#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#94: No objections? Just do it.|#6: Demand that visitors are active.|#61: No all male install teams.|#68: Once in a while we need to get out of utopia and get something done.|#111: Do it together.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#56: Take a lunch break.|#107: Build a community / scene.|#124: Do less, do it better.|#40: Follow the artist|#14: Can you also remain a toddler institution?|#2: Bring something new to the city of Ghent.|#20: Are exhibitions the most suitable form for the art that we present?|#21: Live with the exhibition, spend time with it.|#119: Be a space of production.|#81: Things come alive when there is friction.|#34: We pay artists.|#51: How do we invite the true unknown?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#55: Keep basic human needs on the forefront.|#127: Remain practical: what happens to the work in an endless exhibition?|#98: The success of it will not lie in the result but in the process.|#117: Consider design, organisational structures and architecture as programme.|#112: Spaces today don’t need to be curated, but occupied.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#94: No objections? Just do it.|#6: Demand that visitors are active.|#61: No all male install teams.|#68: Once in a while we need to get out of utopia and get something done.|#111: Do it together.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#56: Take a lunch break.|#107: Build a community / scene.|#124: Do less, do it better.|#40: Follow the artist|#14: Can you also remain a toddler institution?|#2: Bring something new to the city of Ghent.|#20: Are exhibitions the most suitable form for the art that we present?|#21: Live with the exhibition, spend time with it.|#119: Be a space of production.|#81: Things come alive when there is friction.|#34: We pay artists.|#51: How do we invite the true unknown?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#55: Keep basic human needs on the forefront.|#127: Remain practical: what happens to the work in an endless exhibition?|#98: The success of it will not lie in the result but in the process.|#117: Consider design, organisational structures and architecture as programme.|#112: Spaces today don’t need to be curated, but occupied.|
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28.10.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
James Benning

11 x 14, James Benning
—US, 1976, 81’, kleur, 35mm

James Bennings eerste lange speelfilm 11 x 14 is een mijlpaal in de Amerikaanse avant-garde. Doorheen 65 subliem uitgewerkte shots van het provinciale leven en de voorstedelijke huiselijkheid voert deze travelogue je naar het landelijke Amerika en de grauwe sloppenwijken van Chicago met de – op dat moment – hoogste wolkenkrabber ter wereld als verdwijnpunt.

Tickets: 8 euro / 5 euro (reductie)

Voor meer informatie:
https://offoff.be/events/james-benning/

OEFM Benning 11x14 06 1024x768