#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#112: Spaces today don’t need to be curated, but occupied.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#26: More artists, less borders.|#40: Follow the artist|#6: Demand that visitors are active.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#55: Keep basic human needs on the forefront.|#62: Be kind. Full dishwasher: empty it.|#89: Build-in impurity within the organisation.|#16: Kunsthal Gent will always be a construction site.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#17: An exhibition is never finished.|#127: Remain practical: what happens to the work in an endless exhibition?|#59: Always protect the floor when painting (or pouring concrete)|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#94: No objections? Just do it.|#90: The best systems have a failure or ‘a hole’ in them…|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#30: Don’t work with artists who are assholes.|#99: Evolve according to changing needs.|#74: Last one out turns of the lights.|#117: Consider design, organisational structures and architecture as programme.|#28: Make Contracts.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#112: Spaces today don’t need to be curated, but occupied.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#26: More artists, less borders.|#40: Follow the artist|#6: Demand that visitors are active.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#55: Keep basic human needs on the forefront.|#62: Be kind. Full dishwasher: empty it.|#89: Build-in impurity within the organisation.|#16: Kunsthal Gent will always be a construction site.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#17: An exhibition is never finished.|#127: Remain practical: what happens to the work in an endless exhibition?|#59: Always protect the floor when painting (or pouring concrete)|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#94: No objections? Just do it.|#90: The best systems have a failure or ‘a hole’ in them…|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#30: Don’t work with artists who are assholes.|#99: Evolve according to changing needs.|#74: Last one out turns of the lights.|#117: Consider design, organisational structures and architecture as programme.|#28: Make Contracts.|
