#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#32: Be pan-gender polyphonic.|#127: Remain practical: what happens to the work in an endless exhibition?|#15: Kunsthal Gent aims to be an extension of public space.|#34: We pay artists.|#28: Make Contracts.|#59: Always protect the floor when painting (or pouring concrete)|#40: Follow the artist|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#2: Bring something new to the city of Ghent.|#65: No excuses: Thursday morning, team meeting.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#61: No all male install teams.|#29: We make the program for the artist that we exhibit.|#84: The White Cube is a lie.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#39: Be the early stepping stone in an artist’s career|#53: Immaterial support for artists is important.|#4: Pay what you can.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#81: Things come alive when there is friction.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#32: Be pan-gender polyphonic.|#127: Remain practical: what happens to the work in an endless exhibition?|#15: Kunsthal Gent aims to be an extension of public space.|#34: We pay artists.|#28: Make Contracts.|#59: Always protect the floor when painting (or pouring concrete)|#40: Follow the artist|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#2: Bring something new to the city of Ghent.|#65: No excuses: Thursday morning, team meeting.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#61: No all male install teams.|#29: We make the program for the artist that we exhibit.|#84: The White Cube is a lie.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#39: Be the early stepping stone in an artist’s career|#53: Immaterial support for artists is important.|#4: Pay what you can.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#81: Things come alive when there is friction.|
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23.07.2022 11:00

Film screening + gesprek

Pay what you can

Syllabus Summer School Day 3:
Envisioning 'Care' after the Covid19 Pandemic

11.00 - 13.00
Filmvertoning, gevolgd door discussie geleid door Barbara Mahlknecht (Engels)

Marlies Pöschl, Aurore, 2019
FR/AT, 2K video, 21 min, kleur, 5.1 geluid

María Ruido, Estado de malestar (State of distress), 2018-2019
Video, 63 min, kleur, geluid

Dit event brengt films samen die de tegenstrijdigheden en mogelijkheden van de organisatie en infrastructuren van zorg in het neoliberale kapitalisme bespreken.

María Ruido's State of Distress (2018-2019) reflecteert op de sociale omstandigheden van geestelijke gezondheid die worden ervaren als een privéaangelegenheid, zij het verbonden met de last van baanonzekerheid, eeuwige onzekerheid en extreem individualisme.

Marlies Pöschl's semi-documentaire science-fiction Aurore (2019) beschouwt de toekomst van de zorg en de automatisering van affect in de ouderenzorg. Deze werken, uitgebracht vóór de Covid19-pandemie, vormen een perspectief van waaruit we de sociaal-politieke framing, uitdagingen en collectieve learnings in de nasleep van de Covid19-pandemie kunnen bespreken.

Deze films, uitgebracht vóór de Covid19-pandemie, bieden een perspectief van waaruit we de sociaal-politieke kaders, uitdagingen en collectieve leerervaringen in de nasleep van de Covid19 pandemie kunnen bespreken.

Dit event maakt deel uit van de Syllabus Summer School Retreat
Inschrijven via email: danielle@kunsthal.gent

Barbara Mahlknecht is feministisch onderzoeker, curator en kunsteducator. Ze richt zich momenteel op de geschiedenis en de mogelijkheden van feministische politiek van sociale reproductie en zorg.

AURORE Preview1 mp4 00 01 49 02 Still002