#3: Entrance to all exhibitions at Kunsthal Gent is free.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#89: Build-in impurity within the organisation.|#137: Use the publication as programming space|#10: Don’t be obsessed with numbers.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#82: Clean and sterile looks professional, but really boring.|#2: Bring something new to the city of Ghent.|#19: Have fun at the exhibition.|#94: No objections? Just do it.|#74: Last one out turns of the lights.|#111: Do it together.|#132: Things will always look weird when you’re the first doing it.|#17: An exhibition is never finished.|#64: Arrange a distribution of forces.|#14: Can you also remain a toddler institution?|#35: The artist fee should be good.|#15: Kunsthal Gent aims to be an extension of public space.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#68: Once in a while we need to get out of utopia and get something done.|#4: Pay what you can.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#59: Always protect the floor when painting (or pouring concrete)|#112: Spaces today don’t need to be curated, but occupied.|#105: Kunsthal Gent is local in scale, but globally connected.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#89: Build-in impurity within the organisation.|#137: Use the publication as programming space|#10: Don’t be obsessed with numbers.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#82: Clean and sterile looks professional, but really boring.|#2: Bring something new to the city of Ghent.|#19: Have fun at the exhibition.|#94: No objections? Just do it.|#74: Last one out turns of the lights.|#111: Do it together.|#132: Things will always look weird when you’re the first doing it.|#17: An exhibition is never finished.|#64: Arrange a distribution of forces.|#14: Can you also remain a toddler institution?|#35: The artist fee should be good.|#15: Kunsthal Gent aims to be an extension of public space.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#68: Once in a while we need to get out of utopia and get something done.|#4: Pay what you can.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#59: Always protect the floor when painting (or pouring concrete)|#112: Spaces today don’t need to be curated, but occupied.|#105: Kunsthal Gent is local in scale, but globally connected.|
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22.03.2019 16:00

Pay what you can

Art Cinema OFFoff:
Disassemblies 9: Guts / Gusts (gestations)

Geïnitieerd door de leden van Knowledge Is A Does (KIAD) en met bijzondere bijdrages van Rory Pilgrim, Brendan Curtis en Sarah Browne presenteren we een selectie van video’s, performances en geluidwerken. Disassemblies 9 is een leesgroep en een avondvullend programma rond Vanessa Agard-Jones’ theorievorming over ‘lichamen in systemen’ dat ze definieert als bewegingen die ons vanuit onze ingewanden naar de ruimte van globaal kapitaal leiden. Doorheen geluidslagen, spreuken en fragmenten verkennen we hoe betekenis en macht op een andere manier in kaart kunnen worden gebracht.

Met: Kym Ward, Toon Fibbe, Rory Pilgrim, Katherina Zimmerhackl, Sarah Browne and Karisa Senavitis.

Volledig programma: €10 (schrijf je in via info@offoff.be)Avondprogramma: €8 / €5 (reductietarief)

Sarah-Browne-Report-to-an-Academy-2016.-HD-video-28-minutes.-Courtesy-the-artist-2

AFBEELDINGEN
Sarah-Browne-Report-to-an-Academy-2016.-HD-video-28-minutes.-Courtesy-the-artist