#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#65: No excuses: Thursday morning, team meeting.|#2: Bring something new to the city of Ghent.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#119: Be a space of production.|#10: Don’t be obsessed with numbers.|#127: Remain practical: what happens to the work in an endless exhibition?|#32: Be pan-gender polyphonic.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#34: We pay artists.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#17: An exhibition is never finished.|#15: Kunsthal Gent aims to be an extension of public space.|#56: Take a lunch break.|#40: Follow the artist|#26: More artists, less borders.|#30: Don’t work with artists who are assholes.|#124: Do less, do it better.|#84: The White Cube is a lie.|#92: We’re a learning organisation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#6: Demand that visitors are active.|#89: Build-in impurity within the organisation.|#36: We support production separately.|#107: Build a community / scene.|#112: Spaces today don’t need to be curated, but occupied.|#98: The success of it will not lie in the result but in the process.|#16: Kunsthal Gent will always be a construction site.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#68: Once in a while we need to get out of utopia and get something done.|#99: Evolve according to changing needs.|#51: How do we invite the true unknown?|#82: Clean and sterile looks professional, but really boring.|#94: No objections? Just do it.|#39: Be the early stepping stone in an artist’s career|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#14: Can you also remain a toddler institution?|#28: Make Contracts.|#44: No name tags at dinner.|#54: What about disabled artists?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#74: Last one out turns of the lights.|#59: Always protect the floor when painting (or pouring concrete)|#132: Things will always look weird when you’re the first doing it.|#37: Operate with radical transparency.|#19: Have fun at the exhibition.|#55: Keep basic human needs on the forefront.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#90: The best systems have a failure or ‘a hole’ in them…|#61: No all male install teams.|#4: Pay what you can.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#137: Use the publication as programming space|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#111: Do it together.|#62: Don’t be a dick. Full dishwasher: empty it.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#105: Kunsthal Gent is local in scale, but globally connected.|#91: Embrace doubt.|#21: Live with the exhibition, spend time with it.|#81: Things come alive when there is friction.|#64: Arrange a distribution of forces.|#53: Immaterial support for artists is important.|#35: The artist fee should be good.|#29: We make the program for the artist that we exhibit.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#20: Are exhibitions the most suitable form for the art that we present?|#117: Consider design, organisational structures and architecture as programme.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#65: No excuses: Thursday morning, team meeting.|#2: Bring something new to the city of Ghent.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#119: Be a space of production.|#10: Don’t be obsessed with numbers.|#127: Remain practical: what happens to the work in an endless exhibition?|#32: Be pan-gender polyphonic.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#34: We pay artists.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#17: An exhibition is never finished.|#15: Kunsthal Gent aims to be an extension of public space.|#56: Take a lunch break.|#40: Follow the artist|#26: More artists, less borders.|#30: Don’t work with artists who are assholes.|#124: Do less, do it better.|#84: The White Cube is a lie.|#92: We’re a learning organisation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#6: Demand that visitors are active.|#89: Build-in impurity within the organisation.|#36: We support production separately.|#107: Build a community / scene.|#112: Spaces today don’t need to be curated, but occupied.|#98: The success of it will not lie in the result but in the process.|#16: Kunsthal Gent will always be a construction site.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#68: Once in a while we need to get out of utopia and get something done.|#99: Evolve according to changing needs.|#51: How do we invite the true unknown?|#82: Clean and sterile looks professional, but really boring.|#94: No objections? Just do it.|#39: Be the early stepping stone in an artist’s career|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#14: Can you also remain a toddler institution?|#28: Make Contracts.|#44: No name tags at dinner.|#54: What about disabled artists?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#74: Last one out turns of the lights.|#59: Always protect the floor when painting (or pouring concrete)|#132: Things will always look weird when you’re the first doing it.|#37: Operate with radical transparency.|#19: Have fun at the exhibition.|#55: Keep basic human needs on the forefront.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#90: The best systems have a failure or ‘a hole’ in them…|#61: No all male install teams.|#4: Pay what you can.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#137: Use the publication as programming space|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#111: Do it together.|#62: Don’t be a dick. Full dishwasher: empty it.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#105: Kunsthal Gent is local in scale, but globally connected.|#91: Embrace doubt.|#21: Live with the exhibition, spend time with it.|#81: Things come alive when there is friction.|#64: Arrange a distribution of forces.|#53: Immaterial support for artists is important.|#35: The artist fee should be good.|#29: We make the program for the artist that we exhibit.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#20: Are exhibitions the most suitable form for the art that we present?|#117: Consider design, organisational structures and architecture as programme.|
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02.04.2021 20:00

