#44: No name tags at dinner.|#32: Be pan-gender polyphonic.|#112: Spaces today don’t need to be curated, but occupied.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#132: Things will always look weird when you’re the first doing it.|#99: Evolve according to changing needs.|#20: Are exhibitions the most suitable form for the art that we present?|#37: Operate with radical transparency.|#15: Kunsthal Gent aims to be an extension of public space.|#92: We’re a learning organisation.|#82: Clean and sterile looks professional, but really boring.|#35: The artist fee should be good.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#61: No all male install teams.|#64: Arrange a distribution of forces.|#74: Last one out turns of the lights.|#14: Can you also remain a toddler institution?|#51: How do we invite the true unknown?|#94: No objections? Just do it.|#2: Bring something new to the city of Ghent.|#17: An exhibition is never finished.|#40: Follow the artist|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#21: Live with the exhibition, spend time with it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#44: No name tags at dinner.|#32: Be pan-gender polyphonic.|#112: Spaces today don’t need to be curated, but occupied.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#132: Things will always look weird when you’re the first doing it.|#99: Evolve according to changing needs.|#20: Are exhibitions the most suitable form for the art that we present?|#37: Operate with radical transparency.|#15: Kunsthal Gent aims to be an extension of public space.|#92: We’re a learning organisation.|#82: Clean and sterile looks professional, but really boring.|#35: The artist fee should be good.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#61: No all male install teams.|#64: Arrange a distribution of forces.|#74: Last one out turns of the lights.|#14: Can you also remain a toddler institution?|#51: How do we invite the true unknown?|#94: No objections? Just do it.|#2: Bring something new to the city of Ghent.|#17: An exhibition is never finished.|#40: Follow the artist|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#21: Live with the exhibition, spend time with it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|
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25.11.2021 19:00

CAVEAT reading room #17, collectieve leesssie

Pay what you can

Grace Ndiritu:
Holistic Reading room

Holistic Reading room (ENG)

Donderdag 25 november, 19.00, KHG#1
Deuren open vanaf 18.00 uur voor een bezoek aan het onderzoeksarchief dat Grace Ndiritu in samenwerking met Jubilee heeft ontworpen.

Collectieve leessessie van Giorgio Agamben's filosofische boek over de wet van het samenleven - "The Highest Poverty: Monastic Rules and Form-of-Life", waarin het leven van de monniken in detail wordt gereconstrueerd, met hun obsessieve aandacht voor de markering van tijd en voor de geloofsregel, voor ascetische technieken en de liturgie.

De leessessie wordt afgewisseld door momenten van stilte meditatie onder leiding van Grace Ndiritu en gecontextualiseerd door Julie Van Elslande (Jubilee), vanuit haar onderzoek naar het leven van de vorige monastieke bewoners van het gebouw.

GHENT: HOW TO LIVE TOGETHER

Dit event maakt deel uit van GHENT: HOW TO LIVE TOGETHER - a Season of Truth and Reconciliation.

Kunstenaar Grace Ndiritu onderzoekt (in samenwerking met Jubilee) hoe de site van het vroegere Caermersklooster, waar de belangen van de verschillende personen en organisaties die de site gebruiken of bezitten in conflict staan met elkaar, kan dienen als model voor de praktijk van ‘commoning’ of gemeenschappelijk gebruik.


Beeld:
Codex of Montecassino, Archivio dell'Abbazia

Volledig programma - a season of truth and reconciliation
READINGROOM1

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