#89: Build-in impurity within the organisation.|#53: Immaterial support for artists is important.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#84: The White Cube is a lie.|#4: Pay what you can.|#30: Don’t work with artists who are assholes.|#74: Last one out turns of the lights.|#119: Be a space of production.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#124: Do less, do it better.|#68: Once in a while we need to get out of utopia and get something done.|#81: Things come alive when there is friction.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#28: Make Contracts.|#16: Kunsthal Gent will always be a construction site.|#90: The best systems have a failure or ‘a hole’ in them…|#65: No excuses: Thursday morning, team meeting.|#20: Are exhibitions the most suitable form for the art that we present?|#51: How do we invite the true unknown?|#132: Things will always look weird when you’re the first doing it.|#105: Kunsthal Gent is local in scale, but globally connected.|#117: Consider design, organisational structures and architecture as programme.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#34: We pay artists.|#29: We make the program for the artist that we exhibit.|#89: Build-in impurity within the organisation.|#53: Immaterial support for artists is important.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#84: The White Cube is a lie.|#4: Pay what you can.|#30: Don’t work with artists who are assholes.|#74: Last one out turns of the lights.|#119: Be a space of production.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#124: Do less, do it better.|#68: Once in a while we need to get out of utopia and get something done.|#81: Things come alive when there is friction.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#28: Make Contracts.|#16: Kunsthal Gent will always be a construction site.|#90: The best systems have a failure or ‘a hole’ in them…|#65: No excuses: Thursday morning, team meeting.|#20: Are exhibitions the most suitable form for the art that we present?|#51: How do we invite the true unknown?|#132: Things will always look weird when you’re the first doing it.|#105: Kunsthal Gent is local in scale, but globally connected.|#117: Consider design, organisational structures and architecture as programme.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#34: We pay artists.|#29: We make the program for the artist that we exhibit.|