#14: Can you also remain a toddler institution?|#17: An exhibition is never finished.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#37: Operate with radical transparency.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#15: Kunsthal Gent aims to be an extension of public space.|#132: Things will always look weird when you’re the first doing it.|#32: Be pan-gender polyphonic.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#74: Last one out turns of the lights.|#99: Evolve according to changing needs.|#21: Live with the exhibition, spend time with it.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#127: Remain practical: what happens to the work in an endless exhibition?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#20: Are exhibitions the most suitable form for the art that we present?|#44: No name tags at dinner.|#26: More artists, less borders.|#105: Kunsthal Gent is local in scale, but globally connected.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#119: Be a space of production.|#29: We make the program for the artist that we exhibit.|#14: Can you also remain a toddler institution?|#17: An exhibition is never finished.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#37: Operate with radical transparency.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#15: Kunsthal Gent aims to be an extension of public space.|#132: Things will always look weird when you’re the first doing it.|#32: Be pan-gender polyphonic.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#74: Last one out turns of the lights.|#99: Evolve according to changing needs.|#21: Live with the exhibition, spend time with it.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#127: Remain practical: what happens to the work in an endless exhibition?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#20: Are exhibitions the most suitable form for the art that we present?|#44: No name tags at dinner.|#26: More artists, less borders.|#105: Kunsthal Gent is local in scale, but globally connected.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#119: Be a space of production.|#29: We make the program for the artist that we exhibit.|
