#112: Spaces today don’t need to be curated, but occupied.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#19: Have fun at the exhibition.|#89: Build-in impurity within the organisation.|#44: No name tags at dinner.|#26: More artists, less borders.|#68: Once in a while we need to get out of utopia and get something done.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#20: Are exhibitions the most suitable form for the art that we present?|#21: Live with the exhibition, spend time with it.|#2: Bring something new to the city of Ghent.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#37: Operate with radical transparency.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#119: Be a space of production.|#107: Build a community / scene.|#28: Make Contracts.|#32: Be pan-gender polyphonic.|#61: No all male install teams.|#54: What about disabled artists?|#84: The White Cube is a lie.|#127: Remain practical: what happens to the work in an endless exhibition?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#105: Kunsthal Gent is local in scale, but globally connected.|#112: Spaces today don’t need to be curated, but occupied.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#19: Have fun at the exhibition.|#89: Build-in impurity within the organisation.|#44: No name tags at dinner.|#26: More artists, less borders.|#68: Once in a while we need to get out of utopia and get something done.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#20: Are exhibitions the most suitable form for the art that we present?|#21: Live with the exhibition, spend time with it.|#2: Bring something new to the city of Ghent.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#37: Operate with radical transparency.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#119: Be a space of production.|#107: Build a community / scene.|#28: Make Contracts.|#32: Be pan-gender polyphonic.|#61: No all male install teams.|#54: What about disabled artists?|#84: The White Cube is a lie.|#127: Remain practical: what happens to the work in an endless exhibition?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#105: Kunsthal Gent is local in scale, but globally connected.|
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09—11.08.2019 18:00

Pay what you can

PATERSHOLFEESTEN IN KUNSTHAL GENT:
CONFETTI, PERFORMANCES EN RONDLEIDINGEN

PROGRAMMA PATERSHOLFEESTEN IN KUNSTHAL GENT


VRIJDAG 9 AUGUSTUS: EVERYTHING IS AT PLAY: Apparatus 22 neemt Kunsthal Gent over

  • 18:00 - 0:00 uur: tentoonstellingen, binnentuin en bar
  • 19:30 - 20.30 uur: groots confetti-feest en performances van Apparatus 22 RO/BE), Irina Bujor (RO) met operazangeres Nadia Hidali (BE) en video-performance van Farid Fairuz (LB/RO)

ZATERDAG 10 AUGUSTUS

  • 11:00 - 18:00 uur: tentoonstellingen, binnentuin en bar
  • 14:00 uur: rondleiding kunsthal gent - start aan de balie, duur: ±45 min, voertaal nederlands

ZONDAG 11 AUGUSTUS

  • 11:00 - 22:00 uur: tentoonstellingen, binnentuin en bar
  • 14:00 uur: rondleiding Kunsthal Gent - start aan de balie, duur: ±45 min, voertaal nederlands
  • 19:30 uur: MONOLOGUE INTÉRIEUR - alternatieve rondleiding. Concept: Lieselotte Egtberts, performer: Maïthé Truyens. Start aan de balie, duur: ±30 min, voertaal nederlands, max. 15 deelnemers

AFBEELDINGEN
1.-Apparatus-22-positive-tension-MQ