#112: Spaces today don’t need to be curated, but occupied.|#14: Can you also remain a toddler institution?|#89: Build-in impurity within the organisation.|#59: Always protect the floor when painting (or pouring concrete)|#56: Take a lunch break.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#36: We support production separately.|#55: Keep basic human needs on the forefront.|#30: Don’t work with artists who are assholes.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#82: Clean and sterile looks professional, but really boring.|#99: Evolve according to changing needs.|#127: Remain practical: what happens to the work in an endless exhibition?|#84: The White Cube is a lie.|#68: Once in a while we need to get out of utopia and get something done.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#39: Be the early stepping stone in an artist’s career|#62: Be kind. Full dishwasher: empty it.|#28: Make Contracts.|#107: Build a community / scene.|#137: Use the publication as programming space|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#26: More artists, less borders.|#37: Operate with radical transparency.|#112: Spaces today don’t need to be curated, but occupied.|#14: Can you also remain a toddler institution?|#89: Build-in impurity within the organisation.|#59: Always protect the floor when painting (or pouring concrete)|#56: Take a lunch break.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#36: We support production separately.|#55: Keep basic human needs on the forefront.|#30: Don’t work with artists who are assholes.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#82: Clean and sterile looks professional, but really boring.|#99: Evolve according to changing needs.|#127: Remain practical: what happens to the work in an endless exhibition?|#84: The White Cube is a lie.|#68: Once in a while we need to get out of utopia and get something done.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#39: Be the early stepping stone in an artist’s career|#62: Be kind. Full dishwasher: empty it.|#28: Make Contracts.|#107: Build a community / scene.|#137: Use the publication as programming space|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#26: More artists, less borders.|#37: Operate with radical transparency.|
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25.11.2021 19:00

CAVEAT reading room #17, collectieve leesssie

Pay what you can

GRACE NDIRITU:
Holistic Reading room

Holistic Reading room (ENG)

Donderdag 25 november, 19.00, KHG#1
Deuren open vanaf 18.00 uur voor een bezoek aan het onderzoeksarchief dat Grace Ndiritu in samenwerking met Jubilee heeft ontworpen.

Collectieve leessessie van Giorgio Agamben's filosofische boek over de wet van het samenleven - "The Highest Poverty: Monastic Rules and Form-of-Life", waarin het leven van de monniken in detail wordt gereconstrueerd, met hun obsessieve aandacht voor de markering van tijd en voor de geloofsregel, voor ascetische technieken en de liturgie.

De leessessie wordt afgewisseld door momenten van stilte meditatie onder leiding van Grace Ndiritu en gecontextualiseerd door Julie Van Elslande (Jubilee), vanuit haar onderzoek naar het leven van de vorige monastieke bewoners van het gebouw.

GHENT: HOW TO LIVE TOGETHER

Dit event maakt deel uit van GHENT: HOW TO LIVE TOGETHER - a Season of Truth and Reconciliation.

Kunstenaar Grace Ndiritu onderzoekt (in samenwerking met Jubilee) hoe de site van het vroegere Caermersklooster, waar de belangen van de verschillende personen en organisaties die de site gebruiken of bezitten in conflict staan met elkaar, kan dienen als model voor de praktijk van ‘commoning’ of gemeenschappelijk gebruik.


Beeld:
Codex of Montecassino, Archivio dell'Abbazia

Volledig programma - a season of truth and reconciliation
READINGROOM1

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