#111: Do it together.|#94: No objections? Just do it.|#61: No all male install teams.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#117: Consider design, organisational structures and architecture as programme.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#89: Build-in impurity within the organisation.|#6: Demand that visitors are active.|#26: More artists, less borders.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#2: Bring something new to the city of Ghent.|#56: Take a lunch break.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#39: Be the early stepping stone in an artist’s career|#107: Build a community / scene.|#55: Keep basic human needs on the forefront.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#137: Use the publication as programming space|#37: Operate with radical transparency.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#40: Follow the artist|#54: What about disabled artists?|#91: Embrace doubt.|#62: Don’t be a dick. Full dishwasher: empty it.|#34: We pay artists.|#105: Kunsthal Gent is local in scale, but globally connected.|#20: Are exhibitions the most suitable form for the art that we present?|#14: Can you also remain a toddler institution?|#53: Immaterial support for artists is important.|#19: Have fun at the exhibition.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#112: Spaces today don’t need to be curated, but occupied.|#65: No excuses: Thursday morning, team meeting.|#64: Arrange a distribution of forces.|#82: Clean and sterile looks professional, but really boring.|#99: Evolve according to changing needs.|#81: Things come alive when there is friction.|#124: Do less, do it better.|#17: An exhibition is never finished.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#35: The artist fee should be good.|#21: Live with the exhibition, spend time with it.|#127: Remain practical: what happens to the work in an endless exhibition?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#28: Make Contracts.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#4: Pay what you can.|#74: Last one out turns of the lights.|#68: Once in a while we need to get out of utopia and get something done.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#98: The success of it will not lie in the result but in the process.|#10: Don’t be obsessed with numbers.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#30: Don’t work with artists who are assholes.|#92: We’re a learning organisation.|#44: No name tags at dinner.|#16: Kunsthal Gent will always be a construction site.|#15: Kunsthal Gent aims to be an extension of public space.|#90: The best systems have a failure or ‘a hole’ in them…|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#51: How do we invite the true unknown?|#84: The White Cube is a lie.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#29: We make the program for the artist that we exhibit.|#119: Be a space of production.|#59: Always protect the floor when painting (or pouring concrete)|#32: Be pan-gender polyphonic.|#132: Things will always look weird when you’re the first doing it.|#36: We support production separately.|#111: Do it together.|#94: No objections? Just do it.|#61: No all male install teams.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#117: Consider design, organisational structures and architecture as programme.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#89: Build-in impurity within the organisation.|#6: Demand that visitors are active.|#26: More artists, less borders.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#2: Bring something new to the city of Ghent.|#56: Take a lunch break.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#39: Be the early stepping stone in an artist’s career|#107: Build a community / scene.|#55: Keep basic human needs on the forefront.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#137: Use the publication as programming space|#37: Operate with radical transparency.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#40: Follow the artist|#54: What about disabled artists?|#91: Embrace doubt.|#62: Don’t be a dick. Full dishwasher: empty it.|#34: We pay artists.|#105: Kunsthal Gent is local in scale, but globally connected.|#20: Are exhibitions the most suitable form for the art that we present?|#14: Can you also remain a toddler institution?|#53: Immaterial support for artists is important.|#19: Have fun at the exhibition.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#112: Spaces today don’t need to be curated, but occupied.|#65: No excuses: Thursday morning, team meeting.|#64: Arrange a distribution of forces.|#82: Clean and sterile looks professional, but really boring.|#99: Evolve according to changing needs.|#81: Things come alive when there is friction.|#124: Do less, do it better.|#17: An exhibition is never finished.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#35: The artist fee should be good.|#21: Live with the exhibition, spend time with it.|#127: Remain practical: what happens to the work in an endless exhibition?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#28: Make Contracts.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#4: Pay what you can.|#74: Last one out turns of the lights.|#68: Once in a while we need to get out of utopia and get something done.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#98: The success of it will not lie in the result but in the process.|#10: Don’t be obsessed with numbers.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#30: Don’t work with artists who are assholes.|#92: We’re a learning organisation.|#44: No name tags at dinner.|#16: Kunsthal Gent will always be a construction site.|#15: Kunsthal Gent aims to be an extension of public space.|#90: The best systems have a failure or ‘a hole’ in them…|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#51: How do we invite the true unknown?|#84: The White Cube is a lie.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#29: We make the program for the artist that we exhibit.|#119: Be a space of production.|#59: Always protect the floor when painting (or pouring concrete)|#32: Be pan-gender polyphonic.|#132: Things will always look weird when you’re the first doing it.|#36: We support production separately.|
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13—15.02.2020 14:00

installation & talks

Pay what you can

NEIN presenteert:
Enter Through The Void, Exit Through The Gift Shop

Enter Through The Void, Exit Through The Gift Shop

Enter Through The Void, Exit Through The Gift Shop is een gloednieuw kunstfestival in CAMPO victoria en Kunsthal Gent. Naast internationale kunstenaars die de grenzen tussen performance en beeldende kunst opzoeken, reflecteert het programma op de ecologie van een hedendaags kunstfestival door de kringloop van duurzaamheid toe te passen en door onzichtbare lagen van presentatiemomenten te tonen.

Gedurende drie dagen wordt in Kunsthal Gent een tijdelijke tentoonstellingslaag van kunstinstallaties en bedden geplaatst. Deze reproductieve zone van het kunstfestival Enter Through The Void, Exit Through The Gift Shop biedt tegelijkertijd een onderkomen aan de performancekunstenaars die tijdens het festival hun werk tonen in CAMPO victoria.

Deze 'zone of care' wordt elke dag vervolledigd met lezingen onder leiding van Engagement arts, Caveat & Curators Anonymous.

━━━ Tents by artists ━ 14:00 - 18:00 ━━━━

Leon de Bruijne
Lieselot Siddiki & Luka Lazhuli
Shervin Sheikh Rezaei
Juliet Merie & Charlotte Stuby
Helen Van de Vloet
Egon Van Herreweghe
Astrid Demaziere
Lara Grimmelprez
Olivier Goethals
Romain Tallet

━━━ Talks ━ 15:00 - 17:00 ━━━━

☿ 13.02 / Engagement arts ☿
Engagement is een kunstenaarsbeweging die seksuele intimidatie, seksisme en machtsmisbruik in de Belgische kunstwereld aanpakt.

❤ 14.02 / Caveat ❤
Caveat is een collectief onderzoeksproject dat de ecologie van de artistieke praktijk onderzoekt en er op inspeelt.

♚ 15.02 / Curators Anonymous ♚
Curators Anonymous is een non-profit, onafhankelijke vereniging van curatoren in België, opgericht in 2019, die een platform biedt voor de uitwisseling van informatie over dringende kwesties die de curatoren aangaan.


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Enter Through The Void, Exit Through The Gift Shop wordt ondersteund door CAMPO, Kunsthal Gent, Stad Gent, Cultuur Gent, Koninkrijk der Nederlanden en de Vlaamse overheid.

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