#107: Build a community / scene.|#4: Pay what you can.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#119: Be a space of production.|#74: Last one out turns of the lights.|#19: Have fun at the exhibition.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#30: Don’t work with artists who are assholes.|#44: No name tags at dinner.|#2: Bring something new to the city of Ghent.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#53: Immaterial support for artists is important.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#62: Don’t be a dick. Full dishwasher: empty it.|#84: The White Cube is a lie.|#16: Kunsthal Gent will always be a construction site.|#124: Do less, do it better.|#61: No all male install teams.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#20: Are exhibitions the most suitable form for the art that we present?|#68: Once in a while we need to get out of utopia and get something done.|#94: No objections? Just do it.|#51: How do we invite the true unknown?|#107: Build a community / scene.|#4: Pay what you can.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#119: Be a space of production.|#74: Last one out turns of the lights.|#19: Have fun at the exhibition.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#30: Don’t work with artists who are assholes.|#44: No name tags at dinner.|#2: Bring something new to the city of Ghent.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#53: Immaterial support for artists is important.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#62: Don’t be a dick. Full dishwasher: empty it.|#84: The White Cube is a lie.|#16: Kunsthal Gent will always be a construction site.|#124: Do less, do it better.|#61: No all male install teams.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#20: Are exhibitions the most suitable form for the art that we present?|#68: Once in a while we need to get out of utopia and get something done.|#94: No objections? Just do it.|#51: How do we invite the true unknown?|
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13—15.02.2020 14:00

installation & talks

Pay what you can

NEIN presenteert:
Enter Through The Void, Exit Through The Gift Shop

Enter Through The Void, Exit Through The Gift Shop

Enter Through The Void, Exit Through The Gift Shop is een gloednieuw kunstfestival in CAMPO victoria en Kunsthal Gent. Naast internationale kunstenaars die de grenzen tussen performance en beeldende kunst opzoeken, reflecteert het programma op de ecologie van een hedendaags kunstfestival door de kringloop van duurzaamheid toe te passen en door onzichtbare lagen van presentatiemomenten te tonen.

Gedurende drie dagen wordt in Kunsthal Gent een tijdelijke tentoonstellingslaag van kunstinstallaties en bedden geplaatst. Deze reproductieve zone van het kunstfestival Enter Through The Void, Exit Through The Gift Shop biedt tegelijkertijd een onderkomen aan de performancekunstenaars die tijdens het festival hun werk tonen in CAMPO victoria.

Deze 'zone of care' wordt elke dag vervolledigd met lezingen onder leiding van Engagement arts, Caveat & Curators Anonymous.

━━━ Tents by artists ━ 14:00 - 18:00 ━━━━

Leon de Bruijne
Lieselot Siddiki & Luka Lazhuli
Shervin Sheikh Rezaei
Juliet Merie & Charlotte Stuby
Helen Van de Vloet
Egon Van Herreweghe
Astrid Demaziere
Lara Grimmelprez
Olivier Goethals
Romain Tallet

━━━ Talks ━ 15:00 - 17:00 ━━━━

☿ 13.02 / Engagement arts ☿
Engagement is een kunstenaarsbeweging die seksuele intimidatie, seksisme en machtsmisbruik in de Belgische kunstwereld aanpakt.

❤ 14.02 / Caveat ❤
Caveat is een collectief onderzoeksproject dat de ecologie van de artistieke praktijk onderzoekt en er op inspeelt.

♚ 15.02 / Curators Anonymous ♚
Curators Anonymous is een non-profit, onafhankelijke vereniging van curatoren in België, opgericht in 2019, die een platform biedt voor de uitwisseling van informatie over dringende kwesties die de curatoren aangaan.


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Enter Through The Void, Exit Through The Gift Shop wordt ondersteund door CAMPO, Kunsthal Gent, Stad Gent, Cultuur Gent, Koninkrijk der Nederlanden en de Vlaamse overheid.

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