#105: Kunsthal Gent is local in scale, but globally connected.|#59: Always protect the floor when painting (or pouring concrete)|#20: Are exhibitions the most suitable form for the art that we present?|#53: Immaterial support for artists is important.|#81: Things come alive when there is friction.|#107: Build a community / scene.|#99: Evolve according to changing needs.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#91: Embrace doubt.|#112: Spaces today don’t need to be curated, but occupied.|#30: Don’t work with artists who are assholes.|#124: Do less, do it better.|#89: Build-in impurity within the organisation.|#15: Kunsthal Gent aims to be an extension of public space.|#82: Clean and sterile looks professional, but really boring.|#51: How do we invite the true unknown?|#36: We support production separately.|#127: Remain practical: what happens to the work in an endless exhibition?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#117: Consider design, organisational structures and architecture as programme.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#94: No objections? Just do it.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#119: Be a space of production.|#105: Kunsthal Gent is local in scale, but globally connected.|#59: Always protect the floor when painting (or pouring concrete)|#20: Are exhibitions the most suitable form for the art that we present?|#53: Immaterial support for artists is important.|#81: Things come alive when there is friction.|#107: Build a community / scene.|#99: Evolve according to changing needs.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#91: Embrace doubt.|#112: Spaces today don’t need to be curated, but occupied.|#30: Don’t work with artists who are assholes.|#124: Do less, do it better.|#89: Build-in impurity within the organisation.|#15: Kunsthal Gent aims to be an extension of public space.|#82: Clean and sterile looks professional, but really boring.|#51: How do we invite the true unknown?|#36: We support production separately.|#127: Remain practical: what happens to the work in an endless exhibition?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#117: Consider design, organisational structures and architecture as programme.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#94: No objections? Just do it.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#119: Be a space of production.|