#82: Clean and sterile looks professional, but really boring.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#62: Be kind. Full dishwasher: empty it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#28: Make Contracts.|#26: More artists, less borders.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#6: Demand that visitors are active.|#117: Consider design, organisational structures and architecture as programme.|#132: Things will always look weird when you’re the first doing it.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#111: Do it together.|#14: Can you also remain a toddler institution?|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#61: No all male install teams.|#81: Things come alive when there is friction.|#53: Immaterial support for artists is important.|#21: Live with the exhibition, spend time with it.|#112: Spaces today don’t need to be curated, but occupied.|#94: No objections? Just do it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#74: Last one out turns of the lights.|#37: Operate with radical transparency.|#10: Don’t be obsessed with numbers.|#82: Clean and sterile looks professional, but really boring.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#62: Be kind. Full dishwasher: empty it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#28: Make Contracts.|#26: More artists, less borders.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#6: Demand that visitors are active.|#117: Consider design, organisational structures and architecture as programme.|#132: Things will always look weird when you’re the first doing it.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#111: Do it together.|#14: Can you also remain a toddler institution?|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#61: No all male install teams.|#81: Things come alive when there is friction.|#53: Immaterial support for artists is important.|#21: Live with the exhibition, spend time with it.|#112: Spaces today don’t need to be curated, but occupied.|#94: No objections? Just do it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#74: Last one out turns of the lights.|#37: Operate with radical transparency.|#10: Don’t be obsessed with numbers.|