HET KUNSTARCHIEF

#74: Last one out turns of the lights.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#35: The artist fee should be good.|#98: The success of it will not lie in the result but in the process.|#54: What about disabled artists?|#59: Always protect the floor when painting (or pouring concrete)|#84: The White Cube is a lie.|#107: Build a community / scene.|#28: Make Contracts.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#117: Consider design, organisational structures and architecture as programme.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#94: No objections? Just do it.|#29: We make the program for the artist that we exhibit.|#112: Spaces today don’t need to be curated, but occupied.|#4: Pay what you can.|#127: Remain practical: what happens to the work in an endless exhibition?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#26: More artists, less borders.|#119: Be a space of production.|#64: Arrange a distribution of forces.|#137: Use the publication as programming space|#6: Demand that visitors are active.|#74: Last one out turns of the lights.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#35: The artist fee should be good.|#98: The success of it will not lie in the result but in the process.|#54: What about disabled artists?|#59: Always protect the floor when painting (or pouring concrete)|#84: The White Cube is a lie.|#107: Build a community / scene.|#28: Make Contracts.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#117: Consider design, organisational structures and architecture as programme.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#94: No objections? Just do it.|#29: We make the program for the artist that we exhibit.|#112: Spaces today don’t need to be curated, but occupied.|#4: Pay what you can.|#127: Remain practical: what happens to the work in an endless exhibition?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#26: More artists, less borders.|#119: Be a space of production.|#64: Arrange a distribution of forces.|#137: Use the publication as programming space|#6: Demand that visitors are active.|

29.01.2020 20:00

workshop

Pay what you can

NUCLEO en Centrum Kunstarchieven Vlaanderen presenteren:
HET KUNSTARCHIEF