#131: A visitor who comes back after a week might discover new additions to the exhibition.|#94: No objections? Just do it.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#62: Be kind. Full dishwasher: empty it.|#65: No excuses: Thursday morning, team meeting.|#36: We support production separately.|#15: Kunsthal Gent aims to be an extension of public space.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#117: Consider design, organisational structures and architecture as programme.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#37: Operate with radical transparency.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#89: Build-in impurity within the organisation.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#59: Always protect the floor when painting (or pouring concrete)|#90: The best systems have a failure or ‘a hole’ in them…|#111: Do it together.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#28: Make Contracts.|#137: Use the publication as programming space|#55: Keep basic human needs on the forefront.|#21: Live with the exhibition, spend time with it.|#10: Don’t be obsessed with numbers.|#32: Be pan-gender polyphonic.|#68: Once in a while we need to get out of utopia and get something done.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#94: No objections? Just do it.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#62: Be kind. Full dishwasher: empty it.|#65: No excuses: Thursday morning, team meeting.|#36: We support production separately.|#15: Kunsthal Gent aims to be an extension of public space.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#117: Consider design, organisational structures and architecture as programme.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#37: Operate with radical transparency.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#89: Build-in impurity within the organisation.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#59: Always protect the floor when painting (or pouring concrete)|#90: The best systems have a failure or ‘a hole’ in them…|#111: Do it together.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#28: Make Contracts.|#137: Use the publication as programming space|#55: Keep basic human needs on the forefront.|#21: Live with the exhibition, spend time with it.|#10: Don’t be obsessed with numbers.|#32: Be pan-gender polyphonic.|#68: Once in a while we need to get out of utopia and get something done.|
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24.02.2020 20:00

film screenings

Pay what you can

Art Cinema OFFoff presenteert:
Gustav Deutsch - Film Ist.

Film Ist. (Gustav Deutsch, 1998/2002)

“It is, in a word, glorious…. what I feel is the inherent power and mystery of such material, the arrangement of these images and sounds into a definition of cinema constitutes one of the greatest pedagogic films I have seen…. my main reaction is to have my socks knocked off.” (Tom Gunning)

Als eerbetoon aan Gustav Deutsch (1952-2019) selecteert Jasper Rigole Film Ist., een tableaufilm over de fenomenologie van het medium film. Deutsch begon al in de late jaren 1970 met het appropriëren en hercontextualiseren van found footage-filmmateriaal, met Film Ist. maakte hij een langspeelfilm zonder camera. Het resultaat is intrigerend, grappig en betoverend.

Gustav Deutsch - Film Ist. 1-6
AT • 1998 • 60' • kleur & z/w • 16mm

Film Ist. 1–6 (1998) is een collage van materiaal ontleend aan wetenschappelijke en educatieve films. Deze eerste zes hoofdstukken zijn opgedragen aan het wetenschappelijk laboratorium als de plek waar dit medium zijn oorsprong kende.

Gustav Deutsch - Film Ist. 7-12
AT • 2002 • 93' • kleur & z/w • 35mm

Film Ist. 7–12 (2002) focust op de eerste drie decennia uit de geschiedenis van cinema en onderzoekt het nieuwe medium film als kunstvorm eerder dan als technologische innovatie.

Filmist7 2 sized