#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#117: Consider design, organisational structures and architecture as programme.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#54: What about disabled artists?|#105: Kunsthal Gent is local in scale, but globally connected.|#21: Live with the exhibition, spend time with it.|#40: Follow the artist|#98: The success of it will not lie in the result but in the process.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#74: Last one out turns of the lights.|#17: An exhibition is never finished.|#14: Can you also remain a toddler institution?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#112: Spaces today don’t need to be curated, but occupied.|#127: Remain practical: what happens to the work in an endless exhibition?|#15: Kunsthal Gent aims to be an extension of public space.|#10: Don’t be obsessed with numbers.|#92: We’re a learning organisation.|#20: Are exhibitions the most suitable form for the art that we present?|#94: No objections? Just do it.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#91: Embrace doubt.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#117: Consider design, organisational structures and architecture as programme.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#54: What about disabled artists?|#105: Kunsthal Gent is local in scale, but globally connected.|#21: Live with the exhibition, spend time with it.|#40: Follow the artist|#98: The success of it will not lie in the result but in the process.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#74: Last one out turns of the lights.|#17: An exhibition is never finished.|#14: Can you also remain a toddler institution?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#112: Spaces today don’t need to be curated, but occupied.|#127: Remain practical: what happens to the work in an endless exhibition?|#15: Kunsthal Gent aims to be an extension of public space.|#10: Don’t be obsessed with numbers.|#92: We’re a learning organisation.|#20: Are exhibitions the most suitable form for the art that we present?|#94: No objections? Just do it.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#91: Embrace doubt.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|
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24.02.2020 20:00

film screenings

Pay what you can

Art Cinema OFFoff presenteert:
Gustav Deutsch - Film Ist.

Film Ist. (Gustav Deutsch, 1998/2002)

“It is, in a word, glorious…. what I feel is the inherent power and mystery of such material, the arrangement of these images and sounds into a definition of cinema constitutes one of the greatest pedagogic films I have seen…. my main reaction is to have my socks knocked off.” (Tom Gunning)

Als eerbetoon aan Gustav Deutsch (1952-2019) selecteert Jasper Rigole Film Ist., een tableaufilm over de fenomenologie van het medium film. Deutsch begon al in de late jaren 1970 met het appropriëren en hercontextualiseren van found footage-filmmateriaal, met Film Ist. maakte hij een langspeelfilm zonder camera. Het resultaat is intrigerend, grappig en betoverend.

Gustav Deutsch - Film Ist. 1-6
AT • 1998 • 60' • kleur & z/w • 16mm

Film Ist. 1–6 (1998) is een collage van materiaal ontleend aan wetenschappelijke en educatieve films. Deze eerste zes hoofdstukken zijn opgedragen aan het wetenschappelijk laboratorium als de plek waar dit medium zijn oorsprong kende.

Gustav Deutsch - Film Ist. 7-12
AT • 2002 • 93' • kleur & z/w • 35mm

Film Ist. 7–12 (2002) focust op de eerste drie decennia uit de geschiedenis van cinema en onderzoekt het nieuwe medium film als kunstvorm eerder dan als technologische innovatie.

Filmist7 2 sized