#68: Once in a while we need to get out of utopia and get something done.|#28: Make Contracts.|#89: Build-in impurity within the organisation.|#54: What about disabled artists?|#4: Pay what you can.|#30: Don’t work with artists who are assholes.|#81: Things come alive when there is friction.|#19: Have fun at the exhibition.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#84: The White Cube is a lie.|#92: We’re a learning organisation.|#117: Consider design, organisational structures and architecture as programme.|#82: Clean and sterile looks professional, but really boring.|#64: Arrange a distribution of forces.|#32: Be pan-gender polyphonic.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#74: Last one out turns of the lights.|#36: We support production separately.|#16: Kunsthal Gent will always be a construction site.|#62: Be kind. Full dishwasher: empty it.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#29: We make the program for the artist that we exhibit.|#90: The best systems have a failure or ‘a hole’ in them…|#68: Once in a while we need to get out of utopia and get something done.|#28: Make Contracts.|#89: Build-in impurity within the organisation.|#54: What about disabled artists?|#4: Pay what you can.|#30: Don’t work with artists who are assholes.|#81: Things come alive when there is friction.|#19: Have fun at the exhibition.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#84: The White Cube is a lie.|#92: We’re a learning organisation.|#117: Consider design, organisational structures and architecture as programme.|#82: Clean and sterile looks professional, but really boring.|#64: Arrange a distribution of forces.|#32: Be pan-gender polyphonic.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#74: Last one out turns of the lights.|#36: We support production separately.|#16: Kunsthal Gent will always be a construction site.|#62: Be kind. Full dishwasher: empty it.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#29: We make the program for the artist that we exhibit.|#90: The best systems have a failure or ‘a hole’ in them…|