#19: Have fun at the exhibition.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#98: The success of it will not lie in the result but in the process.|#32: Be pan-gender polyphonic.|#15: Kunsthal Gent aims to be an extension of public space.|#14: Can you also remain a toddler institution?|#107: Build a community / scene.|#64: Arrange a distribution of forces.|#84: The White Cube is a lie.|#16: Kunsthal Gent will always be a construction site.|#127: Remain practical: what happens to the work in an endless exhibition?|#4: Pay what you can.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#90: The best systems have a failure or ‘a hole’ in them…|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#56: Take a lunch break.|#59: Always protect the floor when painting (or pouring concrete)|#34: We pay artists.|#91: Embrace doubt.|#21: Live with the exhibition, spend time with it.|#53: Immaterial support for artists is important.|#74: Last one out turns of the lights.|#65: No excuses: Thursday morning, team meeting.|#62: Be kind. Full dishwasher: empty it.|#55: Keep basic human needs on the forefront.|#19: Have fun at the exhibition.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#98: The success of it will not lie in the result but in the process.|#32: Be pan-gender polyphonic.|#15: Kunsthal Gent aims to be an extension of public space.|#14: Can you also remain a toddler institution?|#107: Build a community / scene.|#64: Arrange a distribution of forces.|#84: The White Cube is a lie.|#16: Kunsthal Gent will always be a construction site.|#127: Remain practical: what happens to the work in an endless exhibition?|#4: Pay what you can.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#90: The best systems have a failure or ‘a hole’ in them…|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#56: Take a lunch break.|#59: Always protect the floor when painting (or pouring concrete)|#34: We pay artists.|#91: Embrace doubt.|#21: Live with the exhibition, spend time with it.|#53: Immaterial support for artists is important.|#74: Last one out turns of the lights.|#65: No excuses: Thursday morning, team meeting.|#62: Be kind. Full dishwasher: empty it.|#55: Keep basic human needs on the forefront.|
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17.02.2020 20:00

film screenings

Pay what you can

art cinema OFFoff presenteert:
Jasper Rigole – Home Movies

Kunstenaar en filmmaker Jasper Rigole verzamelt amateurfilms, reisverslagen en familiedocumenten in het IICADOM-archief (The International Institute for the Conservation, Archiving and Distribution of Other People’s Memories). OFFoff toont twee van Rigole’s single screen films gemaakt met dergelijk archiefmateriaal.


Jasper Rigole - Paradise Recollected

BE • 2008 • 33' • kleur • 16mm

Paradise Recollected is een poëtische studie van op rommelmarkten gevonden amateurfilms die de opbloeiende vrijetijdscultuur van de jaren 1960 portretteren, met dank aan de gelijktijdige opkomst van goedkope Super 8 camera’s. Doorheen de samensmelting van een ironische mockumentary en een cine-essay verdiept de film zich in het creatieproces, de typische ingrediënten en de visuele taal van home movies.

Jasper Rigole - Temps Mort
BE • 2010 • 20' • kleur • 16mm

Temps Mort is één van de categorieën van het IICADOM, gebruikt om het beeldmateriaal dat zich op het einde van de filmrol bevond te archiveren. Deze beelden resulteerden uit de noodzaak van de amateur-filmmaker om het rolletje op te gebruiken vooraleer het ontwikkeld kon worden. In hun poging om de tijd te doden, tonen deze fragmenten geen unieke en uitverkoren momenten, maar banale, dagdagelijkse scènes.

Jasper Rigole