#2: Bring something new to the city of Ghent.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#98: The success of it will not lie in the result but in the process.|#35: The artist fee should be good.|#91: Embrace doubt.|#10: Don’t be obsessed with numbers.|#26: More artists, less borders.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#94: No objections? Just do it.|#56: Take a lunch break.|#16: Kunsthal Gent will always be a construction site.|#30: Don’t work with artists who are assholes.|#74: Last one out turns of the lights.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#53: Immaterial support for artists is important.|#82: Clean and sterile looks professional, but really boring.|#19: Have fun at the exhibition.|#89: Build-in impurity within the organisation.|#44: No name tags at dinner.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#39: Be the early stepping stone in an artist’s career|#55: Keep basic human needs on the forefront.|#6: Demand that visitors are active.|#92: We’re a learning organisation.|#2: Bring something new to the city of Ghent.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#98: The success of it will not lie in the result but in the process.|#35: The artist fee should be good.|#91: Embrace doubt.|#10: Don’t be obsessed with numbers.|#26: More artists, less borders.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#94: No objections? Just do it.|#56: Take a lunch break.|#16: Kunsthal Gent will always be a construction site.|#30: Don’t work with artists who are assholes.|#74: Last one out turns of the lights.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#53: Immaterial support for artists is important.|#82: Clean and sterile looks professional, but really boring.|#19: Have fun at the exhibition.|#89: Build-in impurity within the organisation.|#44: No name tags at dinner.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#39: Be the early stepping stone in an artist’s career|#55: Keep basic human needs on the forefront.|#6: Demand that visitors are active.|#92: We’re a learning organisation.|
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11—12.05.2019 00:00

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019, RIOT & Kunsthal Gent present:
Ghent Art Book Fair

11-12.05.2019
Zat: 12:00 — 20:00
Zon: 11:00 — 18:00

Na de succesvolle edities van de GHENT ART BOOK FAIR van 2015 tot 2018 in 019 in de Gentse haven, verhuist de de editie van 2019 naar een nieuwe locatie. 019 en APE-art & books (voorheen RIOT) presenteren met trots de 5de editie van de GHENT ART BOOK FAIR op 11 en 12 mei in (en in samenwerking met) Kunsthal Gent.

GABF 19 toont hedendaagse kunstboeken van meer dan 60 (inter)nationale onafhankelijke uitgevers en brengt een nieuw uitgebreid programma naast boekpresentaties en signeersessies. Interessante nevenprogramma’s zijn onder meer lezingen door internationale uitgevers en ontwerpers, performances door kunstenaars, workshops en tentoonstellingen. Allemaal gepresenteerd in de gloednieuwe Kunsthal Gent, gelegen in het centrum van Gent.

In hetzelfde weekend vindt op dezelfde locatie ook Zine Happening V* van Les VoiZines plaats.

* De twee festivals werken samen en delen de ruimte, maar zijn nog steeds gescheiden in hun programmering en tafels (een symbiotische relatie, zoals de natuur die graag heeft).

Met:
_bulk (BE)
A Missão (BR)
Another Gaze (UK)
Art Paper Editions (BE)
APE ART & BOOKS (BE)
BANDIZ STUDIO (ES)
Be-Part (BE)
BOEK.PRESS (BE)
Case Publishing (NL)
Defrost Studio (NL)
Editions Menard (BE)
Empire books (FR)
Fellow Beings (BE)
Frans Masereel Centrum (BE)
From Me To You Publications (BE)
Fully Booked (US)
Für Dich Verlag / Risiko Press (BE)
FW:Books (NL)
GAGARIN (BE)
Grafische Cel (BE)
Handshake (ES)
het balanseer (BE)
Ines Claus (BE)
KASK & Conservatorium (BE)
LE BAL Books (FR)
Librairie Lame (FR)
Libraryman (SE)
malenki.net (DE)
Mapping Bookbinding (BE)
NOT A POSTER (BE)
NO Publisher-table (BE)
Objet Papier (FR)
Occasional Papers (UK)
Onomatopee Projects (NL)
Pantingo (BE)
PANTOFLE BOOKS (NL)
Pony Press (BE)
POOL publishing (AT)
POSTURE EDITIONS (BE)
Publication Studio Rotterdam (NL)
Puma Press (BE)
Punta Lara ediciones (AR)
RAMSDAM BOOKS (BE)
Roma Publications (NL)
Royal Academy of Fine Arts Antwerp (BE)
Stefanie Leinhos (DE)
Subjective Editions (BE)
Surfaces Utiles (BE)
Temple Magazine (FR)
The Eriskay Connection (NL)
Triangle Books (BE)
TSAR Editions (CH)
Tzuhan (DE)
VALIZ (NL)
Werkplaats Typografie (NL)
WS (FR)

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AFBEELDINGEN
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