#89: Build-in impurity within the organisation.|#53: Immaterial support for artists is important.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#84: The White Cube is a lie.|#4: Pay what you can.|#30: Don’t work with artists who are assholes.|#74: Last one out turns of the lights.|#119: Be a space of production.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#124: Do less, do it better.|#68: Once in a while we need to get out of utopia and get something done.|#81: Things come alive when there is friction.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#28: Make Contracts.|#16: Kunsthal Gent will always be a construction site.|#90: The best systems have a failure or ‘a hole’ in them…|#65: No excuses: Thursday morning, team meeting.|#20: Are exhibitions the most suitable form for the art that we present?|#51: How do we invite the true unknown?|#132: Things will always look weird when you’re the first doing it.|#105: Kunsthal Gent is local in scale, but globally connected.|#117: Consider design, organisational structures and architecture as programme.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#34: We pay artists.|#29: We make the program for the artist that we exhibit.|#89: Build-in impurity within the organisation.|#53: Immaterial support for artists is important.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#84: The White Cube is a lie.|#4: Pay what you can.|#30: Don’t work with artists who are assholes.|#74: Last one out turns of the lights.|#119: Be a space of production.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#124: Do less, do it better.|#68: Once in a while we need to get out of utopia and get something done.|#81: Things come alive when there is friction.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#28: Make Contracts.|#16: Kunsthal Gent will always be a construction site.|#90: The best systems have a failure or ‘a hole’ in them…|#65: No excuses: Thursday morning, team meeting.|#20: Are exhibitions the most suitable form for the art that we present?|#51: How do we invite the true unknown?|#132: Things will always look weird when you’re the first doing it.|#105: Kunsthal Gent is local in scale, but globally connected.|#117: Consider design, organisational structures and architecture as programme.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#34: We pay artists.|#29: We make the program for the artist that we exhibit.|
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24.04.2021 20:00

Nocturne

Pay what you can

Erfgoeddag:
Video - Roger Van Bockstaele over het Oud Huis

Erfgoeddag — De Nacht

Op Erfgoeddag 2021 zet Kunsthal Gent de deuren open met een nocturne. Alle tentoonstellingen zijn te bezoeken, er opent een nieuwe tentoonstelling (Bioscopic Books) en we presenteren een videogesprek met de Eredeken van Dekenij Patershol, Roger Van Bockstaele (98), die zijn geheugen uitdiept over de geschiedenis van het Oud Huis en de 15e eeuwse wandschildering (video: Shivadas De Schrijver.)

Zaterdag 24 april, 20.00 - 22.00 uur

Eredeken Roger Van Bockstaele over het Oud Huis in Kunsthal Gent
De nacht erfgoeddag