#36: We support production separately.|#59: Always protect the floor when painting (or pouring concrete)|#54: What about disabled artists?|#99: Evolve according to changing needs.|#17: An exhibition is never finished.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#119: Be a space of production.|#62: Be kind. Full dishwasher: empty it.|#19: Have fun at the exhibition.|#15: Kunsthal Gent aims to be an extension of public space.|#2: Bring something new to the city of Ghent.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#61: No all male install teams.|#40: Follow the artist|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#117: Consider design, organisational structures and architecture as programme.|#6: Demand that visitors are active.|#137: Use the publication as programming space|#127: Remain practical: what happens to the work in an endless exhibition?|#39: Be the early stepping stone in an artist’s career|#65: No excuses: Thursday morning, team meeting.|#51: How do we invite the true unknown?|#36: We support production separately.|#59: Always protect the floor when painting (or pouring concrete)|#54: What about disabled artists?|#99: Evolve according to changing needs.|#17: An exhibition is never finished.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#119: Be a space of production.|#62: Be kind. Full dishwasher: empty it.|#19: Have fun at the exhibition.|#15: Kunsthal Gent aims to be an extension of public space.|#2: Bring something new to the city of Ghent.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#61: No all male install teams.|#40: Follow the artist|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#117: Consider design, organisational structures and architecture as programme.|#6: Demand that visitors are active.|#137: Use the publication as programming space|#127: Remain practical: what happens to the work in an endless exhibition?|#39: Be the early stepping stone in an artist’s career|#65: No excuses: Thursday morning, team meeting.|#51: How do we invite the true unknown?|
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25.11.2021 19:00

CAVEAT reading room #17, collectieve leesssie

Pay what you can

Grace Ndiritu:
Holistic Reading room

Holistic Reading room (ENG)

Donderdag 25 november, 19.00, KHG#1
Deuren open vanaf 18.00 uur voor een bezoek aan het onderzoeksarchief dat Grace Ndiritu in samenwerking met Jubilee heeft ontworpen.

Collectieve leessessie van Giorgio Agamben's filosofische boek over de wet van het samenleven - "The Highest Poverty: Monastic Rules and Form-of-Life", waarin het leven van de monniken in detail wordt gereconstrueerd, met hun obsessieve aandacht voor de markering van tijd en voor de geloofsregel, voor ascetische technieken en de liturgie.

De leessessie wordt afgewisseld door momenten van stilte meditatie onder leiding van Grace Ndiritu en gecontextualiseerd door Julie Van Elslande (Jubilee), vanuit haar onderzoek naar het leven van de vorige monastieke bewoners van het gebouw.

GHENT: HOW TO LIVE TOGETHER

Dit event maakt deel uit van GHENT: HOW TO LIVE TOGETHER - a Season of Truth and Reconciliation.

Kunstenaar Grace Ndiritu onderzoekt (in samenwerking met Jubilee) hoe de site van het vroegere Caermersklooster, waar de belangen van de verschillende personen en organisaties die de site gebruiken of bezitten in conflict staan met elkaar, kan dienen als model voor de praktijk van ‘commoning’ of gemeenschappelijk gebruik.


Beeld:
Codex of Montecassino, Archivio dell'Abbazia

Volledig programma - a season of truth and reconciliation
READINGROOM1

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