#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#62: Don’t be a dick. Full dishwasher: empty it.|#89: Build-in impurity within the organisation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#14: Can you also remain a toddler institution?|#34: We pay artists.|#26: More artists, less borders.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#112: Spaces today don’t need to be curated, but occupied.|#68: Once in a while we need to get out of utopia and get something done.|#19: Have fun at the exhibition.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#53: Immaterial support for artists is important.|#91: Embrace doubt.|#61: No all male install teams.|#39: Be the early stepping stone in an artist’s career|#30: Don’t work with artists who are assholes.|#59: Always protect the floor when painting (or pouring concrete)|#20: Are exhibitions the most suitable form for the art that we present?|#137: Use the publication as programming space|#92: We’re a learning organisation.|#127: Remain practical: what happens to the work in an endless exhibition?|#107: Build a community / scene.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#36: We support production separately.|#84: The White Cube is a lie.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#4: Pay what you can.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#117: Consider design, organisational structures and architecture as programme.|#55: Keep basic human needs on the forefront.|#111: Do it together.|#16: Kunsthal Gent will always be a construction site.|#29: We make the program for the artist that we exhibit.|#37: Operate with radical transparency.|#74: Last one out turns of the lights.|#2: Bring something new to the city of Ghent.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#17: An exhibition is never finished.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#15: Kunsthal Gent aims to be an extension of public space.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#64: Arrange a distribution of forces.|#65: No excuses: Thursday morning, team meeting.|#81: Things come alive when there is friction.|#119: Be a space of production.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#82: Clean and sterile looks professional, but really boring.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#56: Take a lunch break.|#51: How do we invite the true unknown?|#40: Follow the artist|#35: The artist fee should be good.|#94: No objections? Just do it.|#21: Live with the exhibition, spend time with it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#54: What about disabled artists?|#98: The success of it will not lie in the result but in the process.|#6: Demand that visitors are active.|#44: No name tags at dinner.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#32: Be pan-gender polyphonic.|#90: The best systems have a failure or ‘a hole’ in them…|#132: Things will always look weird when you’re the first doing it.|#99: Evolve according to changing needs.|#124: Do less, do it better.|#10: Don’t be obsessed with numbers.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#28: Make Contracts.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#105: Kunsthal Gent is local in scale, but globally connected.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#62: Don’t be a dick. Full dishwasher: empty it.|#89: Build-in impurity within the organisation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#14: Can you also remain a toddler institution?|#34: We pay artists.|#26: More artists, less borders.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#112: Spaces today don’t need to be curated, but occupied.|#68: Once in a while we need to get out of utopia and get something done.|#19: Have fun at the exhibition.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#53: Immaterial support for artists is important.|#91: Embrace doubt.|#61: No all male install teams.|#39: Be the early stepping stone in an artist’s career|#30: Don’t work with artists who are assholes.|#59: Always protect the floor when painting (or pouring concrete)|#20: Are exhibitions the most suitable form for the art that we present?|#137: Use the publication as programming space|#92: We’re a learning organisation.|#127: Remain practical: what happens to the work in an endless exhibition?|#107: Build a community / scene.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#36: We support production separately.|#84: The White Cube is a lie.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#4: Pay what you can.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#117: Consider design, organisational structures and architecture as programme.|#55: Keep basic human needs on the forefront.|#111: Do it together.|#16: Kunsthal Gent will always be a construction site.|#29: We make the program for the artist that we exhibit.|#37: Operate with radical transparency.|#74: Last one out turns of the lights.|#2: Bring something new to the city of Ghent.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#17: An exhibition is never finished.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#15: Kunsthal Gent aims to be an extension of public space.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#64: Arrange a distribution of forces.|#65: No excuses: Thursday morning, team meeting.|#81: Things come alive when there is friction.|#119: Be a space of production.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#82: Clean and sterile looks professional, but really boring.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#56: Take a lunch break.|#51: How do we invite the true unknown?|#40: Follow the artist|#35: The artist fee should be good.|#94: No objections? Just do it.|#21: Live with the exhibition, spend time with it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#54: What about disabled artists?|#98: The success of it will not lie in the result but in the process.|#6: Demand that visitors are active.|#44: No name tags at dinner.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#32: Be pan-gender polyphonic.|#90: The best systems have a failure or ‘a hole’ in them…|#132: Things will always look weird when you’re the first doing it.|#99: Evolve according to changing needs.|#124: Do less, do it better.|#10: Don’t be obsessed with numbers.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#28: Make Contracts.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#105: Kunsthal Gent is local in scale, but globally connected.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|
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25—26.04.2020 11:00

Met meer dan 60 (inter)nationale onafhankelijke uitgeverijen

Pay what you can

019 & RIOT presenteren:
Ghent Art Book Fair

019 and RIOT present the 6th edition of the GHENT ART BOOK FAIR on the 25th and the 26th of April 2020 at Kunsthal Gent. The full list of publishers will be announced soon. www.ghentartbookfair.org

This year's edition will coincide again with the 6th Zine Happening by Les VoiZines!

Ghent Art Book Fair Zine Happening V