#82: Clean and sterile looks professional, but really boring.|#91: Embrace doubt.|#54: What about disabled artists?|#15: Kunsthal Gent aims to be an extension of public space.|#17: An exhibition is never finished.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#59: Always protect the floor when painting (or pouring concrete)|#98: The success of it will not lie in the result but in the process.|#30: Don’t work with artists who are assholes.|#32: Be pan-gender polyphonic.|#132: Things will always look weird when you’re the first doing it.|#21: Live with the exhibition, spend time with it.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#40: Follow the artist|#29: We make the program for the artist that we exhibit.|#124: Do less, do it better.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#107: Build a community / scene.|#94: No objections? Just do it.|#137: Use the publication as programming space|#64: Arrange a distribution of forces.|#92: We’re a learning organisation.|#105: Kunsthal Gent is local in scale, but globally connected.|#37: Operate with radical transparency.|#82: Clean and sterile looks professional, but really boring.|#91: Embrace doubt.|#54: What about disabled artists?|#15: Kunsthal Gent aims to be an extension of public space.|#17: An exhibition is never finished.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#59: Always protect the floor when painting (or pouring concrete)|#98: The success of it will not lie in the result but in the process.|#30: Don’t work with artists who are assholes.|#32: Be pan-gender polyphonic.|#132: Things will always look weird when you’re the first doing it.|#21: Live with the exhibition, spend time with it.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#40: Follow the artist|#29: We make the program for the artist that we exhibit.|#124: Do less, do it better.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#107: Build a community / scene.|#94: No objections? Just do it.|#137: Use the publication as programming space|#64: Arrange a distribution of forces.|#92: We’re a learning organisation.|#105: Kunsthal Gent is local in scale, but globally connected.|#37: Operate with radical transparency.|
