Kunsthal Gent | (...) - Karina Beumer

#137: Use the publication as programming space|#28: Make Contracts.|#16: Kunsthal Gent will always be a construction site.|#20: Are exhibitions the most suitable form for the art that we present?|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#119: Be a space of production.|#59: Always protect the floor when painting (or pouring concrete)|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#81: Things come alive when there is friction.|#21: Live with the exhibition, spend time with it.|#51: How do we invite the true unknown?|#127: Remain practical: what happens to the work in an endless exhibition?|#56: Take a lunch break.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#62: Be kind. Full dishwasher: empty it.|#55: Keep basic human needs on the forefront.|#36: We support production separately.|#82: Clean and sterile looks professional, but really boring.|#117: Consider design, organisational structures and architecture as programme.|#39: Be the early stepping stone in an artist’s career|#107: Build a community / scene.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#74: Last one out turns of the lights.|#84: The White Cube is a lie.|#137: Use the publication as programming space|#28: Make Contracts.|#16: Kunsthal Gent will always be a construction site.|#20: Are exhibitions the most suitable form for the art that we present?|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#119: Be a space of production.|#59: Always protect the floor when painting (or pouring concrete)|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#81: Things come alive when there is friction.|#21: Live with the exhibition, spend time with it.|#51: How do we invite the true unknown?|#127: Remain practical: what happens to the work in an endless exhibition?|#56: Take a lunch break.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#62: Be kind. Full dishwasher: empty it.|#55: Keep basic human needs on the forefront.|#36: We support production separately.|#82: Clean and sterile looks professional, but really boring.|#117: Consider design, organisational structures and architecture as programme.|#39: Be the early stepping stone in an artist’s career|#107: Build a community / scene.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#74: Last one out turns of the lights.|#84: The White Cube is a lie.|

21—23.10.2022 20:00

Avant-première i.s.m. Kunsthal Gent & Art Cinema OFFoff

Pay what you can

MDD presenteert:
(...) - Karina Beumer