#82: Clean and sterile looks professional, but really boring.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#89: Build-in impurity within the organisation.|#119: Be a space of production.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#10: Don’t be obsessed with numbers.|#44: No name tags at dinner.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#15: Kunsthal Gent aims to be an extension of public space.|#92: We’re a learning organisation.|#20: Are exhibitions the most suitable form for the art that we present?|#74: Last one out turns of the lights.|#68: Once in a while we need to get out of utopia and get something done.|#54: What about disabled artists?|#91: Embrace doubt.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#29: We make the program for the artist that we exhibit.|#16: Kunsthal Gent will always be a construction site.|#34: We pay artists.|#32: Be pan-gender polyphonic.|#21: Live with the exhibition, spend time with it.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#65: No excuses: Thursday morning, team meeting.|#82: Clean and sterile looks professional, but really boring.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#89: Build-in impurity within the organisation.|#119: Be a space of production.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#10: Don’t be obsessed with numbers.|#44: No name tags at dinner.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#15: Kunsthal Gent aims to be an extension of public space.|#92: We’re a learning organisation.|#20: Are exhibitions the most suitable form for the art that we present?|#74: Last one out turns of the lights.|#68: Once in a while we need to get out of utopia and get something done.|#54: What about disabled artists?|#91: Embrace doubt.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#29: We make the program for the artist that we exhibit.|#16: Kunsthal Gent will always be a construction site.|#34: We pay artists.|#32: Be pan-gender polyphonic.|#21: Live with the exhibition, spend time with it.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#65: No excuses: Thursday morning, team meeting.|
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15—24.07.2022 11:00

Pay what you can

Gentse Feesten 2022

Kunsthal Gent is dagelijks open tijdens de Gentse Feesten.

15 - 24 juli 2022
11.00 — 18.00 uur

Rondleidingen

Dagelijks start om 11.00 uur een open rondleiding in Kunsthal Gent.

Interesse voor een grotere groep of een ander moment? Reserveer via onderstaande knop.

Permanente tentoonstelling: Endless Exhibition

Kunsthal Gent experimenteert met nieuwe manieren van tentoonstellingen maken. Zo wordt sinds 2019 drie keer per jaar een nieuw werk toegevoegd aan de Endless Exhibition, een langzaam veranderende tentoonstelling. Iedere dag te bezoeken tijdens de Gentse Feesten!

Met werk van: Prem Krishnamurthy, Thomas Renwart, Martin Belou, Charlotte Stuby, Eva Fabregas, Rudy Guedj, Felix Kindermann, Bram De Jonghe, Olivier Goethals, Jesse Jones, Thomas Min en Egon Van Herreweghe en Joelle Tuerlinckx.

Tijdelijke tentoonstelling: Grace Schwindt

Boven in het paviljoen toont Grace Schwindt (Duitsland 1979) de video-performance Your movement: een intieme en gelijkwaardige ontmoeting met een lichaam op het scherm, samen met enkele nieuwe sculpturen in keramiek en brons.

Syllabus Summer School

Summer School met verschillende activiteiten rond het monumentale werk 'Syllabus' van de Ierse kunstenaar Jesse Jones. Hoe creëren we een ruimte van gedeelde culturele gemeenschappelijkheid na twee jaar van isolement?

Meer informatie omtrent Syllabus Summer School volgt binnenkort.

MDC KH jessejones 021 HR