#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#107: Build a community / scene.|#90: The best systems have a failure or ‘a hole’ in them…|#26: More artists, less borders.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#65: No excuses: Thursday morning, team meeting.|#54: What about disabled artists?|#124: Do less, do it better.|#37: Operate with radical transparency.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#105: Kunsthal Gent is local in scale, but globally connected.|#17: An exhibition is never finished.|#44: No name tags at dinner.|#92: We’re a learning organisation.|#91: Embrace doubt.|#21: Live with the exhibition, spend time with it.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#132: Things will always look weird when you’re the first doing it.|#111: Do it together.|#56: Take a lunch break.|#64: Arrange a distribution of forces.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#107: Build a community / scene.|#90: The best systems have a failure or ‘a hole’ in them…|#26: More artists, less borders.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#65: No excuses: Thursday morning, team meeting.|#54: What about disabled artists?|#124: Do less, do it better.|#37: Operate with radical transparency.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#105: Kunsthal Gent is local in scale, but globally connected.|#17: An exhibition is never finished.|#44: No name tags at dinner.|#92: We’re a learning organisation.|#91: Embrace doubt.|#21: Live with the exhibition, spend time with it.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#132: Things will always look weird when you’re the first doing it.|#111: Do it together.|#56: Take a lunch break.|#64: Arrange a distribution of forces.|
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22.03.2019 16:00

Pay what you can

Art Cinema OFFoff:
Disassemblies 9: Guts / Gusts (gestations)

Geïnitieerd door de leden van Knowledge Is A Does (KIAD) en met bijzondere bijdrages van Rory Pilgrim, Brendan Curtis en Sarah Browne presenteren we een selectie van video’s, performances en geluidwerken. Disassemblies 9 is een leesgroep en een avondvullend programma rond Vanessa Agard-Jones’ theorievorming over ‘lichamen in systemen’ dat ze definieert als bewegingen die ons vanuit onze ingewanden naar de ruimte van globaal kapitaal leiden. Doorheen geluidslagen, spreuken en fragmenten verkennen we hoe betekenis en macht op een andere manier in kaart kunnen worden gebracht.

Met: Kym Ward, Toon Fibbe, Rory Pilgrim, Katherina Zimmerhackl, Sarah Browne and Karisa Senavitis.

Volledig programma: €10 (schrijf je in via info@offoff.be)Avondprogramma: €8 / €5 (reductietarief)

Sarah-Browne-Report-to-an-Academy-2016.-HD-video-28-minutes.-Courtesy-the-artist-2

AFBEELDINGEN
Sarah-Browne-Report-to-an-Academy-2016.-HD-video-28-minutes.-Courtesy-the-artist