#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#98: The success of it will not lie in the result but in the process.|#28: Make Contracts.|#14: Can you also remain a toddler institution?|#15: Kunsthal Gent aims to be an extension of public space.|#68: Once in a while we need to get out of utopia and get something done.|#17: An exhibition is never finished.|#19: Have fun at the exhibition.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#10: Don’t be obsessed with numbers.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#62: Be kind. Full dishwasher: empty it.|#64: Arrange a distribution of forces.|#35: The artist fee should be good.|#6: Demand that visitors are active.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#105: Kunsthal Gent is local in scale, but globally connected.|#61: No all male install teams.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#2: Bring something new to the city of Ghent.|#26: More artists, less borders.|#29: We make the program for the artist that we exhibit.|#4: Pay what you can.|#16: Kunsthal Gent will always be a construction site.|#55: Keep basic human needs on the forefront.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#98: The success of it will not lie in the result but in the process.|#28: Make Contracts.|#14: Can you also remain a toddler institution?|#15: Kunsthal Gent aims to be an extension of public space.|#68: Once in a while we need to get out of utopia and get something done.|#17: An exhibition is never finished.|#19: Have fun at the exhibition.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#10: Don’t be obsessed with numbers.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#62: Be kind. Full dishwasher: empty it.|#64: Arrange a distribution of forces.|#35: The artist fee should be good.|#6: Demand that visitors are active.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#105: Kunsthal Gent is local in scale, but globally connected.|#61: No all male install teams.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#2: Bring something new to the city of Ghent.|#26: More artists, less borders.|#29: We make the program for the artist that we exhibit.|#4: Pay what you can.|#16: Kunsthal Gent will always be a construction site.|#55: Keep basic human needs on the forefront.|
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22.03.2019 16:00

Pay what you can

Art Cinema OFFoff:
Disassemblies 9: Guts / Gusts (gestations)

Geïnitieerd door de leden van Knowledge Is A Does (KIAD) en met bijzondere bijdrages van Rory Pilgrim, Brendan Curtis en Sarah Browne presenteren we een selectie van video’s, performances en geluidwerken. Disassemblies 9 is een leesgroep en een avondvullend programma rond Vanessa Agard-Jones’ theorievorming over ‘lichamen in systemen’ dat ze definieert als bewegingen die ons vanuit onze ingewanden naar de ruimte van globaal kapitaal leiden. Doorheen geluidslagen, spreuken en fragmenten verkennen we hoe betekenis en macht op een andere manier in kaart kunnen worden gebracht.

Met: Kym Ward, Toon Fibbe, Rory Pilgrim, Katherina Zimmerhackl, Sarah Browne and Karisa Senavitis.

Volledig programma: €10 (schrijf je in via info@offoff.be)Avondprogramma: €8 / €5 (reductietarief)

Sarah-Browne-Report-to-an-Academy-2016.-HD-video-28-minutes.-Courtesy-the-artist-2

AFBEELDINGEN
Sarah-Browne-Report-to-an-Academy-2016.-HD-video-28-minutes.-Courtesy-the-artist