#55: Keep basic human needs on the forefront.|#51: How do we invite the true unknown?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#61: No all male install teams.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#4: Pay what you can.|#20: Are exhibitions the most suitable form for the art that we present?|#59: Always protect the floor when painting (or pouring concrete)|#19: Have fun at the exhibition.|#62: Don’t be a dick. Full dishwasher: empty it.|#81: Things come alive when there is friction.|#15: Kunsthal Gent aims to be an extension of public space.|#117: Consider design, organisational structures and architecture as programme.|#119: Be a space of production.|#84: The White Cube is a lie.|#21: Live with the exhibition, spend time with it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#40: Follow the artist|#91: Embrace doubt.|#94: No objections? Just do it.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#124: Do less, do it better.|#53: Immaterial support for artists is important.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#44: No name tags at dinner.|#107: Build a community / scene.|#26: More artists, less borders.|#17: An exhibition is never finished.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#68: Once in a while we need to get out of utopia and get something done.|#132: Things will always look weird when you’re the first doing it.|#56: Take a lunch break.|#111: Do it together.|#112: Spaces today don’t need to be curated, but occupied.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#127: Remain practical: what happens to the work in an endless exhibition?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#64: Arrange a distribution of forces.|#29: We make the program for the artist that we exhibit.|#32: Be pan-gender polyphonic.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#65: No excuses: Thursday morning, team meeting.|#14: Can you also remain a toddler institution?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#6: Demand that visitors are active.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#34: We pay artists.|#82: Clean and sterile looks professional, but really boring.|#36: We support production separately.|#10: Don’t be obsessed with numbers.|#137: Use the publication as programming space|#2: Bring something new to the city of Ghent.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#28: Make Contracts.|#16: Kunsthal Gent will always be a construction site.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#92: We’re a learning organisation.|#54: What about disabled artists?|#90: The best systems have a failure or ‘a hole’ in them…|#37: Operate with radical transparency.|#105: Kunsthal Gent is local in scale, but globally connected.|#74: Last one out turns of the lights.|#30: Don’t work with artists who are assholes.|#99: Evolve according to changing needs.|#98: The success of it will not lie in the result but in the process.|#39: Be the early stepping stone in an artist’s career|#89: Build-in impurity within the organisation.|#35: The artist fee should be good.|#55: Keep basic human needs on the forefront.|#51: How do we invite the true unknown?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#61: No all male install teams.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#4: Pay what you can.|#20: Are exhibitions the most suitable form for the art that we present?|#59: Always protect the floor when painting (or pouring concrete)|#19: Have fun at the exhibition.|#62: Don’t be a dick. Full dishwasher: empty it.|#81: Things come alive when there is friction.|#15: Kunsthal Gent aims to be an extension of public space.|#117: Consider design, organisational structures and architecture as programme.|#119: Be a space of production.|#84: The White Cube is a lie.|#21: Live with the exhibition, spend time with it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#40: Follow the artist|#91: Embrace doubt.|#94: No objections? Just do it.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#124: Do less, do it better.|#53: Immaterial support for artists is important.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#44: No name tags at dinner.|#107: Build a community / scene.|#26: More artists, less borders.|#17: An exhibition is never finished.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#68: Once in a while we need to get out of utopia and get something done.|#132: Things will always look weird when you’re the first doing it.|#56: Take a lunch break.|#111: Do it together.|#112: Spaces today don’t need to be curated, but occupied.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#127: Remain practical: what happens to the work in an endless exhibition?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#64: Arrange a distribution of forces.|#29: We make the program for the artist that we exhibit.|#32: Be pan-gender polyphonic.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#65: No excuses: Thursday morning, team meeting.|#14: Can you also remain a toddler institution?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#6: Demand that visitors are active.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#34: We pay artists.|#82: Clean and sterile looks professional, but really boring.|#36: We support production separately.|#10: Don’t be obsessed with numbers.|#137: Use the publication as programming space|#2: Bring something new to the city of Ghent.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#28: Make Contracts.|#16: Kunsthal Gent will always be a construction site.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#92: We’re a learning organisation.|#54: What about disabled artists?|#90: The best systems have a failure or ‘a hole’ in them…|#37: Operate with radical transparency.|#105: Kunsthal Gent is local in scale, but globally connected.|#74: Last one out turns of the lights.|#30: Don’t work with artists who are assholes.|#99: Evolve according to changing needs.|#98: The success of it will not lie in the result but in the process.|#39: Be the early stepping stone in an artist’s career|#89: Build-in impurity within the organisation.|#35: The artist fee should be good.|
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29.01.2020 20:00

workshop

Pay what you can

NUCLEO en Centrum Kunstarchieven Vlaanderen presenteren:
HET KUNSTARCHIEF

NUCLEO en CKV - Centrum Kunstarchieven Vlaanderen presenteren:

HET KUNSTARCHIEF — een introductie tot de do’s en don’ts van het archiveren
door Jan Stuyck, medewerker Centrum Kunstarchieven Vlaanderen

Max 20 personen, duur: 90 min
Inschrijven: bit.ly/2tJ2JGG

Een archief is voor een kunstenaar van fundamenteel belang, of hij er nu bewust mee bezig is of niet. In een archief komt de meest uiteenlopende informatie samen. Dit kan gaan van beelden en teksten die inspiratie bieden, tot foto’s, correspondentie en een inventaris/overzicht van zijn of haar kunstwerken, facturen en e-mailverkeer. Zowel fysieke, papieren documenten als digitale bestanden maken deel uit van het archief. Bovendien zijn deze documenten onlosmakelijk verbonden met de kern van de artistieke praktijk: de kunstwerken zelf.

Wat kan van belang zijn om bij te houden, en waarom? En op welke manier kan je documenten het beste bewaren? Het Centrum voor Kunstarchieven Vlaanderen (CKV) biedt een introductie tot de do’s en don’ts van het archiveren en biedt handige en eenvoudige methodes om zelf aan de slag te gaan.

Praktisch
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De workshop rond archivering bestaat uit een introductie tot het hoe en het waarom van archiefvorming en archiefbeheer. Vervolgens gaan we aan de slag om samen de mogelijk stappen tot archiefzorg te formuleren en uit te proberen. We tonen met praktische voorbeelden en situaties hoe je een kunstarchief kan bewaren, sorteren, beschrijven en ontsluiten om het toegankelijk te maken voor anderen. Daarbij kijken we ook naar enkele geslaagde projecten.

Aantal deelnemers
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Maximum 20 deelnemers. De introductie is toegankelijk voor alle leeftijden en ongeacht de artistieke praktijk: van sculptuur, schilderkunst en fotografie tot performance, videokunst en installatie. We behouden graag ook tijd voor vragen en antwoorden van deelnemers, om ervaringen uit te wisselen, en stimuleren een groepsgesprek.

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Meer info over CKV? Zie Instagram of Facebook: @ckvcentrum
Het CKV werd opgericht in januari 2019 en is een centrale hub voor de gedistribueerde zorg voor kunstarchieven en nalatenschappen.

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beeld: fotoarchief atelier Luc Peire – Stichting Jenny & Luc Peire, Knokke.

Nucleo Luc Peire