#14: Can you also remain a toddler institution?|#92: We’re a learning organisation.|#6: Demand that visitors are active.|#55: Keep basic human needs on the forefront.|#56: Take a lunch break.|#64: Arrange a distribution of forces.|#17: An exhibition is never finished.|#137: Use the publication as programming space|#127: Remain practical: what happens to the work in an endless exhibition?|#91: Embrace doubt.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#26: More artists, less borders.|#32: Be pan-gender polyphonic.|#34: We pay artists.|#4: Pay what you can.|#62: Be kind. Full dishwasher: empty it.|#117: Consider design, organisational structures and architecture as programme.|#132: Things will always look weird when you’re the first doing it.|#74: Last one out turns of the lights.|#61: No all male install teams.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#84: The White Cube is a lie.|#14: Can you also remain a toddler institution?|#92: We’re a learning organisation.|#6: Demand that visitors are active.|#55: Keep basic human needs on the forefront.|#56: Take a lunch break.|#64: Arrange a distribution of forces.|#17: An exhibition is never finished.|#137: Use the publication as programming space|#127: Remain practical: what happens to the work in an endless exhibition?|#91: Embrace doubt.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#26: More artists, less borders.|#32: Be pan-gender polyphonic.|#34: We pay artists.|#4: Pay what you can.|#62: Be kind. Full dishwasher: empty it.|#117: Consider design, organisational structures and architecture as programme.|#132: Things will always look weird when you’re the first doing it.|#74: Last one out turns of the lights.|#61: No all male install teams.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#84: The White Cube is a lie.|
