#53: Immaterial support for artists is important.|#84: The White Cube is a lie.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#89: Build-in impurity within the organisation.|#111: Do it together.|#21: Live with the exhibition, spend time with it.|#14: Can you also remain a toddler institution?|#39: Be the early stepping stone in an artist’s career|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#15: Kunsthal Gent aims to be an extension of public space.|#54: What about disabled artists?|#119: Be a space of production.|#56: Take a lunch break.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#26: More artists, less borders.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#74: Last one out turns of the lights.|#59: Always protect the floor when painting (or pouring concrete)|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#65: No excuses: Thursday morning, team meeting.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#29: We make the program for the artist that we exhibit.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#53: Immaterial support for artists is important.|#84: The White Cube is a lie.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#89: Build-in impurity within the organisation.|#111: Do it together.|#21: Live with the exhibition, spend time with it.|#14: Can you also remain a toddler institution?|#39: Be the early stepping stone in an artist’s career|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#15: Kunsthal Gent aims to be an extension of public space.|#54: What about disabled artists?|#119: Be a space of production.|#56: Take a lunch break.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#26: More artists, less borders.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#74: Last one out turns of the lights.|#59: Always protect the floor when painting (or pouring concrete)|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#65: No excuses: Thursday morning, team meeting.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#29: We make the program for the artist that we exhibit.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|