#36: We support production separately.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#65: No excuses: Thursday morning, team meeting.|#74: Last one out turns of the lights.|#30: Don’t work with artists who are assholes.|#82: Clean and sterile looks professional, but really boring.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#20: Are exhibitions the most suitable form for the art that we present?|#90: The best systems have a failure or ‘a hole’ in them…|#34: We pay artists.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#105: Kunsthal Gent is local in scale, but globally connected.|#124: Do less, do it better.|#94: No objections? Just do it.|#39: Be the early stepping stone in an artist’s career|#62: Be kind. Full dishwasher: empty it.|#15: Kunsthal Gent aims to be an extension of public space.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#89: Build-in impurity within the organisation.|#59: Always protect the floor when painting (or pouring concrete)|#16: Kunsthal Gent will always be a construction site.|#127: Remain practical: what happens to the work in an endless exhibition?|#4: Pay what you can.|#36: We support production separately.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#65: No excuses: Thursday morning, team meeting.|#74: Last one out turns of the lights.|#30: Don’t work with artists who are assholes.|#82: Clean and sterile looks professional, but really boring.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#20: Are exhibitions the most suitable form for the art that we present?|#90: The best systems have a failure or ‘a hole’ in them…|#34: We pay artists.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#105: Kunsthal Gent is local in scale, but globally connected.|#124: Do less, do it better.|#94: No objections? Just do it.|#39: Be the early stepping stone in an artist’s career|#62: Be kind. Full dishwasher: empty it.|#15: Kunsthal Gent aims to be an extension of public space.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#89: Build-in impurity within the organisation.|#59: Always protect the floor when painting (or pouring concrete)|#16: Kunsthal Gent will always be a construction site.|#127: Remain practical: what happens to the work in an endless exhibition?|#4: Pay what you can.|
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13—15.02.2020 14:00

installation & talks

Pay what you can

NEIN presenteert:
Enter Through The Void, Exit Through The Gift Shop

Enter Through The Void, Exit Through The Gift Shop

Enter Through The Void, Exit Through The Gift Shop is een gloednieuw kunstfestival in CAMPO victoria en Kunsthal Gent. Naast internationale kunstenaars die de grenzen tussen performance en beeldende kunst opzoeken, reflecteert het programma op de ecologie van een hedendaags kunstfestival door de kringloop van duurzaamheid toe te passen en door onzichtbare lagen van presentatiemomenten te tonen.

Gedurende drie dagen wordt in Kunsthal Gent een tijdelijke tentoonstellingslaag van kunstinstallaties en bedden geplaatst. Deze reproductieve zone van het kunstfestival Enter Through The Void, Exit Through The Gift Shop biedt tegelijkertijd een onderkomen aan de performancekunstenaars die tijdens het festival hun werk tonen in CAMPO victoria.

Deze 'zone of care' wordt elke dag vervolledigd met lezingen onder leiding van Engagement arts, Caveat & Curators Anonymous.

━━━ Tents by artists ━ 14:00 - 18:00 ━━━━

Leon de Bruijne
Lieselot Siddiki & Luka Lazhuli
Shervin Sheikh Rezaei
Juliet Merie & Charlotte Stuby
Helen Van de Vloet
Egon Van Herreweghe
Astrid Demaziere
Lara Grimmelprez
Olivier Goethals
Romain Tallet

━━━ Talks ━ 15:00 - 17:00 ━━━━

☿ 13.02 / Engagement arts ☿
Engagement is een kunstenaarsbeweging die seksuele intimidatie, seksisme en machtsmisbruik in de Belgische kunstwereld aanpakt.

❤ 14.02 / Caveat ❤
Caveat is een collectief onderzoeksproject dat de ecologie van de artistieke praktijk onderzoekt en er op inspeelt.

♚ 15.02 / Curators Anonymous ♚
Curators Anonymous is een non-profit, onafhankelijke vereniging van curatoren in België, opgericht in 2019, die een platform biedt voor de uitwisseling van informatie over dringende kwesties die de curatoren aangaan.


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Enter Through The Void, Exit Through The Gift Shop wordt ondersteund door CAMPO, Kunsthal Gent, Stad Gent, Cultuur Gent, Koninkrijk der Nederlanden en de Vlaamse overheid.

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