#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#36: We support production separately.|#19: Have fun at the exhibition.|#39: Be the early stepping stone in an artist’s career|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#15: Kunsthal Gent aims to be an extension of public space.|#37: Operate with radical transparency.|#99: Evolve according to changing needs.|#105: Kunsthal Gent is local in scale, but globally connected.|#44: No name tags at dinner.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#84: The White Cube is a lie.|#90: The best systems have a failure or ‘a hole’ in them…|#112: Spaces today don’t need to be curated, but occupied.|#53: Immaterial support for artists is important.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#55: Keep basic human needs on the forefront.|#21: Live with the exhibition, spend time with it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#32: Be pan-gender polyphonic.|#62: Be kind. Full dishwasher: empty it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#17: An exhibition is never finished.|#26: More artists, less borders.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#36: We support production separately.|#19: Have fun at the exhibition.|#39: Be the early stepping stone in an artist’s career|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#15: Kunsthal Gent aims to be an extension of public space.|#37: Operate with radical transparency.|#99: Evolve according to changing needs.|#105: Kunsthal Gent is local in scale, but globally connected.|#44: No name tags at dinner.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#84: The White Cube is a lie.|#90: The best systems have a failure or ‘a hole’ in them…|#112: Spaces today don’t need to be curated, but occupied.|#53: Immaterial support for artists is important.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#55: Keep basic human needs on the forefront.|#21: Live with the exhibition, spend time with it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#32: Be pan-gender polyphonic.|#62: Be kind. Full dishwasher: empty it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#17: An exhibition is never finished.|#26: More artists, less borders.|