#20: Are exhibitions the most suitable form for the art that we present?|#132: Things will always look weird when you’re the first doing it.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#26: More artists, less borders.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#84: The White Cube is a lie.|#16: Kunsthal Gent will always be a construction site.|#68: Once in a while we need to get out of utopia and get something done.|#74: Last one out turns of the lights.|#10: Don’t be obsessed with numbers.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#124: Do less, do it better.|#53: Immaterial support for artists is important.|#21: Live with the exhibition, spend time with it.|#35: The artist fee should be good.|#37: Operate with radical transparency.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#6: Demand that visitors are active.|#39: Be the early stepping stone in an artist’s career|#98: The success of it will not lie in the result but in the process.|#91: Embrace doubt.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#29: We make the program for the artist that we exhibit.|#137: Use the publication as programming space|#20: Are exhibitions the most suitable form for the art that we present?|#132: Things will always look weird when you’re the first doing it.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#26: More artists, less borders.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#84: The White Cube is a lie.|#16: Kunsthal Gent will always be a construction site.|#68: Once in a while we need to get out of utopia and get something done.|#74: Last one out turns of the lights.|#10: Don’t be obsessed with numbers.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#124: Do less, do it better.|#53: Immaterial support for artists is important.|#21: Live with the exhibition, spend time with it.|#35: The artist fee should be good.|#37: Operate with radical transparency.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#6: Demand that visitors are active.|#39: Be the early stepping stone in an artist’s career|#98: The success of it will not lie in the result but in the process.|#91: Embrace doubt.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#29: We make the program for the artist that we exhibit.|#137: Use the publication as programming space|