lecture-performances

Pay what you can

Ja Ja Ja Nee Nee Nee:
Radio as curating

Ja Ja Ja Nee Nee Nee: Radio as curating

(Engelstalig)

20:00
Arif Kornweitz en Radna Rumping vertellen deze avond over het radio- en podcast platform Ja Ja Ja Nee Nee Nee, over hoe het medium radio als ruimte kan dienen voor hedendaagse kunst, als een platform voor het cureren en voor onderzoek. Ze laten enkele fragmenten horen uit het archief van Ja Ja Ja Nee Nee Nee (https://jajajaneeneenee.com/) Tijdens twee korte lecture-performances geven Arif en Radna inzicht in hun individuele praktijk - waar onderzoek, tekst en audiovisuele media in samenkomen.
Ja Ja Ja Nee Nee Nee (naast Radna en Arif, ook editors Femke Dekker en Reinier Klok) startte in februari met hun Development Fellowship in Kunsthal Gent. De werkperiode is voor hen een moment om onderzoek te doen naar hun eigen stem.


20:30
I would drape it (Cut Version)
lecture performance Radna Rumping

I would drape it is een tekst die Radna Rumping oorspronkelijk heeft voorgedragen op het symposium Critical Styling in Plato, Ostrava (2019). De meanderende tekst gaat over hoe ergens op te komen dagen, hoe een zin te dragen, de rol van stijl en een hyperbewuste zelfpresentatie versus improvisatie. Toch was dit misschien niet wat ze wilde zeggen, en daarom is er nu de (Cut Version) waarin zij een scheur probeert aan te brengen, als een scherpe diagonale lijn, tijdens een verblijf in Kunsthal Gent, Gent (2020).

21:00
Speaker, Broker, Stringer
lecture performance Arif Kornweitz

Met de terugkeer van het fascisme is het concept van Werktreue terug op het toneel: een uitvoering dient loyaal te zijn aan de originele tekst. Om deze gewelddadige vorm van representatie te ondervragen kijkt Arif Kornweitz naar bias, vooringenomenheid, als een houding die onbedoelde gevolgen mogelijk maakt. Hoe verandert de fluïditeit van een stof na een diagonale snede in het materiaal?


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Ja Ja Ja Nee Nee Nee
is een online radio collectief en podcast uit Amsterdam. Het collectief maakt live radio met kunstenaars, op eigen initiatief en vanuit culturele instellingen. Ja Ja Ja Nee Nee Nee is ook een online ruimte voor geluidskunst en sonisch materiaal dat voortkomt uit artistiek onderzoek, installaties en performances. De uitzendingen bieden een intieme ruimte voor reflecties op artistieke praktijken en gemeenschappen. Ja Ja Ja Nee Nee Nee werd in 2015 opgericht door Orpheu de Jong, Arif Kornweitz en Radna Rumping, en bestaat uit een team van redacteuren, waaronder Femke Dekker, Reinier Klok, Arif Kornweitz en Radna Rumping, met Monty Mouw als vaste producer. In het archief op www.jajajaneeneenee.com zijn inmiddels meer dan 130 uitzendingen terug te beluisteren. Daarnaast is er sinds 2018 een podcast, gehost door Arif en Radna, met hoogtepunten uit het archief en nieuwe geluidsbijdragen van kunstenaars in de vorm van ‘voice messages’.

Jajajaneeneenee2