#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#117: Consider design, organisational structures and architecture as programme.|#74: Last one out turns of the lights.|#19: Have fun at the exhibition.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#56: Take a lunch break.|#64: Arrange a distribution of forces.|#37: Operate with radical transparency.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#111: Do it together.|#81: Things come alive when there is friction.|#29: We make the program for the artist that we exhibit.|#10: Don’t be obsessed with numbers.|#59: Always protect the floor when painting (or pouring concrete)|#124: Do less, do it better.|#68: Once in a while we need to get out of utopia and get something done.|#17: An exhibition is never finished.|#94: No objections? Just do it.|#2: Bring something new to the city of Ghent.|#107: Build a community / scene.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#137: Use the publication as programming space|#105: Kunsthal Gent is local in scale, but globally connected.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#117: Consider design, organisational structures and architecture as programme.|#74: Last one out turns of the lights.|#19: Have fun at the exhibition.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#56: Take a lunch break.|#64: Arrange a distribution of forces.|#37: Operate with radical transparency.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#111: Do it together.|#81: Things come alive when there is friction.|#29: We make the program for the artist that we exhibit.|#10: Don’t be obsessed with numbers.|#59: Always protect the floor when painting (or pouring concrete)|#124: Do less, do it better.|#68: Once in a while we need to get out of utopia and get something done.|#17: An exhibition is never finished.|#94: No objections? Just do it.|#2: Bring something new to the city of Ghent.|#107: Build a community / scene.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#137: Use the publication as programming space|#105: Kunsthal Gent is local in scale, but globally connected.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|
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28.10.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
James Benning

11 x 14, James Benning
—US, 1976, 81’, kleur, 35mm

James Bennings eerste lange speelfilm 11 x 14 is een mijlpaal in de Amerikaanse avant-garde. Doorheen 65 subliem uitgewerkte shots van het provinciale leven en de voorstedelijke huiselijkheid voert deze travelogue je naar het landelijke Amerika en de grauwe sloppenwijken van Chicago met de – op dat moment – hoogste wolkenkrabber ter wereld als verdwijnpunt.

Tickets: 8 euro / 5 euro (reductie)

Voor meer informatie:
https://offoff.be/events/james-benning/

OEFM Benning 11x14 06 1024x768