#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#44: No name tags at dinner.|#98: The success of it will not lie in the result but in the process.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#29: We make the program for the artist that we exhibit.|#30: Don’t work with artists who are assholes.|#10: Don’t be obsessed with numbers.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#39: Be the early stepping stone in an artist’s career|#55: Keep basic human needs on the forefront.|#19: Have fun at the exhibition.|#26: More artists, less borders.|#61: No all male install teams.|#81: Things come alive when there is friction.|#82: Clean and sterile looks professional, but really boring.|#105: Kunsthal Gent is local in scale, but globally connected.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#111: Do it together.|#56: Take a lunch break.|#91: Embrace doubt.|#4: Pay what you can.|#99: Evolve according to changing needs.|#53: Immaterial support for artists is important.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#132: Things will always look weird when you’re the first doing it.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#44: No name tags at dinner.|#98: The success of it will not lie in the result but in the process.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#29: We make the program for the artist that we exhibit.|#30: Don’t work with artists who are assholes.|#10: Don’t be obsessed with numbers.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#39: Be the early stepping stone in an artist’s career|#55: Keep basic human needs on the forefront.|#19: Have fun at the exhibition.|#26: More artists, less borders.|#61: No all male install teams.|#81: Things come alive when there is friction.|#82: Clean and sterile looks professional, but really boring.|#105: Kunsthal Gent is local in scale, but globally connected.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#111: Do it together.|#56: Take a lunch break.|#91: Embrace doubt.|#4: Pay what you can.|#99: Evolve according to changing needs.|#53: Immaterial support for artists is important.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#132: Things will always look weird when you’re the first doing it.|
