#36: We support production separately.|#16: Kunsthal Gent will always be a construction site.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#74: Last one out turns of the lights.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#32: Be pan-gender polyphonic.|#28: Make Contracts.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#91: Embrace doubt.|#99: Evolve according to changing needs.|#117: Consider design, organisational structures and architecture as programme.|#34: We pay artists.|#21: Live with the exhibition, spend time with it.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#98: The success of it will not lie in the result but in the process.|#89: Build-in impurity within the organisation.|#10: Don’t be obsessed with numbers.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#62: Be kind. Full dishwasher: empty it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#61: No all male install teams.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#53: Immaterial support for artists is important.|#36: We support production separately.|#16: Kunsthal Gent will always be a construction site.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#74: Last one out turns of the lights.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#32: Be pan-gender polyphonic.|#28: Make Contracts.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#91: Embrace doubt.|#99: Evolve according to changing needs.|#117: Consider design, organisational structures and architecture as programme.|#34: We pay artists.|#21: Live with the exhibition, spend time with it.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#98: The success of it will not lie in the result but in the process.|#89: Build-in impurity within the organisation.|#10: Don’t be obsessed with numbers.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#62: Be kind. Full dishwasher: empty it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#61: No all male install teams.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#53: Immaterial support for artists is important.|