#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#34: We pay artists.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#56: Take a lunch break.|#28: Make Contracts.|#81: Things come alive when there is friction.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#21: Live with the exhibition, spend time with it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#32: Be pan-gender polyphonic.|#127: Remain practical: what happens to the work in an endless exhibition?|#68: Once in a while we need to get out of utopia and get something done.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#92: We’re a learning organisation.|#64: Arrange a distribution of forces.|#59: Always protect the floor when painting (or pouring concrete)|#20: Are exhibitions the most suitable form for the art that we present?|#62: Be kind. Full dishwasher: empty it.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#82: Clean and sterile looks professional, but really boring.|#74: Last one out turns of the lights.|#10: Don’t be obsessed with numbers.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#51: How do we invite the true unknown?|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#34: We pay artists.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#56: Take a lunch break.|#28: Make Contracts.|#81: Things come alive when there is friction.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#21: Live with the exhibition, spend time with it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#32: Be pan-gender polyphonic.|#127: Remain practical: what happens to the work in an endless exhibition?|#68: Once in a while we need to get out of utopia and get something done.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#92: We’re a learning organisation.|#64: Arrange a distribution of forces.|#59: Always protect the floor when painting (or pouring concrete)|#20: Are exhibitions the most suitable form for the art that we present?|#62: Be kind. Full dishwasher: empty it.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#82: Clean and sterile looks professional, but really boring.|#74: Last one out turns of the lights.|#10: Don’t be obsessed with numbers.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#51: How do we invite the true unknown?|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|
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13—15.02.2020 14:00

installation & talks

Pay what you can

NEIN presenteert:
Enter Through The Void, Exit Through The Gift Shop

Enter Through The Void, Exit Through The Gift Shop

Enter Through The Void, Exit Through The Gift Shop is een gloednieuw kunstfestival in CAMPO victoria en Kunsthal Gent. Naast internationale kunstenaars die de grenzen tussen performance en beeldende kunst opzoeken, reflecteert het programma op de ecologie van een hedendaags kunstfestival door de kringloop van duurzaamheid toe te passen en door onzichtbare lagen van presentatiemomenten te tonen.

Gedurende drie dagen wordt in Kunsthal Gent een tijdelijke tentoonstellingslaag van kunstinstallaties en bedden geplaatst. Deze reproductieve zone van het kunstfestival Enter Through The Void, Exit Through The Gift Shop biedt tegelijkertijd een onderkomen aan de performancekunstenaars die tijdens het festival hun werk tonen in CAMPO victoria.

Deze 'zone of care' wordt elke dag vervolledigd met lezingen onder leiding van Engagement arts, Caveat & Curators Anonymous.

━━━ Tents by artists ━ 14:00 - 18:00 ━━━━

Leon de Bruijne
Lieselot Siddiki & Luka Lazhuli
Shervin Sheikh Rezaei
Juliet Merie & Charlotte Stuby
Helen Van de Vloet
Egon Van Herreweghe
Astrid Demaziere
Lara Grimmelprez
Olivier Goethals
Romain Tallet

━━━ Talks ━ 15:00 - 17:00 ━━━━

☿ 13.02 / Engagement arts ☿
Engagement is een kunstenaarsbeweging die seksuele intimidatie, seksisme en machtsmisbruik in de Belgische kunstwereld aanpakt.

❤ 14.02 / Caveat ❤
Caveat is een collectief onderzoeksproject dat de ecologie van de artistieke praktijk onderzoekt en er op inspeelt.

♚ 15.02 / Curators Anonymous ♚
Curators Anonymous is een non-profit, onafhankelijke vereniging van curatoren in België, opgericht in 2019, die een platform biedt voor de uitwisseling van informatie over dringende kwesties die de curatoren aangaan.


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Enter Through The Void, Exit Through The Gift Shop wordt ondersteund door CAMPO, Kunsthal Gent, Stad Gent, Cultuur Gent, Koninkrijk der Nederlanden en de Vlaamse overheid.

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