#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#94: No objections? Just do it.|#6: Demand that visitors are active.|#61: No all male install teams.|#68: Once in a while we need to get out of utopia and get something done.|#111: Do it together.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#56: Take a lunch break.|#107: Build a community / scene.|#124: Do less, do it better.|#40: Follow the artist|#14: Can you also remain a toddler institution?|#2: Bring something new to the city of Ghent.|#20: Are exhibitions the most suitable form for the art that we present?|#21: Live with the exhibition, spend time with it.|#119: Be a space of production.|#81: Things come alive when there is friction.|#34: We pay artists.|#51: How do we invite the true unknown?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#55: Keep basic human needs on the forefront.|#127: Remain practical: what happens to the work in an endless exhibition?|#98: The success of it will not lie in the result but in the process.|#117: Consider design, organisational structures and architecture as programme.|#112: Spaces today don’t need to be curated, but occupied.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#94: No objections? Just do it.|#6: Demand that visitors are active.|#61: No all male install teams.|#68: Once in a while we need to get out of utopia and get something done.|#111: Do it together.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#56: Take a lunch break.|#107: Build a community / scene.|#124: Do less, do it better.|#40: Follow the artist|#14: Can you also remain a toddler institution?|#2: Bring something new to the city of Ghent.|#20: Are exhibitions the most suitable form for the art that we present?|#21: Live with the exhibition, spend time with it.|#119: Be a space of production.|#81: Things come alive when there is friction.|#34: We pay artists.|#51: How do we invite the true unknown?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#55: Keep basic human needs on the forefront.|#127: Remain practical: what happens to the work in an endless exhibition?|#98: The success of it will not lie in the result but in the process.|#117: Consider design, organisational structures and architecture as programme.|#112: Spaces today don’t need to be curated, but occupied.|