#44: No name tags at dinner.|#32: Be pan-gender polyphonic.|#112: Spaces today don’t need to be curated, but occupied.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#132: Things will always look weird when you’re the first doing it.|#99: Evolve according to changing needs.|#20: Are exhibitions the most suitable form for the art that we present?|#37: Operate with radical transparency.|#15: Kunsthal Gent aims to be an extension of public space.|#92: We’re a learning organisation.|#82: Clean and sterile looks professional, but really boring.|#35: The artist fee should be good.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#61: No all male install teams.|#64: Arrange a distribution of forces.|#74: Last one out turns of the lights.|#14: Can you also remain a toddler institution?|#51: How do we invite the true unknown?|#94: No objections? Just do it.|#2: Bring something new to the city of Ghent.|#17: An exhibition is never finished.|#40: Follow the artist|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#21: Live with the exhibition, spend time with it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#44: No name tags at dinner.|#32: Be pan-gender polyphonic.|#112: Spaces today don’t need to be curated, but occupied.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#132: Things will always look weird when you’re the first doing it.|#99: Evolve according to changing needs.|#20: Are exhibitions the most suitable form for the art that we present?|#37: Operate with radical transparency.|#15: Kunsthal Gent aims to be an extension of public space.|#92: We’re a learning organisation.|#82: Clean and sterile looks professional, but really boring.|#35: The artist fee should be good.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#61: No all male install teams.|#64: Arrange a distribution of forces.|#74: Last one out turns of the lights.|#14: Can you also remain a toddler institution?|#51: How do we invite the true unknown?|#94: No objections? Just do it.|#2: Bring something new to the city of Ghent.|#17: An exhibition is never finished.|#40: Follow the artist|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#21: Live with the exhibition, spend time with it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|
