#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#84: The White Cube is a lie.|#94: No objections? Just do it.|#16: Kunsthal Gent will always be a construction site.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#64: Arrange a distribution of forces.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#54: What about disabled artists?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#81: Things come alive when there is friction.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#4: Pay what you can.|#68: Once in a while we need to get out of utopia and get something done.|#39: Be the early stepping stone in an artist’s career|#82: Clean and sterile looks professional, but really boring.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#98: The success of it will not lie in the result but in the process.|#132: Things will always look weird when you’re the first doing it.|#105: Kunsthal Gent is local in scale, but globally connected.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#35: The artist fee should be good.|#53: Immaterial support for artists is important.|#111: Do it together.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#84: The White Cube is a lie.|#94: No objections? Just do it.|#16: Kunsthal Gent will always be a construction site.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#64: Arrange a distribution of forces.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#54: What about disabled artists?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#81: Things come alive when there is friction.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#4: Pay what you can.|#68: Once in a while we need to get out of utopia and get something done.|#39: Be the early stepping stone in an artist’s career|#82: Clean and sterile looks professional, but really boring.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#98: The success of it will not lie in the result but in the process.|#132: Things will always look weird when you’re the first doing it.|#105: Kunsthal Gent is local in scale, but globally connected.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#35: The artist fee should be good.|#53: Immaterial support for artists is important.|#111: Do it together.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|
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24.02.2020 20:00

film screenings

Pay what you can

Art Cinema OFFoff presenteert:
Gustav Deutsch - Film Ist.

Film Ist. (Gustav Deutsch, 1998/2002)

“It is, in a word, glorious…. what I feel is the inherent power and mystery of such material, the arrangement of these images and sounds into a definition of cinema constitutes one of the greatest pedagogic films I have seen…. my main reaction is to have my socks knocked off.” (Tom Gunning)

Als eerbetoon aan Gustav Deutsch (1952-2019) selecteert Jasper Rigole Film Ist., een tableaufilm over de fenomenologie van het medium film. Deutsch begon al in de late jaren 1970 met het appropriëren en hercontextualiseren van found footage-filmmateriaal, met Film Ist. maakte hij een langspeelfilm zonder camera. Het resultaat is intrigerend, grappig en betoverend.

Gustav Deutsch - Film Ist. 1-6
AT • 1998 • 60' • kleur & z/w • 16mm

Film Ist. 1–6 (1998) is een collage van materiaal ontleend aan wetenschappelijke en educatieve films. Deze eerste zes hoofdstukken zijn opgedragen aan het wetenschappelijk laboratorium als de plek waar dit medium zijn oorsprong kende.

Gustav Deutsch - Film Ist. 7-12
AT • 2002 • 93' • kleur & z/w • 35mm

Film Ist. 7–12 (2002) focust op de eerste drie decennia uit de geschiedenis van cinema en onderzoekt het nieuwe medium film als kunstvorm eerder dan als technologische innovatie.

Filmist7 2 sized