#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#132: Things will always look weird when you’re the first doing it.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#98: The success of it will not lie in the result but in the process.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#107: Build a community / scene.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#32: Be pan-gender polyphonic.|#21: Live with the exhibition, spend time with it.|#81: Things come alive when there is friction.|#105: Kunsthal Gent is local in scale, but globally connected.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#54: What about disabled artists?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#6: Demand that visitors are active.|#117: Consider design, organisational structures and architecture as programme.|#16: Kunsthal Gent will always be a construction site.|#4: Pay what you can.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#62: Be kind. Full dishwasher: empty it.|#137: Use the publication as programming space|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#19: Have fun at the exhibition.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#132: Things will always look weird when you’re the first doing it.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#98: The success of it will not lie in the result but in the process.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#107: Build a community / scene.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#32: Be pan-gender polyphonic.|#21: Live with the exhibition, spend time with it.|#81: Things come alive when there is friction.|#105: Kunsthal Gent is local in scale, but globally connected.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#54: What about disabled artists?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#6: Demand that visitors are active.|#117: Consider design, organisational structures and architecture as programme.|#16: Kunsthal Gent will always be a construction site.|#4: Pay what you can.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#62: Be kind. Full dishwasher: empty it.|#137: Use the publication as programming space|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#19: Have fun at the exhibition.|