#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#112: Spaces today don’t need to be curated, but occupied.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#26: More artists, less borders.|#40: Follow the artist|#6: Demand that visitors are active.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#55: Keep basic human needs on the forefront.|#62: Be kind. Full dishwasher: empty it.|#89: Build-in impurity within the organisation.|#16: Kunsthal Gent will always be a construction site.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#17: An exhibition is never finished.|#127: Remain practical: what happens to the work in an endless exhibition?|#59: Always protect the floor when painting (or pouring concrete)|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#94: No objections? Just do it.|#90: The best systems have a failure or ‘a hole’ in them…|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#30: Don’t work with artists who are assholes.|#99: Evolve according to changing needs.|#74: Last one out turns of the lights.|#117: Consider design, organisational structures and architecture as programme.|#28: Make Contracts.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#112: Spaces today don’t need to be curated, but occupied.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#26: More artists, less borders.|#40: Follow the artist|#6: Demand that visitors are active.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#55: Keep basic human needs on the forefront.|#62: Be kind. Full dishwasher: empty it.|#89: Build-in impurity within the organisation.|#16: Kunsthal Gent will always be a construction site.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#17: An exhibition is never finished.|#127: Remain practical: what happens to the work in an endless exhibition?|#59: Always protect the floor when painting (or pouring concrete)|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#94: No objections? Just do it.|#90: The best systems have a failure or ‘a hole’ in them…|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#30: Don’t work with artists who are assholes.|#99: Evolve according to changing needs.|#74: Last one out turns of the lights.|#117: Consider design, organisational structures and architecture as programme.|#28: Make Contracts.|
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21.01.2022 20:00

Kortfilmprogramma i.s.m OFFoff & Kunsthal Gent

Pay what you can

Gouvernement presenteert:
Night Shift @GIF (Ghent International Festival) - Short Film Program

Uit haar, dat broederlieflijk afgeschoren, bedachtzaam geborsteld, teder geknipt of magisch ingevlochten werd, spint filmmaker Julie Daems een programma van 7 kortfilms aan elkaar van jonge regisseurs. De avond brengt zeven tripjes naar persoonlijke universa waarin liefdevolle handen in de weer zijn om haar te ontmoeten, die andere, haar liefde. Een zinnenprikkelende rit in het gezelschap van poëtische korte films in de cinema van Kunsthal Gent.

Gecureerd door Julie Daems

Gepresenteerd door
Gouvernement i.s.m. OFFoff Art Cinema en Kunsthal Gent

In de context van Ghent International Festival (GIF)

TIMETABLE

Zaur Kourazov

Brood

BE • 2017 • 9' • kleur • digitaal

Katerina Indesteege

Wat jij nalaat

BE • 2021 • 14' • kleur • digitaal

Julie Daems

De Opmerkelijke Genezing van Luna

BE • 2018 • 15' • kleur • digitaal

Marthe Peeters

Warme Obsessie

BE • 2020 • 3' • kleur • digitaal

Mélanie Robert-Tourneur

Tout Contre toi

BE • 2020 • 6' • kleur • digitaal

Charles Dhondt

Wow Sophia, Wow

BE • 2016 • 17' • kleur • digitaal

Anaïs Kaboré

Mixed

BE • 2020 • 18' • kleur • digitaal

Meer info op de site van Gouvernement
Kortfilms