#28: Make Contracts.|#119: Be a space of production.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#68: Once in a while we need to get out of utopia and get something done.|#44: No name tags at dinner.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#56: Take a lunch break.|#10: Don’t be obsessed with numbers.|#34: We pay artists.|#91: Embrace doubt.|#37: Operate with radical transparency.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#64: Arrange a distribution of forces.|#98: The success of it will not lie in the result but in the process.|#4: Pay what you can.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#90: The best systems have a failure or ‘a hole’ in them…|#59: Always protect the floor when painting (or pouring concrete)|#92: We’re a learning organisation.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#2: Bring something new to the city of Ghent.|#81: Things come alive when there is friction.|#28: Make Contracts.|#119: Be a space of production.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#68: Once in a while we need to get out of utopia and get something done.|#44: No name tags at dinner.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#56: Take a lunch break.|#10: Don’t be obsessed with numbers.|#34: We pay artists.|#91: Embrace doubt.|#37: Operate with radical transparency.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#64: Arrange a distribution of forces.|#98: The success of it will not lie in the result but in the process.|#4: Pay what you can.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#90: The best systems have a failure or ‘a hole’ in them…|#59: Always protect the floor when painting (or pouring concrete)|#92: We’re a learning organisation.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#2: Bring something new to the city of Ghent.|#81: Things come alive when there is friction.|
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23.07.2022 11:00

Film screening + gesprek

Pay what you can

Syllabus Summer School Day 3:
Envisioning 'Care' after the Covid19 Pandemic

11.00 - 13.00
Filmvertoning, gevolgd door discussie geleid door Barbara Mahlknecht (Engels)

Marlies Pöschl, Aurore, 2019
FR/AT, 2K video, 21 min, kleur, 5.1 geluid

María Ruido, Estado de malestar (State of distress), 2018-2019
Video, 63 min, kleur, geluid

Dit event brengt films samen die de tegenstrijdigheden en mogelijkheden van de organisatie en infrastructuren van zorg in het neoliberale kapitalisme bespreken.

María Ruido's State of Distress (2018-2019) reflecteert op de sociale omstandigheden van geestelijke gezondheid die worden ervaren als een privéaangelegenheid, zij het verbonden met de last van baanonzekerheid, eeuwige onzekerheid en extreem individualisme.

Marlies Pöschl's semi-documentaire science-fiction Aurore (2019) beschouwt de toekomst van de zorg en de automatisering van affect in de ouderenzorg. Deze werken, uitgebracht vóór de Covid19-pandemie, vormen een perspectief van waaruit we de sociaal-politieke framing, uitdagingen en collectieve learnings in de nasleep van de Covid19-pandemie kunnen bespreken.

Deze films, uitgebracht vóór de Covid19-pandemie, bieden een perspectief van waaruit we de sociaal-politieke kaders, uitdagingen en collectieve leerervaringen in de nasleep van de Covid19 pandemie kunnen bespreken.

Dit event maakt deel uit van de Syllabus Summer School Retreat
Inschrijven via email: danielle@kunsthal.gent

Barbara Mahlknecht is feministisch onderzoeker, curator en kunsteducator. Ze richt zich momenteel op de geschiedenis en de mogelijkheden van feministische politiek van sociale reproductie en zorg.

AURORE Preview1 mp4 00 01 49 02 Still002