#21: Live with the exhibition, spend time with it.|#34: We pay artists.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#82: Clean and sterile looks professional, but really boring.|#20: Are exhibitions the most suitable form for the art that we present?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#62: Be kind. Full dishwasher: empty it.|#92: We’re a learning organisation.|#36: We support production separately.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#111: Do it together.|#56: Take a lunch break.|#28: Make Contracts.|#15: Kunsthal Gent aims to be an extension of public space.|#81: Things come alive when there is friction.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#51: How do we invite the true unknown?|#35: The artist fee should be good.|#98: The success of it will not lie in the result but in the process.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#68: Once in a while we need to get out of utopia and get something done.|#74: Last one out turns of the lights.|#29: We make the program for the artist that we exhibit.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#91: Embrace doubt.|#21: Live with the exhibition, spend time with it.|#34: We pay artists.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#82: Clean and sterile looks professional, but really boring.|#20: Are exhibitions the most suitable form for the art that we present?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#62: Be kind. Full dishwasher: empty it.|#92: We’re a learning organisation.|#36: We support production separately.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#111: Do it together.|#56: Take a lunch break.|#28: Make Contracts.|#15: Kunsthal Gent aims to be an extension of public space.|#81: Things come alive when there is friction.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#51: How do we invite the true unknown?|#35: The artist fee should be good.|#98: The success of it will not lie in the result but in the process.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#68: Once in a while we need to get out of utopia and get something done.|#74: Last one out turns of the lights.|#29: We make the program for the artist that we exhibit.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#91: Embrace doubt.|
Deze website maakt gebruik van cookies om uw gebruikservaring te verbeteren. Meer informatie

25.11.2021 19:00

CAVEAT reading room #17, collectieve leesssie

Pay what you can

Grace Ndiritu:
Holistic Reading room

Holistic Reading room (ENG)

Donderdag 25 november, 19.00, KHG#1
Deuren open vanaf 18.00 uur voor een bezoek aan het onderzoeksarchief dat Grace Ndiritu in samenwerking met Jubilee heeft ontworpen.

Collectieve leessessie van Giorgio Agamben's filosofische boek over de wet van het samenleven - "The Highest Poverty: Monastic Rules and Form-of-Life", waarin het leven van de monniken in detail wordt gereconstrueerd, met hun obsessieve aandacht voor de markering van tijd en voor de geloofsregel, voor ascetische technieken en de liturgie.

De leessessie wordt afgewisseld door momenten van stilte meditatie onder leiding van Grace Ndiritu en gecontextualiseerd door Julie Van Elslande (Jubilee), vanuit haar onderzoek naar het leven van de vorige monastieke bewoners van het gebouw.

GHENT: HOW TO LIVE TOGETHER

Dit event maakt deel uit van GHENT: HOW TO LIVE TOGETHER - a Season of Truth and Reconciliation.

Kunstenaar Grace Ndiritu onderzoekt (in samenwerking met Jubilee) hoe de site van het vroegere Caermersklooster, waar de belangen van de verschillende personen en organisaties die de site gebruiken of bezitten in conflict staan met elkaar, kan dienen als model voor de praktijk van ‘commoning’ of gemeenschappelijk gebruik.


Beeld:
Codex of Montecassino, Archivio dell'Abbazia

Volledig programma - a season of truth and reconciliation
READINGROOM1

GERELATEERDE WERKPERIODES