#17: An exhibition is never finished.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#56: Take a lunch break.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#62: Be kind. Full dishwasher: empty it.|#65: No excuses: Thursday morning, team meeting.|#59: Always protect the floor when painting (or pouring concrete)|#44: No name tags at dinner.|#68: Once in a while we need to get out of utopia and get something done.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#26: More artists, less borders.|#81: Things come alive when there is friction.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#99: Evolve according to changing needs.|#92: We’re a learning organisation.|#64: Arrange a distribution of forces.|#105: Kunsthal Gent is local in scale, but globally connected.|#34: We pay artists.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#89: Build-in impurity within the organisation.|#15: Kunsthal Gent aims to be an extension of public space.|#37: Operate with radical transparency.|#10: Don’t be obsessed with numbers.|#82: Clean and sterile looks professional, but really boring.|#17: An exhibition is never finished.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#56: Take a lunch break.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#62: Be kind. Full dishwasher: empty it.|#65: No excuses: Thursday morning, team meeting.|#59: Always protect the floor when painting (or pouring concrete)|#44: No name tags at dinner.|#68: Once in a while we need to get out of utopia and get something done.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#26: More artists, less borders.|#81: Things come alive when there is friction.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#99: Evolve according to changing needs.|#92: We’re a learning organisation.|#64: Arrange a distribution of forces.|#105: Kunsthal Gent is local in scale, but globally connected.|#34: We pay artists.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#89: Build-in impurity within the organisation.|#15: Kunsthal Gent aims to be an extension of public space.|#37: Operate with radical transparency.|#10: Don’t be obsessed with numbers.|#82: Clean and sterile looks professional, but really boring.|
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22.03.2019 16:00

Pay what you can

Art Cinema OFFoff:
Disassemblies 9: Guts / Gusts (gestations)

Geïnitieerd door de leden van Knowledge Is A Does (KIAD) en met bijzondere bijdrages van Rory Pilgrim, Brendan Curtis en Sarah Browne presenteren we een selectie van video’s, performances en geluidwerken. Disassemblies 9 is een leesgroep en een avondvullend programma rond Vanessa Agard-Jones’ theorievorming over ‘lichamen in systemen’ dat ze definieert als bewegingen die ons vanuit onze ingewanden naar de ruimte van globaal kapitaal leiden. Doorheen geluidslagen, spreuken en fragmenten verkennen we hoe betekenis en macht op een andere manier in kaart kunnen worden gebracht.

Met: Kym Ward, Toon Fibbe, Rory Pilgrim, Katherina Zimmerhackl, Sarah Browne and Karisa Senavitis.

Volledig programma: €10 (schrijf je in via info@offoff.be)Avondprogramma: €8 / €5 (reductietarief)

Sarah-Browne-Report-to-an-Academy-2016.-HD-video-28-minutes.-Courtesy-the-artist-2

AFBEELDINGEN
Sarah-Browne-Report-to-an-Academy-2016.-HD-video-28-minutes.-Courtesy-the-artist