#61: No all male install teams.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#17: An exhibition is never finished.|#51: How do we invite the true unknown?|#62: Be kind. Full dishwasher: empty it.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#59: Always protect the floor when painting (or pouring concrete)|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#21: Live with the exhibition, spend time with it.|#117: Consider design, organisational structures and architecture as programme.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#111: Do it together.|#15: Kunsthal Gent aims to be an extension of public space.|#29: We make the program for the artist that we exhibit.|#53: Immaterial support for artists is important.|#55: Keep basic human needs on the forefront.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#56: Take a lunch break.|#37: Operate with radical transparency.|#105: Kunsthal Gent is local in scale, but globally connected.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#2: Bring something new to the city of Ghent.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#20: Are exhibitions the most suitable form for the art that we present?|#61: No all male install teams.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#17: An exhibition is never finished.|#51: How do we invite the true unknown?|#62: Be kind. Full dishwasher: empty it.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#59: Always protect the floor when painting (or pouring concrete)|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#21: Live with the exhibition, spend time with it.|#117: Consider design, organisational structures and architecture as programme.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#111: Do it together.|#15: Kunsthal Gent aims to be an extension of public space.|#29: We make the program for the artist that we exhibit.|#53: Immaterial support for artists is important.|#55: Keep basic human needs on the forefront.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#56: Take a lunch break.|#37: Operate with radical transparency.|#105: Kunsthal Gent is local in scale, but globally connected.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#2: Bring something new to the city of Ghent.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#20: Are exhibitions the most suitable form for the art that we present?|
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02.12.2022 16:30

Publiek gedeeld moment

Pay what you can

Jubilee presents: Emptor - Whose Institution?

Na 'What does it mean to own?' en 'Whose Artwork?' is Kunsthal Gent gastheer van en deelnemer aan een derde Assembly of Practice, georganiseerd door Jubilee - Emptor: een besloten collectieve reflectie over de vraag 'Whose institution?'.

In een ontmoeting met de praktijken van de verschillende betrokken instellingen in het project (Kunsthal Gent, Jester, Apass en BUDA) onderzoekt Emptor hoe eigendom speelt binnen hun werking en invloed heeft op wie toegang heeft, wat getoond wordt en hoe we kunst valoriseren.

De reflecties situeren zich ter plaatse in dialoog met Grace Ndiritu over het ontwikkelingstraject 'Ghent:how to live together?' (Kunsthal Gent, 2021) en in de tijd door te reageren op wat er gebeurde op 'documenta #15 - lumbung 1'.

In een poging om deze reflecties te publiceren en uit te voeren verwelkomen we het publiek voor een gedeeld moment vanaf 16:30u:


Publiek programma
Jubilee

Opgericht in Brussel in 2012, heeft Jubilee zich ontwikkeld tot een meerstemmige artist-run organisatie die het werk en onderzoek van haar kunstenaars ondersteunt, evenals de projecten van geassocieerde kunstenaars binnen collectieve reflectietrajecten. Jubilee's meest uitgebreide collectieve trajecten tot nu toe zijn Caveat (2017-...) en Emptor (2021-...).

Jubilee L