Call for engagement to end sexism in the arts

#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#55: Keep basic human needs on the forefront.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#91: Embrace doubt.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#26: More artists, less borders.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#119: Be a space of production.|#61: No all male install teams.|#29: We make the program for the artist that we exhibit.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#112: Spaces today don’t need to be curated, but occupied.|#127: Remain practical: what happens to the work in an endless exhibition?|#132: Things will always look weird when you’re the first doing it.|#82: Clean and sterile looks professional, but really boring.|#17: An exhibition is never finished.|#53: Immaterial support for artists is important.|#34: We pay artists.|#74: Last one out turns of the lights.|#117: Consider design, organisational structures and architecture as programme.|#98: The success of it will not lie in the result but in the process.|#4: Pay what you can.|#111: Do it together.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#55: Keep basic human needs on the forefront.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#91: Embrace doubt.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#26: More artists, less borders.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#119: Be a space of production.|#61: No all male install teams.|#29: We make the program for the artist that we exhibit.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#112: Spaces today don’t need to be curated, but occupied.|#127: Remain practical: what happens to the work in an endless exhibition?|#132: Things will always look weird when you’re the first doing it.|#82: Clean and sterile looks professional, but really boring.|#17: An exhibition is never finished.|#53: Immaterial support for artists is important.|#34: We pay artists.|#74: Last one out turns of the lights.|#117: Consider design, organisational structures and architecture as programme.|#98: The success of it will not lie in the result but in the process.|#4: Pay what you can.|#111: Do it together.|

13.06.2023 19:30

Open bijeenkomst

Pay what you can

Engagement Ghent Open Gathering