabled artists?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#132: Things will always look weird when you’re the first doing it.|#16: Kunsthal Gent will always be a construction site.|#137: Use the publication as programming space|#91: Embrace doubt.|#94: No objections? Just do it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#90: The best systems have a failure or ‘a hole’ in them…|#20: Are exhibitions the most suitable form for the art that we present?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#74: Last one out turns of the lights.|#105: Kunsthal Gent is local in scale, but globally connected.|#35: The artist fee should be good.|
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01.08.2020 17:00

Elien Ronse, Stijn Van Dorpe, Roger Fähndrich / Zomersalon: Buy Local

Pay what you can

Happening:
Tranen van de Kunstmarkt

In het kader van Zomersalon Buy Local komen we samen om tranen van de kunstmarkt te verzamelen. Een happening in Kunsthal Gent waarbij we vanuit verschillende perspectieven verhalen delen over het verkopen, kopen en bezitten van kunst. Iedereen is welkom om te luisteren en verhalen, anekdotes, kleine voorstellingen, beschouwingen over het thema commodificatie en de markt te delen. Elke bijdrage wordt vertegenwoordigd door een traan in de fles.

Vergeet niet om je in te schrijven via https://docs.google.com/forms/d/1NXJ4H0LC0XmgAWxpSAWfgMWuRUpDGx5ikfxjEYvIZPA/edit?ts=5f1ee1ce.

Meer informatie: Zomersalon Buy Local

Tranen copy

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